exitsense
08.31.13 | ������������ |
YankeeDudel
08.31.13 | alot of this kind of shit bores me to tears, but some of it is really cool. which ones are the coolest? |
exitsense
08.31.13 | Well I like all 100 of these. This list isn't in any order; the ones I've written "highly recommended" or rated 4.5 or 5 are my favorites. |
Havey
08.31.13 | this is what i'm talking about
if you want more artwork and less � all you have to do is use the titles as they show up on the ratings pages, so for example instead of "Hatali Atsalei (L'échange des yeux)" you'd use "Hatali Atsalei (L'échange des yeux)" |
treeqt.
08.31.13 | "alot of this kind of shit bores me to tears, but some of it is really cool. which ones are the coolest?"
same. it's either 1/5 lolbad or 5/5 *'''''''''''''''''''* drool.
will give this list a proper peek when my stomach allows me to concentrate
|
Cygnatti
08.31.13 | someone needs to remind me to listen to this stuff like 5 years from now. |
treeqt.
08.31.13 | listen to 100 right now it makes your dik tingle |
Havey
08.31.13 | everything with marchetti is gold (you need to learn this in order to conquer the genre) |
Cygnatti
08.31.13 | actually been meaning to check out 32 because album art and title are funny |
Calc
08.31.13 | Recipe for a feature. |
GiaNXGX
09.01.13 | Los seres humanos no nacen para siempre el día en que sus madres los alumbran, sino que la vida los obliga a parirse a sí
mismos una y otra vez.
|
MisterTornado
09.01.13 | Fantastic gathering here Claudio. 23, 31, 32, 42, 98, and 100 are all great albums (fans of post-Confield era Autechre check out 98). Though aligning with the polarity of this type of music, I've had a hard time getting into 43, 55, and 62. Electroacoustic music warrants alot of amazing cover art (see 31, 32, 41, 43, 46, 50, 62, 64, 98, and 100); close ups of random inanimate objects, decayed buildings, enigmatic selfies, deviant typography, etc, which is what lured me into these depths in the first place. Personally I think anybody could find something to enjoy from this list, whether their into pop punk, twee pop, or brutal progressive slam death djentcore. I'm sick of the elitism that hovers around this type of music. As a whole it's certainly not for everybody, but it's varied enough that I believe there's at least one album out there for everybody; be it field recordings of distant train horns evoking a kind of embedded nostalgic nerve, percussive and sonic fuckery of the same caliber of metal and hardcore, or a couple lunar sine waves before bed. |
GiaNXGX
09.01.13 | i ♡ all of you |
exitsense
09.01.13 | :-)
Slugabed is all about the cello, warm yet sorrowful... Crosshatches and Teatro Assente do demand a more meditative mood... I guess one thing about a lot of this music is that it does tend to be more about nuances and inventing more subtle or enigmatic forms of beauty/expression, so it's understandable that much of it may not appeal to everybody. But then there are the noises or sound collages that can assault you straightforwardly. 91 is really something to blast in speakers in car with friends. And then there are the styles which are more ambient, dreamy, pretty. Whatever the style is it's all really very fascinating to discover, at least for me. |
Keyblade
09.01.13 | Well damn, awesome list. If I ever wanna get into electroacoustic, I know where to go. Bookmarked. |
Cygnatti
09.01.13 | Nado mentioned pop punk. I is in. |
MisterTornado
09.01.13 | why doesnt this have a feature. |
treeqt.
09.01.13 | i'll take it to the forums |
treeqt.
09.01.13 | that one swede was faster than me |
Havey
09.01.13 | gian is italian m8 |
treeqt.
09.01.13 | ok other swede : D |
MisterTornado
09.01.13 | this isn't just another hammy list where some atheist is pulling random experimental albums out their ass. THERE IS SINCERITY HERE. tragic. |
mindleviticus
09.01.13 | may have heard like 7 of these |
Havey
09.01.13 | did you check salmon run yet |
Cygnatti
09.01.13 | May have heard -3 of these. |
MisterTornado
09.01.13 | "May have heard -3 of these."
that blackhole. i feel you. |
mindleviticus
09.01.13 | shit i haven't I'll get on that though |
Cygnatti
09.01.13 | once you go black, you don't go back tho. :/ |
adarkishman
09.01.13 | lol |
GiaNXGX
09.02.13 | the beauty of events like this doesnt happen to be simply quantifiable for the better end. |
Winesburgohio
09.02.13 | fuck yes. bookmarked. 67 is my most listened-to album this year apparently |
sideburndude
09.02.13 | Wow this is a fantastic list |
mindleviticus
09.02.13 | 1 is fantastic |
MisterTornado
09.02.13 | rip meatplow |
MisterTornado
09.02.13 | hit that long lunar note, and let it float |
Winesburgohio
09.03.13 | also while i'm here: what does electroacoustic mean, exactly? it seems to be a vague and sweeping umbrella-term that a whole bunch of 'arty/experimental/you-know-what-i-mean' stuff falls under but i have literally no idea what it entails and no-one's descriptions are very helpful plz respond |
GiaNXGX
09.03.13 | electro as in generative electronic sounds (analog or else/aforesaid) and acoustic as in concrete/physical actions (usually catalyzed -- through -- the electronic layer) that yield sonic products noted as "electro-acoustic". trivialties such as discernment arent adressed, neither are the examplory structures that are more likely to explain it. Loose, of course, as the existence of prepared instrumentation which may as well fuse both originary premises nullifies the need for a 'electro-acoustic' tag (people who actively listen to this genre take it iffy), so it is but I guess thats part of the reason there is eaI and onkyo / to distinguish the scenes/ distinct styles.
For Improvisation: either or; Japanese aesthetic - European/North American/Spanish 'free-improvisers'
• no-input mixing board (most used by toshimaru nakamura, taku unami)
• samplers / sine wave generators (sachiko m, otomo yoshihide, noid)
• prepared guitar (taku sugimoto, tetuzi akiyama, keith rowe)
• turntables
• misc
• contact microphone
• laptops
• other prepared instrumentation (usually trumpets, clarinets, trombones or piano)
• lots of pedals
• malfunctionin radios
• tape recorders
most - if not everything else - is independent in stead of collaboration, or modern composers who partake on electroacoustic writing (a lot); musique-concrete may often appear to be electro-acoustic but not all of it is. |
Cygnatti
09.03.13 | Soooo glad someone else asked so I didn't have to. |
Winesburgohio
09.03.13 | Awesome, thanks Gian! I'm still a little bit in the dark (the name seems like a misnomer to me) but that totally clarified things somewhat - it also explains the eclecticism of the albums that fall under its classification :)))))
and ha Cyg i have no problem being that guy
...now if anyone could tell me how to effectively use the '69' sexual position with a partner who's shorter than you that would be great |
exitsense
09.03.13 | wow, i typed a very long comment and pressed submit and it said "Your comment is too long". and i pressed back and my comment disappeared... |
treeqt.
09.03.13 | #sputnik |
exitsense
09.03.13 | "electro as in generative electronic sounds (analog or else/aforesaid)": synthesized electronics in and of themselves (when not alongside manipulated acoustic sound) are generally called electronic, or electronic tape music (since it was originally done with tapes) or elektronische music (the german school of electronics, which focused more on pure synthesized electronic than on recorded acoustic sound as with the french musique concrete).
electroacoustic generally implies the manipulation of acoustic sound (as opposed to merely acoustic sound alongside electronic sound); manipulation meaning cutting up, speeding up, slowing down, reversing, layering, adding echo or feedback, placing sound through any filter which manipulates the sound, whether with tapes (as was originally done) or digitally.
"musique-concrete may often appear to be electro-acoustic but not all of it is.": it's really just about how you use the term... if you look at the wikipedia article for musique concrete it says "a form of electroacoustic music" and i don't disagree with this. musique concrete is just a french term for their style. which involved using mostly "real-world" sound like environmental sound, noises of objects, people talking, etc. and manipulating that sound into collages or soundscapes with sound effects/cutting up (although the sound can be left untreated). and they also sometimes include sounds from instruments (which can be left untreated or also manipulated) and even a bit of synthesized electronics: but generally it's the german that focused more on pure electronic. polish composers it seems did not limit themselves and used electronic, electroacoustic, and untreated field recordings and sounds of instruments and all that.
on the other hand, the RYM description for musique concrete does not mention the electroacoustic/tape/collage aspects of the style at all and only mentions that it relies "mostly on environmental/real-world sounds and noises" and "defies the common constraints and conventions music is associated with".
yes, that last bit of course, that one more aspect of these styles of music is that they tend not to be about pitch or rhythm but about texture and abstraction. they dispense with traditional song/composition structure and create more collagey/soundscapey new structures.
tape music, musique concrete, electroacoustic, elektronische, electronic (academic electronic) and sound collage basically all refer to the same kind of sound art but with each term having different implications, although only subtly different. |
Cygnatti
09.03.13 | yeah, I always copy before trying to submit my really long comments. don't usually deal with them that often anymore but it's still a force of habit. |
Cygnatti
09.03.13 | get that shit outta here, seriously. |
exitsense
09.03.13 | EAI on the other hand has its own style and different implications. because it's not post-production composition and is improvised, it doesn't involve much collage or cutting up. instead as gian said their improvisations use acoustic instruments "catalyzed through the electronic layer". or instruments like the list of examples he gave that allow the players to make noises in and of themselves with an EAI sound or allow players to manipulate the sound of their guitar or whatever instrument live.
EAI, because it's improvised, also tends to use sounds which are sharper and more metallic, or sounds like clicking, more physical object-like sounds, not all that similar to the pure synthesis of elektronische or the use of field recordings or samples as in musique concrete.
turntable music is sonically more like musique concrete except it is played using turntables and can be improvised. the records played basically act as samples and the player can lift the needle, slow down and speed up, etc. to make sound that is collagey or cut up. lots of possibilities here... |
Cygnatti
09.03.13 | oh my... |
exitsense
09.03.13 | one more thing i think i wanted to say -- that herbert distel, even though his music is not tagged as electroacoustic on rym, might as well be. i haven't bothered to vote it as so because: "musique concrete" already implies electroacoustic; the electroacoustic manipulations are less overt than in, say, bernard parmegiani (although i would argue that jed speare's manipulation is even less overt); other users who are knowledgeable on this type of music haven't bothered to vote electroacoustic, so i tend to dismiss the need to vote it as such because they didn't think it necessary either apparently.
also on rym i tried voting "sound collage" for les 120 jours and several users voted it down. so apparently they think it's redundant to call it sound collage... but not redundant to call it electroacoustic alongside musique concrete... |
treeqt.
09.03.13 | what on here is similar to 91 |
exitsense
09.03.13 | maybe check out Hong Chulki - Amplified WC? and glitch like Yasunao Tone |
exitsense
09.03.13 | 88 might also be kind of similar... it's like a less quiet Good Morning Good Night.. more chaotic/fun like 91 |
exitsense
09.03.13 | ok mentioning glitch just now reminded me that i wanted to say that fennesz - endless summer is sort of electroacoustic in the sense that it is a very textural album and does a lot of electroacoustic manipulation... but it is also much more melodic and blissful and closer to ambient music... it's basically a pop album disguised as an electroacoustic/glitch/experimental album |
Cygnatti
09.03.13 | "it's basically a pop album disguised as an electroacoustic/glitch/experimental album"
omg, I'm so in. |
exitsense
09.03.13 | lmao
also improvised music from japan, although daunting in length (10 discs), has so many styles, noisy and quiet, calm and chaotic, acoustic and electronic, jazzy and glitchy, that you're definitely going to find something to like in there, even if it's not all of it. |
treeqt.
09.03.13 | http://i.imgur.com/48GWuPf.jpg
which one do i want : S
|
Topaz
09.03.13 | nice 1 |
exitsense
09.03.13 | i usually go with the one that is more on top (free, not in a queue) because i have to wait less.. odd that it doesn't mention the artist name in the tag but i'm sure it's the same album?? which is one track long.. also soulseek sometimes shows the length and bitrate of tracks incorrectly for some reason.. |
exitsense
09.03.13 | i recommend downloading SoulseekQt btw |
treeqt.
09.03.13 | i know that it shows bitrate/length incorrectly but there is a pattern to that and the pattern and size of those don't correlate. those are definitely two different things. I think the second is the right one though, 271vbr makes sense and it really is 20 minutes long.
that is qt btw ;) |
liledman
09.03.13 | Fantastic. |
treeqt.
09.03.13 | ryan is that matcha in your profile pic? |
GiaNXGX
09.04.13 |
But what else...
I still can't figure out how you manage to type so fast @fractured
Post-Fennesz point of introductory departure for the unseasoned EAI/Onkyo fan
Ferran Fages, Robin Hayward, Nikos Veliotis – Tables And Stairs
Günter Müller & Toshimaru Nakamura - Tint
Tilbury & Schmickler - Variety
Cor Fuhler/Gert-Jan Prins - The Flirts
Otomo Yoshihide (on tzadik)
|
treeqt.
09.04.13 | "I still can't figure out how you manage to type so fast @fractured"
http://10fastfingers.com/typing-test/english
: D |
Cygnatti
09.04.13 | "Result Screenshot
Words per minute (WPM) 81
Keystrokes 411
(406 / 5)
Correct words 78
Wrong words 1
You are better than 94.16% of all users (position 7469 of 127999 - last 24 hours)"
I bring shame upon my family. |
treeqt.
09.04.13 | Words per minute (WPM) 117
Keystrokes 607
(587 | 20)
Correct words 111
Wrong words 4
You are better than 99.47% of all users (position 675 of 128127 - last 24 hours)
i fucking suck |
Cygnatti
09.04.13 | I don't think you suck, treeqt. :]
tho that 94%, that's just an A-. better fix that or mah parents would get mad. :/ |
exitsense
09.04.13 | Words per minute (WPM) 93
Keystrokes 467
(467 | 0)
Correct words 92
Wrong words 0
You are better than 97.13% of all users (position 3688 of 128603 - last 24 hours) |
GiaNXGX
09.04.13 | what you guys are unaware of is that i atm am not in possesion of a computer or laptop. last one i had got eaten by ccleaner software or, should i say malware? ugh |
Cygnatti
09.04.13 | yeah, my computer is broken. T.T using this ghetto laptop instead #thestruggleisreal |
treeqt.
09.04.13 | that fucking sucks im sorry for the both of you |
Cygnatti
09.04.13 | the funny thing is that we were trying so hard to fix the damn thing, but the only person in my house
that can actually fix computers is really my older brother, but he had to leave to go to college, so
we're just stuck here with a broken computer that was "in the process" of being fixed. and it won't
even boot up. it'll turn on, but won't boot. |
GiaNXGX
09.04.13 | were the product results worth the time consumption |
Cygnatti
09.04.13 | probs not. -_- |
GiaNXGX
09.04.13 | That was for Claudio
my computer does the same, it makes me upset though how to reanimate the decay of twenty thousand high-bitrate songs? |
Winesburgohio
09.04.13 | Claudio you're a beautiful man thank you so much for your elucidations! I think i get it. Quick question: vis-a-vis 'La Stazione' (an album we're both familiar with, you more so than me) - could you call that 'acousmatic' rather than 'electroacoustic' - as you say, the electroacoustic manipulations there are hard to detect. Also GIAN BB i'm going to reply to u on rym i just have to get my thoughts in cogent order :))) |
Winesburgohio
09.04.13 | ALSO: great thread gents (or ladies or Trans*folk, don't want to assume), it's been really informative!
ALSO ALSO Gian u couldn't hook me up with 55 could you? Also on the lookout for that Jurg Frey that is so highly regarded |
GiaNXGX
09.04.13 | Intersectional Sex-Posi Feminism yay
and sure. |
Winesburgohio
09.04.13 | haha fuck u kno me 2 well |
exitsense
09.04.13 | "acousmatic" i guess that's another word to mention. its meaning is now sort of obsolete as so much music is now heard at home through speakers or headphones as opposed to live in performance. but when tape recording was a new thing, it was a new experience for people to hear sounds that are played without the original source being recognized; i.e. you don't see the instrument or object playing the sound; you only hear it played from the tape and can only imagine where the sound might come from. that is what acousmatic means, and it was basically a concept for the earlier pioneers of tape composition to discuss. like i said i think using the term to describe a style is obsolete now, rather it is merely a concept to talk about with, say, a classical music performance in which there is a use of prerecorded sounds with the performance, so you hear sounds as the tape plays with the performance, and you don't see the instruments playing the sounds. acousmatic can be electroacoustic, it can be anything. |
exitsense
09.04.13 | i mean do we really know what geologist is using to make those swishy swirly sounds on merriweather post pavilion? besides a washing machine... you can consider these sounds acousmatic |
liledman
09.04.13 | @ilovetree
Sure is. Best cup I ever had, in a stone garden somewhere north-east of Tokyo. |
treeqt.
09.04.13 | i wanna try some but it's soooo expensive |
GiaNXGX
09.04.13 | more so the teaware, i would say. |
treeqt.
09.04.13 | ye that too. might just buy me one of those matcha sets though. it's not like i need that money for anything else. |
oltnabrick
09.04.13 | Michael Prime - Fructification |
liledman
09.05.13 | Yeah it's super expensive, and apparently they keep the good stuff to themselves. In Aus it's about $20-30 for a little canister of 30g or something stupid.
Meanwhile, excellent single-origin coffee beans are in plentiful supply at $12~/250g. |
treeqt.
09.05.13 | ~20€/30g here |
treeqt.
09.15.13 | 67 tho |
Winesburgohio
09.15.13 | yes yes yes
100 is really good too, last.fm recommended it to me because i listened to 67 so much and i was not disappointed |
ethos
09.15.13 | this is home |
GiaNXGX
09.15.13 | Reverberations: Tape & Electronic Music 1961-1970 is just as good, if not better than L'œuvre électronique imo |
treeqt.
09.15.13 | 12
cd
box
set |
ethos
03.04.14 | Words per minute (WPM) 106
Keystrokes 561
(528 | 33)
Correct words 102
Wrong words 6
You are better than 98.56% of all users (position 1874 of 130261 - last 24 hours)
IM COMING FOR YOU, TREE |
ethos
03.04.14 | You are better than 98.56% of all users (position 1874 of 130261 - last 24 hours)
You are better than 98.56% of all users (position 1874 of 130261 - last 24 hours)
You are better than 98.56% of all users (position 1874 of 130261 - last 24 hours)
You are better than 98.56% of all users (position 1874 of 130261 - last 24 hours) |
ethos
03.04.14 | Words per minute (WPM) 111
Keystrokes 607
(557 | 50)
Correct words 108
Wrong words 8
You are better than 99.11% of all users (position 1162 of 130429 - last 24 hours)
gonna woop ur ass soon just wait |
ethos
03.04.14 | Words per minute (WPM) 116
Keystrokes 591
(579 | 12)
Correct words 117
Wrong words 2
You are better than 99.42% of all users (position 753 of 130431 - last 24 hours)
UH-OHHHHHH |
ethos
03.05.14 | Words per minute (WPM) 124
Keystrokes 655
(620 | 35)
Correct words 118
Wrong words 5
You are better than 99.72% of all users (position 381 of 133730 - last 24 hours)
suck it |
treeqt.
03.05.14 | a
god |
Winesburgohio
03.06.14 | ~100th comment on a list penned and curated by iscarabaid~
91 is quite thrilling |
ShitsofRain
06.28.14 | all good through here :D |
Gestapo
06.15.15 | sup |
Gestapo
06.15.15 | same |
hal1ax
10.18.15 | can anyone rec me some of the more accessible stuff on this list?
so far I've only listened to 79 & 100 and i really like them both, especially the latter. |
hal1ax
10.18.15 | awesome. thx braj |
treeqt.
10.18.15 | 15, 67, 73, 79, 100 are fairly accessible iirc |
Ashen
10.18.15 | hey dude also check out night shift - trespasser's guide to nowhere
it's good for real |
Cygnatti
10.18.15 | whoa i neeeeeed 91 |
hal1ax
10.18.15 | u guys are the best thx. |
BandNewbac
10.18.15 | some fairly good picks here |
Relinquished
10.18.15 | bookmarked |
treeqt.
10.18.15 | 91 is fire emojis |
Lord(e)Po)))ts
10.18.15 | alternatively titled "100 reaaaally boring shitty albums" |
qwe3
10.18.15 | coooooool 67 is intriguing as fuck.
musique concrete as a whole baffles me, i either love it or i cant get into it at all |
ShitsofRain
10.18.15 | musique concrete is the goat |
Cygnatti
10.18.15 | ^that's generally how it goes, man. |
qwe3
10.19.15 | literally there are goat sounds in musique concrete |
qwe3
10.19.15 | i don't believe you! |
CottonSalad
12.29.21 | Great list.
KEEP: 93
KILL: 26
Your turn. |