User
Reviews 8 Approval 97%
Soundoffs 53 News Articles 59 Band Edits + Tags 57 Album Edits 135
Album Ratings 616 Objectivity 67%
Last Active 03-12-22 9:26 pm Joined 04-30-07
Review Comments 9,183
| The Future Of Black Music
...rests with these stupidly talented people, in my humble opinion. At least I hope it does, anyways. I hope that the sound they've been collectively forming becomes the sound of the black community as a whole--positive, meaningful, emotional, impactful, powerful. REAL. This is good stuff, y'all. | 1 |  | Kendrick Lamar To Pimp a Butterfly
This album is both the culmination of, and simultaneously the starting point for, a monumental shift in the tone of mainstream Black Music. With this album, and in one fell swoop, Kendrick takes hip-hop back to what made it so powerful in the first place--being the voice of its people. And he does while riding on top of Jazz and Soul beats, with some influence from afro-futurist Flying Lotus and probably half of the people on this list. This album is the vital proof of the power modern music can have, and I put my stakes in the artists on this list to get many, many more. | 2 |  | Frank Ocean Blonde
Frank Ocean made stripped-down, bare-all soul cool with Channel Orange, and took that sound further with Blonde. Nothing like the production-rich R&B that we were used to, Frank Ocean manipulates the boundaries of the genre like one might form shapes in smoke rings, and has opened the door to mainstream success and celebration for experimentation in a staunchly staid genre. | 3 |  | Anderson .Paak Malibu
Anderson .Paak mixes classic soul with some hip-hop cred with folks like Schoolboy Q, Talib Kweli and...himself spitting rhyme over these beats, and it gives this album much more heft than anything Drake might put out. The beauty of albums like this is that it gives this music a mainstream push, where I'd love it to belong. | 4 |  | Flying Lotus You're Dead!
If this movement had a ringleader, a "?uestlove," if you will, I'd have to think it'd be Flying Lotus. Pushing an already fringe genre (Afro-futurism) to far reaches, what he does when combine with other people on this list is beyond astounding (look at his own "Never Catch Me," on which Kendrick, Robert Glasper and Thundercat make an appearance). Also, his label Brainfeeder consistently pumps out quality music all around. | 5 |  | Robert Glasper Experiment ArtScience
Aside from Neo-Soul and Afro-futureism, jazz is central to this music, and these three guys are making it happen for everyone. You can spot Robert Glasper on nearly every album in this list somewhere. | 6 |  | Kamasi Washington The Epic
I know that a few jazz enthusiasts did not enjoy the extreme pop sensibilities of 'The Epic', but it helped make Jazz accessible to a whole lot of people who may not have given it another look. Also...if ever there were braggadocious jazz, this is it. | 7 |  | Thundercat The Beyond/Where The Giants Roam
The best bassist in the game today. I want a collaboration album between him, Kamasi, Robert Glasper, Flying Lotus and Kendrick Lamar, featuring everyone else on this list. | 8 |  | Bilal In Another Life
Bilal is probably the most traditional soul singer on this list, but this latest album really pushed him a bit out of his comfort zone. That evolution of sound, that experimentation, is what I feel helps drive this loose collective as a whole. Find the boundary, see how far you can push it, then proceed to redefine it so thoroughly that they start to form around you | 9 |  | Kelis Food
Kelis did the exact opposite of Bilal--she started out by being "out there," with hits like "Milkshakes" and "Got Your Money," and came back towards more traditional soul...though she didn't quite make it back to traditional. She's still Kelis, after all, and even if her sound is a little more familiar, she never comfortably rests within the bounds of the genre. That's a good thing, trust me. | 10 |  | Janelle Monae The Electric Lady
I want to say everything about Janelle Monae, who might be my favorite female neo-soul singer today. Goodness this lady's voice, though! And her energy! And...you know, robots! | 11 |  | Jose James While You Were Sleeping
Jose James has one of the best jazz voices ever, I'm pretty sure. He actively tries to bridge the gap between jazz, soul and hip-hop, and collaborates frequently with other folks on this list. His albums are those that you can just vibe to at any time, for any reason, at any time of day. | 12 |  | BJ The Chicago Kid In My Mind
This one's a new one for me. A member of Top Dawg Entertainment, he gives the modern R&B sound credibility through his lyrics and vocals, and also through the features of some of his fellow Top Dawg MC's. I dig how he switches between smooth old-skool soul and gritty R&B...pretty damn cool. | 13 |  | Terrace Martin Velvet Portraits
He's been in the game for a while now, but most people know him as a producer--including producing quite a few tracks from 'To Pimp a Butterfly'. Whatever he's doing with these folks, please keep doing it. And teach others to do it, too. | |
Masochist
10.12.16 | To summarize--I'm not saying these are the only people pushing Black music in a positive direction. I just really like the overall general sound all the folks produce, and they are all constantly featuring on each others albums and collaborating with each other, so I wanted to highlight these people.
I also didn't want to include past legends who are also still producing quality music, like D'Angelo, The Roots, Sun Ra and Erykah Badu--that would have been too easy, I think.
Also, I probably should have put more straight-up hip-hop on the list--folks like Killer Mike, Danny Brown, Shabazz Palaces, other Top Dawg artists like Schoolboy Q and AbSoul, etc. Oh, well. | Drifter
10.12.16 | Love 1 and 12. Black people make the best music tbh. I mean as a whole, not just now | Masochist
10.12.16 | I was gonna be humble and deny it...but nah, yeah, our music is pretty great.
At the same time, though, it can also be really, really bad. | Drifter
10.12.16 | | Hep Kat
10.12.16 | Yeah i wrote a kendrick diss that disproves your postulation of 1 so i guess that'll hafta ve recorded soon | 50iL
10.12.16 | Good list, Kendrick is definitely leading the movement. | BlackTaxi2d
10.12.16 | Black lives matter | Masochist
10.12.16 | HepKat - I changed my description for #1. Is it still in opposition to your diss track? Also...what specifically about TPaB does your diss track diss?
50iL - Agreed
BlackTaxi2d - That they do! | Keyblade
10.12.16 | man i had the wrong impression of anderson paak it seems after seeing him on that XL freestyle, he was awful. now i realize he's not actually a rapper. might have to peep him
good list brother, the future looks good | Shadowmire
10.12.16 | great list. 1 is good and 6 is fantastic – will check the ones i haven't heard | omgbecky
10.12.16 | Any other female artists you would recommend? | Hep Kat
10.12.16 | MC Lyte | spookynewghostfriend
10.12.16 | wheres GROTESQUE | iloveyouall
10.12.16 | list = L O L | Masochist
10.12.16 | Keyblade - Yeah man, check him out. His latest album, especially, has some great grooves on it!
Shadowmire - Please do!
omgbecky - Really like Jill Scott, Emeli Sande and (of course) Corinne Bailey Rae, though the latter bridges the gap into more acoustic-based melodies. So those might be three ladies other I'd check out if you haven't already.
Hep Kat - Didn't she put out an album recently?
spooky - Just barely missed the cut, lol
iloveyouall - I love you, too | tempest--
10.12.16 | Thundercat and Janelle are my jams... FlyLo goes hard too of course. | BrandNewEyes
10.12.16 | Black music for the whitey | theNateman
10.12.16 | Someone needs to drag Mf doom out of his basement too and put him back on top | Sinternet
10.12.16 | black music | CaliggyJack
10.12.16 | Kamasi and Bilal are lit af | ArsMoriendi
10.12.16 | "The Future Of Black Music"
Talk about a list title than only a veteran user could get away with | Minnesota
10.12.16 | talk about a list title in which only an idiot would think you have to "get away with" | Keyblade
10.12.16 | honestly | JeetJeet
10.12.16 | Thread title is kinda cringe though. | osmark86
10.12.16 | The cringe is on you, list delivers on its premise. These artists are all crème de la crème. | ArsMoriendi
10.12.16 | I mean it's still a good list | JeetJeet
10.12.16 | Nah the cringe is on him. Good intentions, shit list title. No such thing as black music. I fucks with some of the artists on here tho. | osmark86
10.12.16 | Agreed with the fucking. Why do you believe there's no such thing as black music? | JeetJeet
10.12.16 | What exactly makes music black? Tread lightly with your answer. | osmark86
10.12.16 | Position of the artist | JeetJeet
10.12.16 | Now that is a very interesting take on it. | WatchItExplode
10.12.16 | hmmmm...not a black metal list
| Masochist
10.12.16 | Because "The Future Of Music Made By, And Predominantly For, Black People" sounds super clunky.
Also the Afro-Centric themes, Afro-futurist aesthetic, and soul, funk and gospel roots give some hints. | Masochist
10.12.16 | But seriously, I was hoping people wouldn't take the title too literally. The whole point is that I love what these artists are doing with their music, and how they're collaborating, and I'm hoping that it continues to influence the rest of popular culture...especially black musicians. | zakalwe
10.12.16 | Comes across as a bit Blazing Saddles tbh | EyesWideShut
10.12.16 | not sure why you forgot to put Future on a Future of Black Music list.. | Masochist
10.12.16 | "Comes across as a bit Blazing Saddles tbh"
That's only because no one here knows where da white women at. | Minnesota
10.13.16 | "What exactly makes music black?"
uhh | brainmelter
10.13.16 | you can't argue that the title of the list doesn't make you double take to make sure what you read was right | Minnesota
10.13.16 | no, I kinda can | theacademy
10.13.16 | lotta stupid metacommentary on the list title | theacademy
10.13.16 | sup maso | JeetJeet
10.13.16 | “uhh"
Something got you stumped? | brobama420
10.13.16 | Taylor Mcferrin should be on this list too | worthlessscab
10.13.16 | questionable pattern recognition - the list | Masochist
10.13.16 | Brobama - Oooh, I dig this! Haven't heard it before now. | Lord(e)Po)))ts
10.13.16 | Hip hop is not "black music" retard | Lord(e)Po)))ts
10.13.16 | https://youtu.be/ivmYDaBRa3E get learnt | DoofusWainwright
10.13.16 | I imagine a lot of these artists have peaked already, the future belongs to the next generation just starting out now | JeetJeet
10.13.16 | Kendrick and Flylo still got a lot left in the tank IMO. | DoofusWainwright
10.13.16 | If Kendrick and Flylo release two more albums as good as each of their best two so far I'll be very pleasantly surprised...but I doubt they will | Lord(e)Po)))ts
10.13.16 | This entire list should be deleted for blatant stupidity tbh. I mean even the genres here that were once "black music" no longer belong to any culture | Lord(e)Po)))ts
10.13.16 | So therefore they are irrelevant to the "future of black music" and furthermore you'd have to be mentally deficient to use the term "black music" to begin with. | JeetJeet
10.13.16 | I just think the title needs a change. Black people don't go around referring to shit as black music. We just call it what it is. | DoofusWainwright
10.13.16 | Well he could change it to 'the most important black artists of the next five/ten years imo' or whatever but my opinion is we don't know who they'll be. | Lord(e)Po)))ts
10.13.16 | Or he could delete this list and fuck off | DoofusWainwright
10.13.16 | That would be easier | ArsMoriendi
10.13.16 | See torts I was right^ the title did upset people
Wish I put money on it | Lord(e)Po)))ts
10.13.16 | Bilals new album is frickin awful as fuck too btw | Shadowmire
10.13.16 | damn i just respected the effort | Lord(e)Po)))ts
10.13.16 | Literally none of these genres are predominately made by or for black people either so your clunky alt title is equally mentally deficient | Lord(e)Po)))ts
10.13.16 | It is 2016 my man not the 70s and 80s bud | ZippaThaRippa
10.13.16 | Damn you are really upset by this. Just take a breath man. | Lord(e)Po)))ts
10.13.16 | You just know sowing featured this too | Lord(e)Po)))ts
10.13.16 | If I was truly upset I would be using more swear words with my ableist language tbh, I just don't like masochist and this list is Hella dumb | Lord(e)Po)))ts
10.13.16 | Oh wait I'm thinking of eclecticist, he sucks
List is still dumb tho | ArsMoriendi
10.13.16 | There's a user called Eclecticist? Damn talk about patting yourself on the back | Masochist
10.13.16 | "Oh wait I'm thinking of eclecticist, he sucks
List is still dumb tho"
Hahahaha! I was wondering where this was coming from, Pots. We've been on this site for ages together, back when you were still SilentPotato, and we never once had beef that I can remember.
To be clear, it's not entire umbrella genres I'm talking about, it's facets of these genres that are gaining traction in the mainstream that I'm excited about. Flying Lotus doesn't make Black music, he doesn't make his music specifically for black people, but (willingly or otherwise) he falls into the Afro-Futurist sound, and getting that sort of sound and distinction to so many people goes a long way in trying to get past this prevalent (and stubbornly persistent) notion that mainstream black music is degrading and destructive.
That's the real hope here--the folks on this list bubble under the mainstream, and I think their influence is spreading. You're starting to see even club and trap music have real social commentary in them, thanks to the success of Top Dawg, Brainfeeder, and the influence of a few of the folks on this list.
I'm hoping that as time goes on, this influence might intrude on the minds of those who STILL, for some ridiculous reason, don't see rap as a legitimate art form, or think that the only way to be a successful black musician is to make thumping, bass-heavy dance music and diss tracks.
"Black people don't go around referring to shit as black music. We just call it what it is."
I'm black too, in case that wasn't clear. (Ringabel in my profile pic probably doesn't help)
But more than that, plenty more paint hip-hop and R&B with that brush, just like a movie with a predominantly Black cast is a "Black Movie" that is supposedly made for a black audience. I would just like it if mainstream Black music didn't carry a negative connotation, and I think the folks on this list are in the best position to change that perception. | Trundle
10.13.16 | ......wait
pots is silentpotato?
| RosaParks
10.13.16 | love the positive vibes itt | RosaParks
10.13.16 | love ur name on ur profile btw masochist | Trundle
10.13.16 | kendrick is more white than me | ZippaThaRippa
10.13.16 | Tbh I initially thought this was going to be a list about the future of black metal and it's various subgenres. I am disappointed. | tacos n stuff
10.13.16 | first thing i thought when i saw it too | rabidfish
10.13.16 | there are black people on this site?
[logs off]
no but seriously... While KL's latest effort might (I say might) set the path for short-mid term hip hop, it is far from being ground-breaking. There is nothing in that record that can't be traced back beat-by-beat to mid 90's/early 00's jazz-hop subgenre. I mean, I get it, you love it, (everybody claims to, at least) but shit plays the nostalgia card hard af.
YD! is worst FlyLo-- but dude's a powerhouse anyway. | Masochist
10.14.16 | "no but seriously... While KL's latest effort might (I say might) set the path for short-mid term hip hop, it is far from being ground-breaking. There is nothing in that record that can't be traced back beat-by-beat to mid 90's/early 00's jazz-hop subgenre. I mean, I get it, you love it, (everybody claims to, at least) but shit plays the nostalgia card hard af."
Good criticisms!
I do love it, but for different reasons. I don't feel that it pretends to be groundbreaking--the whole album is him speaking to Tupac, and it was purportedly supposed to be called "Tu Pimp A Caterpiller" (Tu P.A.C.). If that doesn't make it self-aware of treading worn ground, I don't know what does.
But the truth is, a lot of hip hop released around that time followed the same route. We had jazz rap hitting from all sides, with J. Cole, Lupe Fiasco, Kendrick and Joey Bada$$ releasing albums within 6 months of each other. But it's not nostagia that I'm playing it for, it's because I honestly enjoy that type of hip-hop best. This album doesn't remind me of anything before it, at least, not in the way that 'B4.DA.$$' did (talk about an album driven by nostalgia), but it takes that well worn style and gives it an edge fitting of 2015.
What 'To Pimp A Butterfly's' legacy will be, in my opinion, is that it's given credibility to the idea that social commentary can again have a place in mainstream, Billboard hip-hop made by black people (because before, the only time you heard social commentary in rap on the radio was if a white guy . All the folks I spoke of earlier had albums that talked about issues, but TPAB got that message to the Grammy's.
Also...the albums on the list are just the latest from each artist, not necessarily the best or my favorites (with #1 being the exception, as I had something to say about that specific album). FlyLo's latest was probably his worst, but that's only by default because his previous albums were so damn good. | rabidfish
10.14.16 | While I respect your argument, I can't help but feel the album to be awfully boring. All the issues and problematics it set up for discussion in the hardcore hip hop circle as well as in the general public is to be respected and celebrated, but the album itself, on its own merits, does little to nothing for me.
Its another discussion to be held not only about Black Music, but about politically charged music in general and that is when the message that it tries to convey gets in the way of the integrity of the musical message. I'm not trying to say this is the case of TPaB, but I can't help but feel ever discussion about the quality of the album eventually devolves into "you don't get it because you don't understand what it feels like to be black in America" or even worse "if you don't like this, you are racist". | BallsToTheWall
10.14.16 | 2 didn't do anything for me but then I discovered serpentwithfeet's debut and I don't even care. | Masochist
10.14.16 | rabidfish - ""you don't get it because you don't understand what it feels like to be black in America"/"if you don't like this, you are racist"" -- I hope no one has told you these things. Just because art is created for a particular group of people doesn't mean that it can't be enjoyed outside of those bounds. 'To Pimp A Butterfly' is definitely an album written about, for, and to black people--Kendrick speaks about the black condition in "Alright," he confronts America for black people in "For Free?," and he speaks to Black People in "The Blacker The Berry," just to cherry pick examples--but in no way is being black a requirement to having an great appreciation for the album.
Now to be clear, I do absolutely think that my experience listening to this album will be different from yours simply by virtue of being Black, but I don't think that you coming at this album with a different experience than me means that you can't derive the same level of enjoyment or appreciation that I can. If that were true of art, then maybe only Japanese people "get" Miyazaki films, and maybe only angry white kids "get" Punk music. I don't believe that to be true, however.
All that to say--when you say you don't like it, I'm not going to think that it's because you aren't black, and you certainly aren't forced to like it so that you aren't racist...but my opinion differs vastly from yours, either way. | Masochist
10.14.16 | Also, I completely missed Rosa Parks's comment. You watched Steins;Gate? Man, that's one of my favorites! | rabidfish
10.14.16 | Well, luckly I haven't been told I'm a racist, but yea, it's been brought to my attention that I don't "get" TPaB only because I'm white. Not that it affects me in any level and I'm 100% on board of what you say, but I hate it when a political issue, or a gender issue, or a race issue gets in the way of a pure musical/aesthetics discussion and while I understand that these sort of albums can't get taken away from these sort of discussions without taking an important part of their inherent value out of them, it annoys me when that aspect of the music overshadows all the others. | Masochist
10.14.16 | I can say that I came into TPaB semi-blindly. I wasn't a Kendrick fan before this album, other than for the song "Bitch Don't Kill My Vibe." I may have mentioned before, but I'm still not that big a fan of 'GKmC'. It wasn't until Flylo's 'You're Dead!' the previous year that I really started checking out Kendrick a little more.
I didn't know what to expect with this new album. All I knew was that at that time in my life, I was taking the bus an hour and a half to and from work, and the hip-hop of that year was getting me through. All those artists I mentioned before? Lupe, Joey, J. Cole, etc...they got me through that time (I also discovered Jay Electronica's "Exhibit C" right about then, too, and I was still high on FlyLo's "Never Catch Me"). Those jazzy rap beats with that 2015 edge by these mainstream artists...I was so excited for this new wave of positive-sounding hip-hop albums coming out. So when Kendrick came out around that time, he just fit right in with the music I was already so connected to at that particular time period.
It's just...unlike the others, I (and everyone else) knew that this album would destroy worlds. I was just thinking in terms of chart sales, however--I didn't realize it would become the voice of an estranged people. That came well after it was released, of course; I was into it by then, because it was jazzy, positive-sounding, uplifting, with lyrics that you can dive into and take something meaningful out of. This became the crown jewel of all that music I was listening to. That it also became a rallying cry for perseverance, like the Millennial version of "We Shall Not Be Moved," just cemented it's legacy.
Anyways...that's why I enjoyed it. I do get a lot out of it on the virtue of my being black, because (and I think I mentioned this earlier) I hate feeling like mainstream black hip-hop (i.e. not Macklemore or Eminem) is still tagged as degrading, etc. It bothers me. So hearing something like this hit the peaks it did warms my soul, and gives me hope that more music like this pushes through, that can help defy and destroy those stupid stereotypes about mainstream hip-hop, and mainstream black music in general.
Hence this list. | Masochist
10.14.16 | Damn, I talk a lot.
I'm not trying to drown you out, man, I promise. I defend my liking of the album only because of my personal attachment to all of the music I was listening to during that time, not because I feel the album is flawless (I don't...I think it may be a bit overblown, artistically speaking). Your criticisms of the message overriding the music are valid, and are criticisms I have about other albums *cough*'Never Mind The Bollocks'*cough*. | rabidfish
10.14.16 | Never catch me is amazing, agreed.
| Shadowmire
10.15.16 | s;g is a 9/10
bravely default isnt bad either | botb
10.15.16 | 3 is forreal so good | Hep Kat
10.17.16 | https://clyp.it/uu5ble5n
Danny K- "Dan's Imperial"
Mind you i still have quite a cold, my voice is hoarse from screaming at the Gettysburg Bullets game (the fuckers lost), and i didnt totally perfect the flow/syllable count on this, but here it is. | Hep Kat
10.17.16 | So yeah | Hep Kat
10.17.16 | Threw a leaf of shade atcha boi there. I can do more damage if you'd like | Jots
10.17.16 | Hep is the future of black music | Hep Kat
10.17.16 | Now hand me them headphones
N let me n my boiz spit sum'n
N if u like it, we get the NATURAL SPIRIT | Masochist
10.18.16 | That shit is the MAD notes | dcalderon
10.21.16 | Missing Kelela | Drifter
11.23.17 | Damn is this list really this old? Man | Deathconscious
11.23.17 | What about Oceano? | CaimanJesus
11.23.17 | Sepultura is the real future of black music | DoofusWainwright
11.23.17 | Still the future, solid bumppp | Papa Universe
11.23.17 | Is there anyone even remotely tanned on Sputnik? (except for SandwichBubble) | Masochist
11.26.17 | Wow, this was a year ago, holy shit. Hadn't realized that it even got bumped a couple days ago.
Also, Unique, I'm definitely black. Though I am light-skinned, so I can tan. Though it's not the season for tanning, so I'm most certainly my lightest right now. Though I do live in Texas, where it's still 78 degrees during the day, so that may change...we'll see.
And yeah, I missed Kelala on here. | TVC15
11.26.17 | @Unique Fripp and BoneyKing are black |
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