Koris
Brendan Schroer
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Last Active 12-23-22 6:13 pm
Joined 04-27-15

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My Yellowcard Journey

Seeing as I've had a lot of difficulty keeping up with my discog reviews, I've decided to create a new "journey" series of lists. Instead of entire reviews, I'll create blurbs for a discog that I'm largely unfamiliar with. So to kick things off, I thought I'd start with a strong Sowing recommendation: Yellowcard. I've always heard their name tossed around, but never gave their catalog a proper listen; I'll keep updating this list as I hear each album. Enjoy!
1Yellowcard
Midget Tossing


Oof, what a rough beginning. Instead of the pop-punk and alternative rock the band would later be known for, Midget Tossing adopts a highly derivative form of melodic hardcore. The production is extremely shoddy and weak, not giving these aggressive riffs their proper "oomph". Still, I do appreciate the level of energy on offer here, even if the vocals and songwriting are quite amateurish. Plus, I know they don't linger on this style for much of their career, so things can only go up from here. 2/5
2Yellowcard
Where We Stand


Where We Stand is basically a more refined version of Midget Tossing, and I can see how this would be a bridge between the band's old hardcore punk sound and their more polished pop-punk sound stylings. Still, subpar vocals and a lack of focus manage to drag this one down, just as they did for Midget Tossing. I don't want to be too harsh towards Ben Dobson, as his early work with Yellowcard is pretty fun from time to time, but I can see why Ryan Key was brought into the fold after this album. But that's a story for the next record; as for Where We Stand, it's a comptetent but unremarkable piece of melodic hardcore with the occasional odd experiment. It's... fine, I guess. 2.5/5
3Yellowcard
One for the Kids


Alright, now we're getting somewhere! One for the Kids sees the band going for a more polished, melodic pop-punk sound, and it's a pretty solid first stab at the style. Newcomer Ryan Key immediately makes his presence and influence known, delivering energetic vocals while displaying more depth and range than his immediate predecessor. I also appreciate the heightened presence of the violin, as I feel Sean Mackin's work on the band's first two albums was a bit out-of-place, and even somewhat of an afterthought. However, there's still room to grow here and, like Where We Stand, the songwriting and production are still rough around the edges; even at only 41 minutes, the album starts to lose its way and show some inconsistency quality-wise. This is like the proof of concept for Yellowcard's next phase... or as many others have pointed out, the blueprint. But if anything, that just makes me more excited about what I'll be hearing next. 3.2/5
4Yellowcard
Ocean Avenue
5Yellowcard
Lights and Sounds
6Yellowcard
Paper Walls
7Yellowcard
When You're Through Thinking, Say Yes
8Yellowcard
Southern Air
9Yellowcard
Lift a Sail
10Yellowcard
Yellowcard
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