clavier
Emeritus

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Last Active 01-11-23 2:53 am
Joined 03-17-12

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 Lists
03.09.22 official sputnik retirement 08.05.20 My Favourite Male Artists
08.10.19 What's your reviewing philosophy? 06.25.19 Claire's 2019 mid-year check-in
03.21.19 7 years of sput08.12.18 A Non-Ranking of Converge
04.15.18 A Non-Ranking of Isis 08.16.17 EMO CROWN 2 - Rnd 1
07.28.17 Sense and Sensuality06.17.17 Albums compared to foods/beverages/tast
05.17.17 Just jazzy05.14.17 Ultimate teenage elitist
08.11.15 Musical necrophilia a.k.a. love for the

Claire's 2019 mid-year check-in

June (a lucky month for me in terms of music releases) now comes to a close. A quick run-through of some of the releases I checked out, divided into three categories.
1Misthyrming
Algleymi


First category: the disappointing

I'm aware of the positive reception towards this album here, but to me it felt like a very diluted version of their debut — none of the fire or intensity that made it stand out. To its credit, there are a decent amount of hooks and catchy moments, but the overall wash is more pallid than I expected from the band who made songs like "Söngur heiftar". (And, having read the somewhat controversial Bardo Methodology interview with the band, the album becomes all the more sigh-inducing — all that bluster and ultimately not much to show for it, besides a general vibe of triumph that isn't entirely well-deserved.)
2CHON
CHON


I suppose it wasn't all that disappointing if my expectations weren't towering in the first place, but I thought there would be more staying power to this one. Instead, it continues the trend of acceptable, even pleasant, summery songs that ultimately make little emotional impact. Not necessarily a bad thing, though, especially if you're just looking for something to listen to while you sip on iced tea on the balcony.
3The Twilight Sad
It Won/t Be Like This All the Time


Second category: the solid

Released January this year, The Twilight Sad continue to make poignant wintery goodness filled with a lot of good hooks (see: VTr, The Arbor) and big reverb-filled moments. Not too much to say here; they do what they've always done.
4Andavald
Undir Skyggðarhaldi


The initial mystical appeal of this atmospheric black metal album has worn off a bit after a week, but there's no doubt that the vocals will always impress — they're absolutely monstrous and harrowing. There's a hypnotic droning that goes on in this release, which may be boring for some, but it has its devastating moments.
5Glassing
Spotted Horse


Though it lacks the concise punch of their debut, Spotted Horse is, for the most part, a successful effort in experimentation, bringing in extended ambient sections to contrast with the usual fury of Glassing. I've always enjoyed how Glassing evoke the sensation of airborne journeys in their music, and this is no different in how it soars and floats through the sky.
6Stella Donnelly
Beware Of The Dogs


Singer-songwriter with just the right amount of flippancy and sorrow. "Mosquito" is the sweetest song out there that mentions a vibrator (not that I know of any others).
7Skaphe and Wormlust
Kosmískur Hryllingur


Third category: the hyped

This one seems to be sadly going under the radar, but it's rather remarkable for its ability to be a collaborative two-track dissonant black metal album (each track over 15 minutes) that merits the description of "fun, catchy and cohesive". The album, title translating into "cosmic horror", certainly brings to mind the notion of great cosmic entities playing with the universe — this is a lively affair, not quite joyful, but you get the sense that its creators had much fun with it.
8State Faults
Clairvoyant


And finally, the much-hyped release of the year so far that leaves people asking "has Sput hype gone too far?" for the millionth time. I myself am happy to climb on the hype train for this release, one reason being that it has the right vibes for bringing people together — it's an earnest exploration of love (and other things, but particularly love) whose light shines forth and brings some warmth into your day. I predict a growing discourse on the perceived influences/similar-sounding peers of the album, one that I'll stay away from because 1) I haven't listened to Deafheaven very much and 2) I never did like delving into influences too much because it tends to detract from the music as a unique entity (well, unless there's a glaring lack of originality). That being said, Loma Prieta anyone?

(And seeing the band live definitely doesn't hurt.)
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