Streetlight re-doing Keasbey Nights now gives me no reason whatsoever to like C22

[QUOTE=Berserker!]Streetlight re-doing Keasbey Nights now gives me no reason whatsoever to like C22[/QUOTE]

Haha, they've become obsolete.

I still like Catch 22. And Streetlight.


Maybe I'm just a creep.

I like Catch 22, even though I've heard very little of their post-Keasbey efforts. I'll be seeing them in just 8 days with Big Dizzle.

/excited

Oh, and for your viewing pleasure: [URL="http://x80.xanga.com/ea98147ac512823709220/z16745483.jpg"]http://x80.xanga.com/ea98147ac512823709220/z16745483.jpg[/URL]

You think that show will sell out?

I'm hoping it doesn't, because my ride, and her sister (my friend) are planning to buy at the door.

Crack-Rock-Steady, download Alone In A Crowd. It has a few good songs.

I really enjoy "what goes around comes around". Best track by new ctach IMO.

EDIT: two post sorry

If anybody has the back/inside cover art for Everything Goes Numb, could you post it?

[QUOTE=Henrik]I really enjoy "what goes around comes around". Best track by new ctach IMO.[/QUOTE]

On & On & On is my favourite C22 song, aside from Keasby Nights.

[QUOTE=Berserker!]Crack-Rock-Steady, download Alone In A Crowd. It has a few good songs.[/QUOTE]
I'm Joe. And I have Dinosaur Sounds and Alone in a Crowd, but just don't listen to them much.

Yeah, those albums are o.k. Nothing too special.

[QUOTE=tappenzee]True, you got somebody to sing?

****, make one transition into the other by way of the flute.. that would be TIGHT[/QUOTE]
Honey, Riding the Fourth Wave starts with a tin whistle, not a flute. It's too high pitched and metallic to be a concert flute. A piccolo has the pitch, but it's still more hollow sounding. In Christina, it's a concert flute. And, well, Walking Away doesn't have a flute at all. I don't think I've the theory knowledge to compose a flute part for it either. I don't do jazz, just classical. That reminds me that I need to learn jazz flute. Classical flute gets a bit boring. And I need to get a piccolo. And a tin whistle. And a trumpet. And a valve trombone...wow, that'd be really expensive to get all that....****...oh well, good thing I work at a music store!

I've just bought a tin whistle, I can play whiskey in the jar :)

Flute is amazzzingly hard to play. I prefer useing a mouth peice. I can play pretty much everything in a regular Concert or Jazz band. but flute is byfar the hardest.

I think everytime i listen to a SLM song, i find something new. I cant get bored of it, I hear it diffrently each time i listen.

[QUOTE=PaintJessGreen]Flute is amazzzingly hard to play. I prefer useing a mouth peice. I can play pretty much everything in a regular Concert or Jazz band. but flute is byfar the hardest.[/QUOTE]
How? Flute's sooo much easier than a reed instrument. With a reed you gotta figure out how to shape your mouth all funny and make it tight so your cheeks don't puff and bite just right. With a flute, you blow air across/diagonally-across the hole in the same exact way as you would blow on a soda bottle. You know how you can blow on a soda bottle and get a loud flutey noise? It's the exact same thing. Just keep your mouth loose and centred over the hole with the mouth piece just resting against your lower lip. If you need to practice how to get a sound (shouldn't be hard since it's the same as a bottle, but whatever) take off the mouthpiece and block the end with the soft part of your right hand below your thumb. You might need to rotate toward or away from you to figure out exactly what angle to hold it, but it's not that hard. Clarinets though? Those are a little tougher. I can get sounds out of them, but concentrating on keeping my mouth all funny shaped and tight and all is hard.

[QUOTE=maco]How? Flute's sooo much easier than a reed instrument. With a reed you gotta figure out how to shape your mouth all funny and make it tight so your cheeks don't puff and bite just right. With a flute, you blow air across/diagonally-across the hole in the same exact way as you would blow on a soda bottle. You know how you can blow on a soda bottle and get a loud flutey noise? It's the exact same thing. Just keep your mouth loose and centred over the hole with the mouth piece just resting against your lower lip. If you need to practice how to get a sound (shouldn't be hard since it's the same as a bottle, but whatever) take off the mouthpiece and block the end with the soft part of your right hand below your thumb. You might need to rotate toward or away from you to figure out exactly what angle to hold it, but it's not that hard. Clarinets though? Those are a little tougher. I can get sounds out of them, but concentrating on keeping my mouth all funny shaped and tight and all is hard.[/QUOTE]
I think its whatever your used to. alot of people find brass the hardest, because if you havnt been taught how to buzz its hard to make a sound. Reed instruments are very easy to pick up.

very, I've only been playing tenor for 4 months and I wail hardcore.

[QUOTE=PaintJessGreen]I think its whatever your used to. alot of people find brass the hardest, because if you havnt been taught how to buzz its hard to make a sound. Reed instruments are very easy to pick up.[/QUOTE]


Speaking for the band geeks oboe basson and french horn are hard as ****. Buzzing comes pretty easily(but this is coming from a trombone player so....)

[QUOTE=maco]Honey, Riding the Fourth Wave starts with a tin whistle, not a flute. It's too high pitched and metallic to be a concert flute. A piccolo has the pitch, but it's still more hollow sounding. In Christina, it's a concert flute. And, well, Walking Away doesn't have a flute at all. I don't think I've the theory knowledge to compose a flute part for it either. I don't do jazz, just classical. That reminds me that I need to learn jazz flute. Classical flute gets a bit boring. And I need to get a piccolo. And a tin whistle. And a trumpet. And a valve trombone...wow, that'd be really expensive to get all that....****...oh well, good thing I work at a music store![/QUOTE]

Well, regardless, a tin whistle at the same pitch as the last note in Walking Away could transition into 4th Wave. I'm not talking anything complicated, just a simple segue

[QUOTE=mostlydeadonarrival]Speaking for the band geeks oboe basson and french horn are hard as ****. Buzzing comes pretty easily(but this is coming from a trombone player so....)[/QUOTE]
Oboe is actually really easy for me. Its Diffrent for everyone i would have to say.

[QUOTE=KingOfSka]On & On & On is my favourite C22 song, aside from Keasby Nights.[/QUOTE]

on and on and on is on keasby nights

and streetlight was added to the bamboozle festival

I'm confused.

When you guys say that Streetlight are remaking 'Keasbey Nights', do you mean that they're re-recording that whole cd, only as Streetlight instead of Catch 22?

If so, I think that's really lame. I want all new Streetlight Manifesto songs.
Sorry if I'm completely off.

[QUOTE=Brian Manifesto]on and on and on is on keasby nights

[/QUOTE]

He meant the song keasbey nights.


[QUOTE=Dude3]I'm confused.

When you guys say that Streetlight are remaking 'Keasbey Nights', do you mean that they're re-recording that whole cd, only as Streetlight instead of Catch 22?

If so, I think that's really lame. I want all new Streetlight Manifesto songs.
Sorry if I'm completely off.[/QUOTE]


Nobody knows for sure, the band has been really secretive about everything and hasn't released any new information in a long time. However, two new songs were recorded at live shows and are up on a fansite.

wow, a full page of talk about a flute in the punk forum, hardcore guys :P

I'm taking grade 9 music right and playing trombone, its probably the easiest (im in grade 12, not 9) but the tin whistle is way cooler than a flute, and so is a pan flute. so stop talking about it.

[QUOTE=Forest_Fire]He meant the song keasbey nights.





Nobody knows for sure, the band has been really secretive about everything and hasn't released any new information in a long time. However, two new songs were recorded at live shows and are up on a fansite.[/QUOTE]

I don't think it's gonna be a straight-up note for note remake, I'm expecting an entire re-interpretation of the album. I'm all for it, Tomas needs to take his lyrics back and turn them into something else brilliant. I can't wait to hear it.

I'm sure all the robberies are gonna slow down production though. I'm expecting an album early 2007, 4th quarter 2006 at the earliest

They already have the date at Jan 20th.

[QUOTE=Ruins]They already have the date at Jan 20th.[/QUOTE]

But that's Victory's date, isn't it? And hasn't that been there for like months now?

And c'mon, you should know by now that we can't rely on release dates from Streetlight/BOTAR

Anyways, I REALLY hope you're right though. If that drops on 1/20, I'll be a happy person.