ya im the youngest

aw widdle eliminator

did they put barrettes in your hair when you were little like my sister did to me :(

I have 3 sisters and i'm the youngest I win

[QUOTE=emily_;18741829]ya im the youngest[/QUOTE]

leave the hall

2nd youngest is clearly the superior position

[IMG]http://i.imgur.com/QxDvy.png[/IMG]

xmas sux ur all gay fuck u

lost the ability to do any work

ya i'm about checked out for the day

i have been working for almost 3 days straight on about 5 songs

need some sort of break from the computer

[quote=adb;18741841]xmas sux ur all gay fuck u[/quote]

:) ;)

i just meant in general, like the past week or so i haven't been able to do anythign at all and tonight i was like "im gonna WILL myself not to use the dumb internet" but i cant so thats bad

[QUOTE=(*The Noonward Race*);18741846]i have been working for almost 3 days straight on about 5 songs

need some sort of break from the computer[/QUOTE]

i've been working on a 25 minute long clusterfuck of dark ambient and noise

it's satisfying and really pushes you try and think about development, after i've finished i'll find it ridiculously easy to knock up a basic template for a 3 or 4 minute long song

[QUOTE=Haz;18741850]i've been working on a 25 minute long clusterfuck of dark ambient and noise

it's satisfying and really pushes you try and think about development, after i've finished i'll find it ridiculously easy to knock up a basic template for a 3 or 4 minute long song[/QUOTE]
yeah that's all i've been about for the last few months

currently im combining projects and directing my ideas to fit together at a later point so i can render less in real time

basically combing multiple projects and keeping them in seperate folders



and i never usee templates because it halps my mixing to not

ambient music

[IMG]http://i.imgur.com/Fr8LU.jpg[/IMG]

anything anyone ever [IMG]http://i.imgur.com/Fr8LU.jpg[/IMG] said to you was just a sound
[CENTER] anytime you ever cried

[LEFT] any tree in the forest
[RIGHT]that fell
[CENTER]formatting
[/CENTER]
[/RIGHT]
[/LEFT]
[/CENTER]

[QUOTE=(*The Noonward Race*);18741851]yeah that's all i've been about for the last few months

currently im combining projects and directing my ideas to fit together at a later point so i can render less in real time

basically combing multiple projects and keeping them in seperate folders



and i never usee templates because it halps my mixing to not[/QUOTE]

yeah i've developed a fairly sound workflow similar to this

used to get overwhelmed with stuff but it's easy enough to organise

i have a painting on one of my walls

i'm going to paint it one time at a time

i've decided to wait until 6 months



it fucking sucks, i have to look at it every day, i did it really sloppy and some odd colors but really quickly composed improvisation of geometry with lines and circles and some buildings

so i have a long time to think about whats next, i get to really overthink every decision

im trying to use that to learn how to be more patient with an idea because my mixing is reaching a point where i can understand a lot of sounds i hear in all music and listening to real life environments i can use those precisely

at least im tryin to

the best ideas are often the simplest

when you're writing music you're really planning out psychological investments through time but the musical part of it is somehow completely surprising even if it's expected, even if i'm writing it. so when writin music i try to consider [I]how[/I] exactly im writing and how i feel aand my environment
[quote]
the best ideas are often the simplest[/quote]time makes things infinitely complex

there is no such thing as a perfect loop in music because that would involve theoretical physics

the external and internal realities are an inverse expression of time and rhythm in music

this is because when you're perceiving music it is at some point in time itself

ironically i just painted a bunch of shit

found my brown tube of watercolor so i thought wtf not

was doing some drawings the other day with pencil and pens

[QUOTE=(*The Noonward Race*);18741863]when you're writing music you're really planning out psychological investments through time but the musical part of it is somehow completely surprising even if it's expected, even if i'm writing it. so when writin music i try to consider [I]how[/I] exactly im writing and how i feel aand my environment
time makes things infinitely complex

there is no such thing as a perfect loop in music because that would involve theoretical physics

the external and internal realities are an inverse expression of time and rhythm in music

this is because when you're perceiving music it is at some point in time itself[/QUOTE]

apart from on the fly fuckarounds I typically enter with a basic idea, with some constraints but leaving a bit of room to breathe. what i've plotted for my current project for instance -

1.Track must exceed 25 minutes in length.
2.Conventional song structure, 3 minutes +. Use 2 old, unfamiliar VST's.
3.Conventional song structure. 3 minutes +. Use 2 new, unfamiliar VST's.
4.Short ambient piece using unfamiliar synth.
5.Time Stretch demonstration.

I try and manufacture all my sounds in ableton live, build a basic arrangement export it all to adobe audition where i'm more comfortable mixing cause I spent a few weeks going through some professional training packages a year or two ago.

I'm yet to try painting sounds dictated by some kind of emotional/psychological undercurrent, I just seem to gravitate towards texture and melodicism, try to get a basic "feel" happening and punctuate that somehow. Hard to describe.

this page

tldr

[url]http://www.youtube.com/watch?v=AzjFqclFLYU[/url]

watch this Jordan

[QUOTE=Bitchfork;18741867]ironically i just painted a bunch of shit
[/QUOTE]

you're right that is pretty [I]ironic[/I]

[QUOTE=(*The Noonward Race*);18741863]when you're writing music you're really planning out psychological investments through time but the musical part of it is somehow completely surprising even if it's expected, even if i'm writing it. so when writin music i try to consider [I]how[/I] exactly im writing and how i feel aand my environment
time makes things infinitely complex

there is no such thing as a perfect loop in music because that would involve theoretical physics

the external and internal realities are an inverse expression of time and rhythm in music

this is because when you're perceiving music it is at some point in time itself[/QUOTE]

you could just make up musical languages like radulescu and bosetti

more like coincidental

hurr

[QUOTE=robertsona;18741878]you're right that is pretty [I]ironic[/I][/QUOTE]

was reading the part about his painting on his walls and shit

[quote=Haz;18741872]apart from on the fly fuckarounds I typically enter with a basic idea, with some constraints but leaving a bit of room to breathe. what i've plotted for my current project for instance -

1.Track must exceed 25 minutes in length.
2.Conventional song structure, 3 minutes +. Use 2 old, unfamiliar VST's.
3.Conventional song structure. 3 minutes +. Use 2 new, unfamiliar VST's.
4.Short ambient piece using unfamiliar synth.
5.Time Stretch demonstration.

I try and manufacture all my sounds in ableton live, build a basic arrangement export it all to adobe audition where i'm more comfortable mixing cause I spent a few weeks going through some professional training packages a year or two ago.

I'm yet to try painting sounds dictated by some kind of emotional/psychological undercurrent, I just seem to gravitate towards texture and melodicism, try to get a basic "feel" happening and punctuate that somehow. Hard to describe.[/quote]You will learn exactly how what you do now leads to the next decision to go in terms of workflow, style and basic musical idealogy, the less thinking involved eventually creates more completely engrossing ideas since the mechanics aren't perceived or in the way of focus itself.