you're the one that took the time to find my facebook, type out like an essay on how i suck and send it to me. idk

[QUOTE]
How to get everyone to give your album a 1: record a stagnant death metal album with a horrid mix and a pitiful attempt at vocals and lyrics that don't make literal sense along with some of the worst drum programming ive ever heard.
[/QUOTE]

listen to 3 songs, be so butthurt that you give it a 1.

at least you listened to 2 more songs than mappy did :lol:

I love how the only kids that have legit given it a 1 are core fags :lol: needs more breakdowns and vocal chants :lol:

[QUOTE=adbforever;18646655]you didn't even listen to it lol[/QUOTE]

yeah i did

carnivore diprosopus does it way better

idk luc I don't believe you, its not on ur lastfm

in b4 ppl say OMG YOU LOOKED FOR LUC'S LASTFM, yeah it took 20 seconds

i listened to it on my phone

[QUOTE=adbforever;18646651]the dude took the time to add it to the database just to give it a 1![/QUOTE]

I didn't give it a 1 because I'm butthurt (which makes no sense because I've never talked to you anyway and therefore having nothing to be butthurt over,) I gave it a 1 because it is absolutely horrible

Brent is such a good troll he can troll people he has never communicated with

through his music

[QUOTE=adbforever;18646668]listen to 3 songs, be so butthurt that you give it a 1.

at least you listened to 2 more songs than mappy did :lol:

I love how the only kids that have legit given it a 1 are core fags :lol: needs more breakdowns and vocal chants :lol:[/QUOTE]

whats the difference between a "slam" and a "breakdown"?

less rhythmic differences are allowed in slams

[QUOTE]whats the difference between a "slam" and a "breakdown"?[/QUOTE]slams = gore

breakdowns = core

GORE, not CORE

[QUOTE=adbforever;18645516]
[url]http://www.mediafire.com/?vo1u10lb51l2477[/url][/QUOTE]

Being honest it's an improvement over your previous effort, but it's still far from being something that anyone who didn't know you would want to listen to.

So many jelly hayders itt.

[quote=haz]Brent is such a good troll he can troll people he has never communicated with

through his music[/quote]

fucking lol

[quote=jaundice]slams = gore

breakdowns = core

GORE, not CORE[/quote]

fucking LOL

why did you change the project name Brent

Drifting Icon could have been the stuff of legend

[QUOTE=adbforever;18646240]yeah it is, that's the name of the alien species [/QUOTE]

well, what's the story of this concept album? reading these lyrics all I can figure out is a convoluted mess that even Marvel wouldn't touch with a ten foot pole

listening to it now

not sure how i will last more than a song

we'll see how i go

[quote=lastfm]Luke – instrumentals, mixing
Brent – lyrics, vocals [/quote]

who is luke

Brent amazes me with his trolling capabilities.

I think you guys are overlooking how awesome it is that someone that had 48 posts in four years popped in here just to verify what we all know - Brent sucks.

i'll listen to your album adb

listening now...ugh...

So this is what I get out of your concept, Brent.

There was some mission involving marines, invading a planet. There is some level of risk involved, but it's totally worth it, for what however is unspecified. They come across the aliens, there is an exchange of fire and one man emerges from the bloodshed, a "pile of human gore" if you will. They are in a steel vault, and through the horror of what he just went through the survivor awakens to heightened senses. Now this steel vault seems to be anchoring a docking bay of some kind, the Marine (referred to as a "gelatinous base") steps onto the surface of the homeworld attempting to move through a metropolis, no less. Infrared vision guides this human through the desolated terrain of the very large and densely populated city. This man probes for what is described as "an icon that may or may not exist", amongst the landscape of this indescrible, uncomprehending architecture. Now somehow the location has been changed to ancient egypt, cause there are Hieroglyphics up here. An aura illuminates the night sky, and more Ma-kashic appear. This event is referred to as Genesis, for some reason, and signals something vaguely referred to as the "origin of another stage". Instead of just killing him this time around the survivor is captured on a life support system involving some sort of oxygen apparatus, despite having being labelled as "effortless slaughter". To what end, nobody knows. "His survivability a shame" is repeated at least twice, emphasising the helplessness of the situation but there seems to some reinforcements on the way, thanks to a tracking device the Marine is carrying with him. But it seems all is not good here either cause these backup cruisers seem to be already boarded by squadrons of Ma-kashic and there is such pressure on their forces that they can't even enter the atmosphere. The Ma-kashic can apparently shape-shift, with their carbonised mandibles they favour decapitation as their "prime method of butchery". A little bit of backstory is explained, the Ma-kashic see themselves as the imperalistic "Knights of Genocide" who want to destroy humanity, though at the start of this story the humans were the ones who invaded [I]their[/I] planet. This is all done in the name of having secrets to keep, to preserve. There seems to be some kind of a sacrifice ritual to this end. There is some talk about how the human weaponry of plasma blades are useless, and described as "unequivocal" against the horde of Ma-kashic forces. There is a closing dialogue how the humans never knew what was coming. And if I remember correctly the album ends with samples of a thunderstorm. The end.

The icon the marine was searching for seems to have been forgotten along with the marine, wtf. Why would the Ma-kashic closely observe humanity for millions of years until they actually became a viable threat enough to be able to invade their home planet, in the name of "preserving their secrets"? Humanity apparently never knew of their existence in the first place.

[I]drifting icon... coming to a planet, near YOU[/I]

it's not the worst music i've ever heard, it's just like shitty death metal. the vocals take up too much space and the guitar sound is weak, but some of the riffs are okay. i just skimmed through like 5 songs i gotta go to class.

here's this little album i made i think it's pretty good summa you will enjoy it
[url]http://anthonypandolfino.bandcamp.com/[/url]

downloading this now, fuck it

[url]http://www.sputnikmusic.com/review/45563/Carbonized-Gnawing-Mandible-Harvested-and-Disposed/[/url]

fuck it, figured I wrote enough for a review

its just like really bad death metal

probably the least memorably thing ever

but it's [I]brent[/I]

dude gets a review on the sputnik site

marketing major


so thats how its done

lol

[QUOTE=Haz;18646902]So this is what I get out of your concept, Brent.

There was some mission involving marines, invading a planet. There is some level of risk involved, but it's totally worth it, for what however is unspecified. They come across the aliens, there is an exchange of fire and one man emerges from the bloodshed, a "pile of human gore" if you will. They are in a steel vault, and through the horror of what he just went through the survivor awakens to heightened senses. Now this steel vault seems to be anchoring a docking bay of some kind, the Marine (referred to as a "gelatinous base") steps onto the surface of the homeworld attempting to move through a metropolis, no less. Infrared vision guides this human through the desolated terrain of the very large and densely populated city. This man probes for what is described as "an icon that may or may not exist", amongst the landscape of this indescrible, uncomprehending architecture. Now somehow the location has been changed to ancient egypt, cause there are Hieroglyphics up here. An aura illuminates the night sky, and more Ma-kashic appear. This event is referred to as Genesis, for some reason, and signals something vaguely referred to as the "origin of another stage". Instead of just killing him this time around the survivor is captured on a life support system involving some sort of oxygen apparatus, despite having being labelled as "effortless slaughter". To what end, nobody knows. "His survivability a shame" is repeated at least twice, emphasising the helplessness of the situation but there seems to some reinforcements on the way, thanks to a tracking device the Marine is carrying with him. But it seems all is not good here either cause these backup cruisers seem to be already boarded by squadrons of Ma-kashic and there is such pressure on their forces that they can't even enter the atmosphere. The Ma-kashic can apparently shape-shift, with their carbonised mandibles they favour decapitation as their "prime method of butchery". A little bit of backstory is explained, the Ma-kashic see themselves as the imperalistic "Knights of Genocide" who want to destroy humanity, though at the start of this story the humans were the ones who invaded [I]their[/I] planet. This is all done in the name of having secrets to keep, to preserve. There seems to be some kind of a sacrifice ritual to this end. There is some talk about how the human weaponry of plasma blades are useless, and described as "unequivocal" against the horde of Ma-kashic forces. There is a closing dialogue how the humans never knew what was coming. And if I remember correctly the album ends with samples of a thunderstorm. The end.

The icon the marine was searching for seems to have been forgotten along with the marine, wtf. Why would the Ma-kashic closely observe humanity for millions of years until they actually became a viable threat enough to be able to invade their home planet, in the name of "preserving their secrets"? Humanity apparently never knew of their existence in the first place.[/QUOTE]

this is like a fucking term paper on a literary classic lol

I knew he couldn't write a song, but at least I now know he can't write a narrative either