[QUOTE=FatherKeeL]@sandtrap...

get a sm57 and mic your amp ... )plus a (XLR to small jack cable)

(i think thats all the deapth you need, pretty simple really...)[/QUOTE]

I just got a 1/4 to 1.8 cable and it works really good. Im recording songs and the only slight problem I have is that the giutar is a little too gainy...which I think I can easily solve.

Thanks all of you who helped me!! Thanks again!!

so for example early van halen probly had his amp mic'd up pretty close but,,,,,,,

for the solo's in Journey...specifically 'ask the lonely' it sounds like the mic is a bit farther, would someone kind of listen and see if they agree? im trying to get that 'journey' sound.....

Hey, I got a problem with the EQ, which can't typically can't be removed by the hiss removable features you can find floating around :(

Basically, I'm recording a guitar amp, and I'm setting up the eq by boosting the high and lows, and dropping the mids.. it gives that typical heavy bassy rock sound you might hear in those heavier rock bands. Anyway, as a result (I'm pretty sure it's the EQ), when I play the track you can really hear a vibrant 'sssssssssssss' in the background, a bit like a sizzle.

I was just wondering if there was ANY way at all of getting rid of it? By the way I use adobe audition 1.5

Someone suggested I changed software?..

the sssssssssss is probably the result of the high frequencies in your mix. just reduce the highs in adobe audition.
ECTWest: yes

[QUOTE=Shevenal]Yo...

I have a 4-track recorder ([URL=http://www.musiciansfriend.com/srs7/g=rec/search/detail/base_pid/240851/]this one[/URL]) and my band recorded a few songs on it last practice.

I read a few guides online and they said to connect the player (i used the 4-track) to your soundcard's line-in and record. So I used the 4-tracks headphone-out and connected it to the line-in using a 1/8-1/8 cable.

Here's the problem... when using Cool Edit Pro to record the line-in, it only plays out of the left speaker. But when I use sound recorder (the simple prog that comes with windows) it uses both speakers. I [I]would[/I] just use sound recorder but it has a 60 second time limit and such.

Any way to fix this problem so that the recorded sound comes out of both speakers?

EDIT: problem fixed :)[/QUOTE]
i don't know if this will work, but in the multitrack view, click the grey box that says 'Rec 1'. a window should pop up saying Record Devices. If stereo is selected, click left channel. If Left channel is selected, click stereo. Then click the box 'Same for all Tracks'. Press ok and re-record whatever you were recording.

the sss is just amp hiss, from using a cheap amp and sitting in fornt of your PC. It can't be fixed just like that. Your best bet are a noise gate and staying away from your PC when recording (leave 10s of silence at the start of every track, to give you time to get away from your PC, you can always delete it afterwards)

you can apparently buy something called a "ground-lift-plug", which stops the amp from hsssing. you just plu your amp's power cable into the Ground lift plug, and the nplug that into your household power supply (e.g wall socket).

i need a bit of advice for recording a drum kit. I only have 3 mics at the moment - 1 SM57 for the snare, 1 Rode NT1-A condensor as an overhead, and 1 dynamic mic for the bass drum. I have enough cash for another mic, but im not sure which one is the most important - either another condensor for an overhead, so i can record my drums in stereo, or a bass drum mic, so that i dont get such a cardboardy sounding bass drum, (although apparently i can eliminate the cardboard sound by boosting the high's and low's). Please help!

[QUOTE=NotForSale.co.za]you can apparently buy something called a "ground-lift-plug", which stops the amp from hsssing. you just plu your amp's power cable into the Ground lift plug, and the nplug that into your household power supply (e.g wall socket).[/QUOTE]


As the son of an electrician i urge you strongly not to do this
several musicians in the seventies and eighties are now dead from using these devices. Lifting the ground efectivly does reduce hum but not hiss. Just picture a 120V electric arc comming out of your pickups. i know it would look cool but you would die very little question there. Also donot confuse this with ground lifters on xlr cables. THis is perfectly safe. If you would like a more in depth description of hum reduction and electrical tricks i would be glad to post one just request and i will however it will be long. But please for your saftey donot lift the ground or remove the ground plug from your amp.

one more thing there is a safe transformer that can be aquired i know from full compass magazine and i will ID it for you that via a transformer safley reduces hum in the ground
transformer is called hum-x it is available from full compass fo $90

[QUOTE=NotForSale.co.za]i need a bit of advice for recording a drum kit. I only have 3 mics at the moment - 1 SM57 for the snare, 1 Rode NT1-A condensor as an overhead, and 1 dynamic mic for the bass drum. I have enough cash for another mic, but im not sure which one is the most important - either another condensor for an overhead, so i can record my drums in stereo, or a bass drum mic, so that i dont get such a cardboardy sounding bass drum, (although apparently i can eliminate the cardboard sound by boosting the high's and low's). Please help![/QUOTE]

Kic mic would def be you best bet cybals in stereo is actually not all that noticable unless you work REAL hard in mixdown

[QUOTE=Jason101]quoted for desperation[/QUOTE]


Alright everybody listen
MIC level and LINE level are two diferent things this is something very few people know and most dont really care about. Mic level is much lower than line level that is why if you plug a mixer into the mic in on your computer you have to turn your master Way down to keep from clipping you can by in line converters fron line level to mic level. about $60 if i remember correctly

[QUOTE=jmlb13]Alright everybody listen
MIC level and LINE level are two diferent things this is something very few people know and most dont really care about. Mic level is much lower than line level that is why if you plug a mixer into the mic in on your computer you have to turn your master Way down to keep from clipping you can by in line converters fron line level to mic level. about $60 if i remember correctly[/QUOTE]
this very good advice... :thumb:

[QUOTE=theabstract]Hey everyone, thanks for the feedback, I'm glad I can help. But dont too many of u poen up studio cos i'll run out of business (nah, just jokes!) Yeah i'll do the next lesson soon, but ive been a bit busy with this punk band!

Hey weasle, do like the chillis, coz I ****ing love the chilis. If you want a chad smith snare sound, get a small metal snare and tune it up ****ing high!

Yatty, haven't got a clue wots going on, really sorry man![/QUOTE]
hey abstract!its really great that the pros can share their knowledge with all the indie guys out there.i have met too many producer types that just look down there noses at up and comers...keep up the good work your post is great!p.s.any advice on recording slide guitar? :thumb:

This is brilliant. Great job mate.

Okay so i got a drum mic kit now, but i only have 4 mic inputs on my mixer, so im thinking of just using the 2 overheads from the kit and the bass drum mic with my SM57 on the snare, would that be okay? Some time in the distance future i would like to get hold of another mixer, so that i can connect the two together, therefore having 8 mic inputs, and then i can make full use of my drum mic kit.

One other thing - does anyone here have any of these drum mic kits? I dont quite understand how the clips are meant to clip onto the toms, cos the mics seem very far away from the skins when i clip them on (about 5 - 6 inches). Anyone have a better way in using these tom mics?

Nice work, wasnt this stickied before? It has a fair few usefull tips that probably get asked repetitively.

ok all this really helped...me and my band have been workin off this and tryin to get some money together(kinda hard) with getting all the equpiment but not like top of line what would be an average of $$$$$ needed?

[QUOTE=Lildrummerboy168]ok all this really helped...me and my band have been workin off this and tryin to get some money together(kinda hard) with getting all the equpiment but not like top of line what would be an average of $$$$$ needed?[/QUOTE]

Honestly you cn get a good used pa for under 300 bucks to start with. go for about 300 watts power and couple good JBL crvin or something in that line of speakers. Look at you output power of you amps and match to your speakers as best as possible. also i suggest reading up on PA setup online. Try to understand impedance wattage and other items related to sound feilds and sound setup. you really dont need lot of serious csh to get started. Mu first band bought mixer and ran it line in to my home stereo amp. a pioneer 838 stereo head. One set of spekers for mins one set of speakers for monitors. But yall can do alot better for relatively cheap. I just got a set of altec lansing Voice of the Theatre spekers for like 600 bucks and the sound awesme although they weigh like 140 lbs a piece. point being you can get loads of sound second hand for very little bank. find some of the bands in your area nd see if they have anything their not using and want to sell. Whn your talking about this stuff to start of less can be more too. You dont want 3 1000 watt amps two subs four mains and six monitors in a small club. Youll kill the people listening. Analyze your venue base and get equipment to match. Monitors are a must to me. Decent mains plenty of amp and good board you caqn def get out for less than most people think.

***Drumkit from hell***
 

[QUOTE=Itwasthatwas]You can get Drumkit From Hell from KaZaA?!?!?!?! I searched KaZaA for a week and couldn't find it.[/QUOTE]

For those of you that are in need of drumkit from hell and cant find it on kazaa, bit torrent ect.... Go to [url]www.shareaza.com[/url] download thier client and search for it!! I downloaded 3 of the six discs of drumkit from hell. There drum samples are so real and pefect for metal and hard rock and its a **** big program so make sure you have at least 30g to spare. Unless you only want to download 1 disc out of the six. Your going to need a virtual drive such as alchohol 120% or daemon tools to mount the iso. files on to. (which you can obtain from shareaza). Any questions or if you want to hear the songs i have made with mixing & editing programs such as fruityloops, Wave Lab, And DKFHS, my msn is: [email]semitone_down@hotmail.com[/email].

Your welcome! ya cheap *** basterds! lol.... :lol: :chug: :smoke:

where can i get monitors? because i was thinking of producing some bands in my school to get
my money back for al the crap ive wasted it on and i just need those and ive practicly got a full studio besides the big amps and insturments.

[QUOTE=Sandtrap]i just got cakewalk and am looking for some guidence.

so far I have:
gotten it installed, and thats about it, and Im about to buy a 1/8 adapter.

but a werd window pops up everytime I start the program its says:
u havent selected any MIDI outputs please select one now

and when I click on select MIDI outputs theres nothing I can choose from, this might be more of a computer problem but if anyone knows the answer please help me out!!

Thanks!![/QUOTE]
midi outputs is like if you had a keyboard or something just if you don't have a keyboard then don't worry about it and close it and keep running the program normal.

[QUOTE=cramboli]where can i get monitors? because i was thinking of producing some bands in my school to get
my money back for al the crap ive wasted it on and i just need those and ive practicly got a full studio besides the big amps and insturments.[/QUOTE]

a cheap pair of studio monitors start at about £50, you can spand as much as you have

most online shops and many music shops will have them

groovey!

anybody know how good a behringer C-1 large diaphragm condenser is? It's 40 bucks, and the reviews I read were OK. I don't need a high-end mic, just a practice one that I can record for fun

[QUOTE=RockJunky116]anybody know how good a behringer C-1 large diaphragm condenser is? It's 40 bucks, and the reviews I read were OK. I don't need a high-end mic, just a practice one that I can record for fun[/QUOTE]

pretty good, i hear.

Remember that, with condensors you'll need a phantom power in order for them to work. And always be very gentle with them. Never 'tap' on them to see if they are on, instead click your fingers in front of them.

i already made a thread about this but i figure i should ask here... i've heard it's really hard to get decent sound if you just plug into the 1/4" line in on the computer and that it's better to use a USB interface. how much difference does it make?

If you are using a line-in. Your quality of recording is dependant on your soundcards quality and your soundcards settings.

Cheap on-board or internal soundcards arn't too great because they sometimes pickup electrical noise from your computers internal fan.
External soundcards that are a decent quality, are generally more preferred.

Recording via a USB connection is usually done digitally, like from a digital modellign or recording device. These are better quality than using a stock on-board or internal soundcard, but are comporable in quality in the proper use of a good quality sound card.

what provides phantom power? can a computer do taht? I plan on using a 1/4->1/8 converter to hook it into my computer. will that work?