You'll hear it more on a clean setting.


The difference on my shine super electro thing was quite noticable.

man this song like defines my life.

[url]http://media.putfile.com/the-maratimes[/url]

Man my little brother had some friends over and one of them tripped and got a very small cut on his head and was bleeding a bit, so I did the right thing as the big brother; I got on my bike and left.

thats the best story i heard all day krabs, tell it again :D

[QUOTE=The Krabs]Man my little brother had some friends over and one of them tripped and got a very small cut on his head and was bleeding a bit, so I did the right thing as the big brother; I got on my bike and left.[/QUOTE]

kk.

nice :thumb:


i tried learning about slash chords today. That didnt take too well

[QUOTE=AG]You'll hear it more on a clean setting.


The difference on my shine super electro thing was quite noticable.[/QUOTE]


123, the coil taps on my duncans is quite noticable.

[QUOTE]i tried learning about slash chords today. That didnt take too well
[/QUOTE]
What is the problem with them that you are having?

i understand its for the bass notes, but when they start doing inversions, i get a little lost.

[QUOTE=Kurrpt]i understand its for the bass notes, but when they start doing inversions, i get a little lost.[/QUOTE]


Basically what happens is that the bass note changes from something other than the Root.

3rd, 5th, whatever. Im just no good with em :lol:

Those chords are for piano players anyway.

Inversions are easy as pie.

You have your chord:

1 3 5 7

If you play it normally, it's a Major 7.

If you play it with the second note of the chord first, it's the first inversion.

Third note first, it's the second inversion. Fourth note first, it's the third inversion. And so it carries on, if there are more than 4 notes.

well, why didnt they explain it like that :lol:


they started showing me standard notation, and im like "ok, so that means that .............................i dont get it "


:lol:

quick question peeps....


who are your LEAST favorite guitar forum frequenters. Dont be bashful

I dunno.

I quite dislike that 'Axe' guy. What a fag.


:p




/jokes.

why care about people on the forum good or bad?

Me.

you shouldnt care, i was just curious

everyone hates "jono9119x"

Who hates me come on speak up

he has said some extremely stupid things, but he doesnt even register on my hate-o-meter

that ego fag i hate it that he's always right :mad:

123

[QUOTE=AG]I quite dislike that 'Axe' guy. What a fag.


:p




/jokes.[/QUOTE]
But you said i gave you the best blowjob you ever had :(

it's over :mad:

why me anyway? :(

[QUOTE=Axe]But you said i gave you the best blowjob you ever had :(

it's over :mad:

why me anyway? :([/QUOTE]

Did you get a name change?

I hate* every single close-minded metalhead on this forum.





*strong word I don't use in day to day conversation

[QUOTE=Atman]that ego fag i hate it that he's always right :mad:[/QUOTE]


emo phag?


in the guitar forum?


WHERE!?! Lets get him boys!!

*accidental double post*

[QUOTE=AG]Inversions are easy as pie.

You have your chord:

1 3 5 7

If you play it normally, it's a Major 7.

If you play it with the second note of the chord first, it's the first inversion.

Third note first, it's the second inversion. Fourth note first, it's the third inversion. And so it carries on, if there are more than 4 notes.[/QUOTE]

thats also a very simplified way to think about it because off the top of your head youre not going to know that something spelled Eb G Ab C or written as something like Eb6add11 is really Abmaj7

just pointing out you should know what they spell other than just the basic formula

[QUOTE=The Krabs]Did you get a name change?[/QUOTE]
about a year ago.

[QUOTE=evilnomore]I hate* every single close-minded metalhead on this forum.





*strong word I don't use in day to day conversation[/QUOTE]



i can understand that, but you could easily say that to the jazz head, or classic rock person that feels theres no need to broaden their horizons

also yeh man i h8 atman and krabs with a pashun


and the problem with that kurrpt is normally people branch out into jazz/fusion styles after dealing with rock/metal/punk/blahblahblah

[QUOTE=Axe]about a year ago.[/QUOTE]


Oh i've never seen you :/

[QUOTE=joas]thats also a very simplified way to think about it because off the top of your head youre not going to know that something spelled Eb G Ab C or written as something like Eb6add11 is really Abmaj7

just pointing out you should know what they spell other than just the basic formula[/QUOTE]


i honestly hope you didnt recall all that information from the top of your head.


Why?

because i would hate you out of jealousy, thats why :angry:

[QUOTE=Kurrpt]i can understand that, but you could easily say that to the jazz head, or classic rock person that feels theres no need to broaden their horizons[/QUOTE]


The thing is, the jazz heads and classick rockers on average have much more broadened musical tastes then metal heads :x

[QUOTE=joas]also yeh man i h8 atman and krabs with a pashun


and the problem with that kurrpt is normally people branch out into jazz/fusion styles after dealing with rock/metal/punk/blahblahblah[/QUOTE]


agreed. I have absolutely no qualms with that what so ever. I found myself getting into jazz for the complexity of it. Its not like id go out and buy jazz albums, but i can respect it for what it is

nah, i would have normally figured it out but knowing your chord subs makes it real quick to figure out because then you know what extensions youre adding and then just subtract the shi thats already gone

but yeah for Ab i know it pretty well so pretty much got it

[QUOTE=The Krabs]The thing is, the jazz heads and classick rockers on average have much more broadened musical tastes then metal heads :x[/QUOTE]


i find that utterly impossible to believe. I dont think anyone initially gravitates towards METAL music. For me, it was a progression FROM blues/classic rock/grunge. Im no "metal head", but i just see your rationale as a generalization, which leads me to believe you are the subject of your own criticism