Album Rating: 4.5
... how in the world does scum have 17 ratings?
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Album Rating: 4.0
Possibly because it’s on Indepedency, yet even that only has 27 ratings…
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Album Rating: 4.5
on Game Over for me
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Album Rating: 5.0
Despite this albums subconscious influence on post rock, not many people really know about this band unfortunately
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Album Rating: 4.5
subconscious influence on post rock?? This is post-rock, and most consecutive post-rock bands have little to do with it.
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Album Rating: 4.0
Yeah I mean wasn’t post-rock literally coined to describe this album?
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Album Rating: 2.5
The concept of "post-rock" was developed by critic Simon Reynolds,[8] who used the term in his review of Bark Psychosis' album Hex, published in the March 1994 issue of Mojo magazine.[9] Reynolds expanded upon the idea later in the May 1994 issue of The Wire.[5][10] Writing about artists like Seefeel, Disco Inferno, Techno Animal, Robert Hampson, and Insides, Reynolds used the term to describe music "using rock instrumentation for non-rock purposes, using guitars as facilitators of timbre and textures rather than riffs and power chords". He further expounded on the term,
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Album Rating: 4.0
Thank you sixipedia
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Album Rating: 4.5
He used the term earlier actually. It's a myth that this was the first album post-rock was attributed to.
edit:
http://reynoldsretro.blogspot.com/2014/08/bark-psychosis-interview-hex-review.html
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Album Rating: 2.5
source?
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Album Rating: 4.5
http://reynoldsretro.blogspot.com/2007/07/insides-interview-melody-maker-late.html
"The feature appeared about six weeks later in Melody Maker and seems to be the very first time I used the term “post-rock”, although no one noticed. Seven months later, I would include Insides in the first dedicated overview of post-rock, alongside outfits like Seefeel, Disco Inferno, Main, and Techno Animal. That was in The Wire magazine and this time people did notice."
"Those two years 1993-94 were an incredibly exciting time in British left-field music. All kinds of new directions seemed to be opening up, with the more experimentally-minded guitar-centric groups in the independent sector starting to grapple with the possibilities of sampling, sequencers, programmed rhythm and digital audio workstations like Cubase, in many cases as a result of having their ears piqued by the texturology and groove science of the more advanced units in hip hop and techno (in particular that man Aphex Twin again). This emerging landscape of new ideas and approaches was really too diverse to be shepherded into a movement, but - being a journalist and all - I felt that marshalling things under a single banner was a good strategic move: strength in numbers that would commandeer space and focus attention where it needed to go. Hence “post-rock” – always intended as an open-ended category, a space of possibility rather than a codified genre. So much for that, eh?"
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Album Rating: 5.0
Lion yeah I know Einstein not everything needs to be corrected. I’m saying that the term was remembered here. So subsequent bands might have been coined as something totally different. This band had an impact whether bands know it or not.
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Album Rating: 4.5
My correction was @Sixdegrees Einstein.
I really doubt that the post-rock label wouldn't have stuck without the existence of this band.
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this is so fucking good! love it
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Album Rating: 5.0
I love people are still discovering this yay
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Album Rating: 5.0
There’s such an endless quality about Pendulum Man. It just goes and goes and goes. And not in song length.
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Album Rating: 4.5
yeah track is excellent... was a bit off-putting to me as a teenager when I first discovered this record due to its nature and length but grew on me significantly through the years
fuck it throwing this on now
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Goddamn, both this and Dustsucker kick so much ass
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Album Rating: 4.5
it's 3 A.M....
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this is the SHITTT
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