There are moments of brilliance on this record, and though it may not be jampacked with them like
some of his other work, Plini still finds the time to showcase his prodigious skills. What the man
can do with a bedroom is impressive; I don't usually love to shout out specific tracks in
soundoffs, but in this case, I can't overlook Ko Ki. It's the best exhibition of what makes a
great Plini cut on this record. It has technical guitar noodling, ample jazz elements, showcases
exemplary piano work, and, above all, leaves the listener emotionally invested. The rest of the EP
may not be quite as strong, but there is still plenty of redeeming value in the impressive
guitarwork as always.
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