branflakes911
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Approval 100%

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Album Ratings 406
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Last Active 07-05-14 8:59 pm
Joined 04-11-11

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Average Rating: 3.83
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Objectivity Score: 63%
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5.0 classic
Amon Amarth Versus the World
Their first purely melodic death metal album, this album features the bands most compelling melodies. Nearly every song is great and has a great riff or melody. This is what this band was made for, and this is both their first truly great album and their best.
Atheist Unquestionable Presence
Between the Buried and Me Alaska
Carcass Heartwork
Carcass Necroticism: Descanting the Insalubrious
The example of how to evoke the harrowing and deranged without need of excessive brutality. Necroticism hits that much harder because it doesn't have to slam or blast its way into relevance, choosing rather to harness the full potential of the evil harmonic language defined by early death metal. The level of refinement here is unparalleled, the compositions are diverse and engaging, the guitarwork is dynamic and stirring and the drums are an exercise in the power of restraint and emphasis. One of the best of the early years and definitively Carcass.
Coprofago Genesis
These may be the crunchiest, most devastating guitars ever. Combine that with Meshuggah like rhythmic freedom and jazzy interludes in the masterful way they do and you've got a Masterpiece of technical death metal.
Coprofago Unorthodox Creative Criteria
Cryptopsy None So Vile
Cynic Focus
This is a transcendent album, melding tons of very different ideas into a sensational whole. The metal parts are ripping, the jazzy parts are ethereal and beautiful and the effected vocals are the perfect way to bring them together. Stellar musicianship and experimental songwriting make this a death metal classic.
Death Human
Perfectly balanced death metal that ushered in a new era. Everything fits together to create a full yet clear sound, with just enough melody to keep the great death metal fresh.
Death Symbolic
This is truly a masterpiece of death metal, featuring great riffs, complex drumming, distinctive vocals and songwriting that puts it all together perfectly. This is perhaps the height of Chuck's creativity and vision.
Decrepit Birth Diminishing Between Worlds
This could just be the pinnacle of technical death metal: it's extremely brutal, epically technical and, somehow, melodically beautiful. No other band can simultaneously crank up the power and the melody like this band can.
Gorguts The Erosion of Sanity
The sound here is immense and overwhelming, thanks equally to every band member. It's horrifying, sinister and primordial, with awesome vocals and drumming. This is about as good as technical death metal gets.
Gorguts Obscura
Never has so much pain and misery been sent through speakers. This relentless assault of dissonance and disharmony is also somehow magnificent and beautiful, as well as completely unique. Gorguts has once again raised the bar.
In Flames The Jester Race
An amazing combination of dreamy melodies, folk stylings and raw sounding death metal. There are just a ton of ideas on here and an impeccable sense of melody from Jesper Strömblad that brings them all together, creating a unique and beautiful album. This might be the best melodic death album ever.
Meshuggah Nothing
The pinnacle of Meshuggah: incredibly, unrelentingly heavy, rhythmically unparalleled and with a heavy dose of bizarre. The riffs are so complex and yet you're headbanging the whole way through - this is a genre-defining release.
Meshuggah Alive
Nile Annihilation of the Wicked
This might be the most epic album ever. Between the complex and interesting song structures and the incredible depth of sound at which Nile are masters, there's something here on every listen. The riffs are diverse and perfect and the drumming is as fast as it gets.
Nile In Their Darkened Shrines
What Nile does here is create an immense atmosphere, evoking images of another world in a way few bands are capable of. The songwriting is totally out there and the tone is as low and brutal as it comes. Tony Laureano does a massive job behind the kit, perfectly complimenting this unique technical death metal.
Opeth Ghost Reveries
This album is simply amazing. The combination of mid-paced, powerful death metal and beautiful, melancholic interludes is here refined to perfection. Few other bands can weave together so many styles and sounds and even fewer can do it with the musical aptitude and instinct of Opeth.
Opeth Deliverance
Strapping Young Lad Alien
Intensely personal, intensely honest, intensely chaotic and intensely heavy; probably one of the most intense albums in death metal. Devin's progressive abilities are fully on display, as he weaves into and out of heaviness, catchiness, melody, bombast, speed, temperament and sheer insanity, sometimes in just one song. What's truly remarkable, though, is that in all that the album never loses cohesion and listens as a solid slab of pure emotion.
Suffocation Pierced from Within
As heavy as their earlier woks but a bit clearer in its execution and more complex in its song structures. Every song here is an epic, with countless great riffs, transitions and the best death metal breakdowns. Period. This is the pinnacle of Suffocation's brand of death metal.
Tool Lateralus
This album, as a truly classic piece of art, defies explanation. There's the great melodies, the awesome drumbeats, the progressive song structures, the beautiful and haunting vocals... But there's also much more than all that. There's something about this album, the pacing, the sequencing - there's something here that's purely artistic, something that can't really be explained. When this album goes on, it grabs you and won't let go, and, impossibly, every song, every minute that passes brings the experience to a higher level. Truly an unbelievable album.

4.5 superb
Aborted Engineering the Dead
Akercocke Words That Go Unspoken...
Amon Amarth With Oden on Our Side
This album, to me, is the second peak of Amon Amarth's career, marking the completion of the transformation they made over their career. It's definitely melodic death metal, as the previous two albums had been, but the production is much more clear and powerful, the guitars have the heaviest tone this band has used and the vocals are incredibly guttural. Plus, the songs feature some of the best leads nad harmonies Amon Amarth are capable of. This album is a jewel of modern melo-death.
Anata Under a Stone With No Inscription
Anata The Conductor's Departure
Arch Enemy Stigmata
At the Gates With Fear I Kiss the Burning Darkness
At the Gates The Red in the Sky Is Ours
Atheist Elements
Avenged Sevenfold Waking the Fallen
One of the best metalcore albums, this is technical and catchy and draws from multiple genres in an impressive display of musicality. The songs are memorable, the riffs are good, even when they're not heavy, and the drums add just a touch of groove. Oh, and the solos are just fabulous. Avenged Sevenfold's best, and it's not close.
Beneath the Massacre Evidence Of Inequity [EP]
Immensely technical and absurdly fast, this EP is a true beast. It's short enough to keep you interested the whole way, with new ideas on every song despite the albeit derivative nature of the undertaking. Has technical deathcore been done? Yes. Has it been done this well? Not up to this point.
Between the Buried and Me The Silent Circus
Bleeding Through This Is Love, This Is Murderous
Blink-182 Enema of the State
Blood Red Throne Come Death
They really refine their offering here, incorporating a bit of restraint and diversity, for the better. The bass is awesome and really shines through. Maybe their most interesting album.
Blood Red Throne Altered Genesis
Bloodbath Unblessing the Purity
Whereas their full-length albums tend to suffer from tedium as well as a lack of focus (or perhaps, more accurately, a lack of focus), Unblessing the Purity avoids both of these pitfalls. Condensing all their ideas into 4 songs rather than 9 allowed the Swedes to maximize each one, and rest assured none of the tracks here has a down moment. Rather, this EP is a continual cascade of immensely heavy, powerful and atmospheric death metal mastery. It's their most concise and successful offering by a wide margin.
Blotted Science The Machinations of Dementia
There is almost nothing not to like here. WIth Ron Jarzombek at the helm and the talented Webster and Zeleny in tow this is a metal musician's wet dream: fast, technical, jarring, heavy and with a definite and unique melodic character. Jarzombek is a metal genius, and this is just his latest and heaviest masterwork.
Cephalic Carnage Xenosapien
Children of Bodom Hatebreeder
Children of Bodom Follow The Reaper
Chimaira Chimaira
Cryptopsy Blasphemy Made Flesh
This album combines a dual chainsaw guitar assault with groovy bass, monstrous drumming and one of the most impressive vocal performances of the decade. Gets tedious and sounds a bit messy, but a must-hear for lovers of tech and brutal death metal.
Cryptopsy Once Was Not
Cynic '90 Demo
Death The Sound of Perseverance
Death Individual Thought Patterns
Death Spiritual Healing
More polished, more refined, more consistent and more sinister than either of its predecessors, and hinting at the capabilities Death would later demonstrate. Spiritual Healing's evolved approach sets the bar high for death metal at a time when many bands were still toiling in bare aggression, and somehow remains generally underrated in the canon of Death
Death Live in L.A.: Death & Raw
Decapitated Winds of Creation
Decrepit Birth Polarity
Deicide Legion
Demigod Slumber of Sullen Eyes
Demilich Nespithe
Gurgling, churning insanity unlike anything else. Somewhere between technical, progressive, groove black and doom is an uncharted universe of which we've only gotten a 40 minute glimpse through this Finnish portal. The twisting, spiraling licks, belching vocal spew and labyrinthine rhythms conspire to create a unique take on death metal that is as otherworldly today as it was 20 years ago.
Dimmu Borgir Enthrone Darkness Triumphant
Enslaved Frost
Entombed Left Hand Path
Gojira The Way of All Flesh
Gorguts From Wisdom to Hate
Perhaps their most bizarre and sonically distinct album. It suffers from a certain redundancy and the great moments are not as abundant as on previous albums, yet it is, to a certain extent, just as impressive. Th guitars here are as interesting and weird sounding as they get.
Ihsahn After
Such rich textures, such deep atmosphere and yet powerful and punctuated - this is a post-metal masterpiece. The progressive elements - saxophone! - are ideally interwoven with big slabs of riff-work and poignant melancholic interludes, all held together with the distinctive voice of the creator, which displays a curious similarity between the haunting choruses and gut-wrenching cries. Few albums display this combination of musical depth and aesthetic focus.
Illogicist The Insight Eye
Frantic guitars, technical drumming and a biting bark make this a unique technical death metal album. Marco Minneman absolutely destroys the drum kit with speed, precision and a procession of beats and rhythms that cannot be outdone. It's fierce and vigorous technical death metal with a european twist.
In Flames Colony
Some of In Flames' best songs are on this album, along with some of most distinct and characteristic leads and melodies. The overall package is a unique and crucial moment in the history of metal.
In Flames Soundtrack to Your Escape
This album is the best manifestation of the later In Flames sound, heavily synthed and sampled with crunching riffs offset by haunting, despairing melodies. It's innovative and experimental in its own way and truly beautiful.
In Flames Subterranean
Isis Panopticon
Isis Celestial
Isis Oceanic
Martyr Warp Zone
Mastodon Blood Mountain
Mastodon Leviathan
Mastodon Remission
Meshuggah Chaosphere
Meshuggah I
Meshuggah Koloss
Koloss combines the pound and power of Nothing with the immersive soundscapes of Chaosphere and it works. Koloss also fails to demonstrate anything radically new for this band, at a time when djent is exploding aimlessly, and it stagnates. The music is all good, but at the same time I think we were all expecting a little more.
Metallica Master of Puppets
Morbid Angel Gateways to Annihilation
This is clearly the album Morbid Angel were trying to release since Covenant. The riffs are massive, the tone is otherworldly and the solos are, as always, incomparable. I won't say this is their best, but it's the pinnacle of their sludgy sound, their songwriting and brutality.
Morbid Angel Formulas Fatal to the Flesh
With a new vocalist Morbid Angel inaugurated a more down-tuned, sludgier sound and it's totally awesome. The tracks are all brutal but vary in structure and speed. The vocals are guttural and great and the music is the quality you expect from the band. The only real problem is that there's not quite enough of it all.
Morbid Angel Covenant
Suffers only from a slight repetitiveness and, if this is fair, lack of overabundance. At the same time, it's much more controlled than the first two and, at its best, exceeds them based on strength of will. It also happens to be one of the last of death metal albums that retains that scratchy, almost primitive goodness. It's probably overrated by its lovers but probably also underrated by its critics, but either way its definitive Morbid Angel.
Necrophagist Onset of Putrefaction
This album is all about one thing: masterful guitarwork. The riffs are all great and shift between being brutal, groovy and technical or some combination of the three. And the solos? Simply amazing. I don't know if there is a more impressive collection of tech-death guitar work than this.
Necrophagist Epitaph
More refined than their last, but with an increase in the amount of musical variation and experimentation. The combination of technical solos, speedy death metal and classical influence produces a rich album that's not quite like anything else out there.
Neuraxis Trilateral Progression
Nile Those Whom the Gods Detest
Nile delivers once again - furious riffs, exotic harmonies and liberal experimentation make this album a winner. The only reason it isn't a classic is because Nile's already done it all and better.
Nile Black Seeds of Vengeance
Nile Amongst the Catacombs of Nephren-Ka
Nocturnus The Key
Opeth Damnation
Opeth Still Life
Opeth My Arms, Your Hearse
Origin Entity
Pestilence Testimony of the Ancients
Pestilence Consvming Impvlse
Pestilence Spheres
Protest the Hero Fortress
This album just rocks. The guitars are technical, progressive and melodic, the rhythm section just slays and the vocals are, while certainly not in any way typical, awesome. Say what you will, but Protest construct massive melodies through ambition and extravagance. This is a really interesting and awesome take on metal.
Spastic Ink Ink Compatible
Spastic Ink Ink Complete
Spawn of Possession Noctambulant
Strapping Young Lad The New Black
Suffocation Despise the Sun
Suffocation Souls to Deny
Suffocation Effigy of the Forgotten
Truly adventurous in its brutality, this album essentially began the brutal death metal genre. The drums are unrelenting, the guitar is devastating, the bass is loud and heavy and the vocals are simply phenomenal. Nothing before had even attempted to be this thick and heavy, and nothing since has really exceeded it.
System of a Down Toxicity
Terrorizer World Downfall
The Black Dahlia Murder Miasma
One of the best metalcore offerings ever. It's fast, brutal and just technical enough, this is borderline death metal and good death metal at that. The vocals have a massive range and are just right to give this album a frantic pace and the drums are immense and bring it into the world of really brutal metal.
Tool Aenima

4.0 excellent
Aborted Goremageddon
At first I was put off by the overly mechanical, buzzing production, but in time even that couldn't overpower the riffs. While it's not nearly as consistent as its predecessor, and also lacks some of its wonderful simplicity, there's nothing bad and quite a few truly heinous moments. It's the last really good Aborted album.
Aghora Aghora
Alcest Ecailles De Lune
All Shall Perish Awaken the Dreamers
All Shall Perish The Price of Existence
All Shall Perish Hate. Malice. Revenge
Amon Amarth Fate of Norns
Animals As Leaders Animals As Leaders
Animals As Leaders Weightless
Arch Enemy Burning Bridges
Arsis A Celebration of Guilt
As I Lay Dying An Ocean Between Us
At the Gates Slaughter of the Soul
At the Gates Terminal Spirit Disease
Atheist Piece of Time
Augury Concealed
Behemoth Evangelion
This is what we've been wanting from this band. While little has changed on paper and its utterly recognizable as Behemoth, everything just works. The songs are interestingly composed and cohesive and the album as a whole flows extremely well. There's a greater separation between the more epic anthems and the furious moments as well as an influx of exotic sounds and orchestrations that greatly amplify the mood. This is simply a great contemporary death metal album.
Beneath the Massacre Mechanics of Dysfunction
This album has about as many ideas as the EP that preceded it, but it's almost twice as long. it suffers from the same tedium that many hyper-technical offerings do, though it only just strays over the line. It's redemption lies in the quantity of bizarre and surprising riffs and rhythms that abound, which make it well worth listening though the more boring parts.
Between the Buried and Me The Parallax: Hypersleep Dialogues
As good as the material here can be, it eventually dawns on the listener that all this has been done before, by this very band, and better. There's nothing really wrong here, and I like the choice to give us 30 minutes instead of an hour, but it remains unfocused and, overall, not as inspired as some of the bands earlier work. It's a step towards the balance they've achieved, but still falls somewhat flat.
Between the Buried and Me Between the Buried and Me
Bleeding Through Portrait of the Goddess
Bloodbath The Fathomless Mastery
Bloodbath Nightmares Made Flesh
Burn the Priest Burn the Priest
Thrashy, violent and to-the-point, this album is fun up and down. It doesn't do anything we haven't heard before but nonetheless stumbles into success through aggression, speed and some pretty cool riffs. While it can get aimless at times and just on the verge of tedious, the great moments overshadow the flaws.
Burzum Belus
Burzum Hvis Lyset Tar Oss
Cannibal Corpse Bloodthirst
Cannibal Corpse Tomb of the Mutilated
Capharnaum Fractured
Technical without sacrificing the riff, this album is a step up in depth, complexity and ambition from the debut. That being said, it does lack the grooving charm of that album, and thoroughly mediocre vocals from Matt Heafy keep it from being a true gem.
Carcass Symphonies of Sickness
Carcass Surgical Steel
Everything you could hope for in a reunion - they don't mess with the formula too much nor do they offer a watered down attempt to simply replicate. A little more edgy then Heartwork, a little more driving than Swansong, but with its fair share of bland riffs and unconvincing progressions. Its not perfect but its spirit is totally right.
Carnage Dark Recollections
Cattle Decapitation The Harvest Floor
Cephalic Carnage Misled by Certainty
Cephalic Carnage Anomalies
Children of Bodom Hate Crew Deathroll
Children of Bodom Something Wild
Scratchy and inconsistent, there's still enough Alexi Laiho driven neo-classical goodness here to make for a fun listen. The songs are fast and energetic, even when they're derivative, and the best moments are strong and plenty enough to carry it.
Chimaira The Impossibility Of Reason
Coroner Grin
Coroner Mental Vortex
Cryptopsy Whisper Supremacy
Dark Angel Time Does Not Heal
Dark Angel Darkness Descends
Darkest Hour Hidden Hands of a Sadist Nation
Darkest Hour Undoing Ruin
Death Leprosy
Death Scream Bloody Gore
Decrepit Birth ...And Time Begins
Deeds of Flesh Reduced to Ashes
Deicide The Stench of Redemption
Demigod Let Chaos Prevail
Devin Townsend Physicist
Devin Townsend Ziltoid the Omniscient
Devin Townsend Project Deconstruction
This could be seen as a (not the) culmination of Devin's solo work. It has the same bombastic riffing we're to from heavy Devy infused with some immense choral passages, served up in some of the most epic compositions Devin has produced. Really an impressive slab of eclectic death metal.
Devourment Molesting the Decapitated
Dimmu Borgir Abrahadabra
Everything is right here. The production is slick and seamless and the songwriting is as good as it gets for pop black metal. Though it relies on catchy choruses and predictable transitions it nows exactly what it should be and, somewhat surprisingly, the bleakness that made albums like Enthrone Darkness Triumphant so captivating makes a long-awaited return here, albeit in a more refined way.
Dismember Like an Ever Flowing Stream
Dying Fetus Destroy the Opposition
Dying Fetus Grotesque Impalement
Awesome for its brazen adoption of an old school mentality as well as some of the best Dying Fetus tracks on record. The title track has to be their best ever: it's long and perfectly composed and has their singular and most profound riff, period. The other original track is good as is the cover of "Streaks of Blood" and the three feature a brilliant guitar tone and excellent if plasticky drumming. Perhaps Dying Fetus' farewell the old school before embarking on the second stage of their career? Whatever it is, its fun as hell.
Dysrhythmia No Interference
Edge of Sanity Crimson II
Enslaved Vikingligr Veldi
Enslaved Eld
Entombed Clandestine
Exivious Exivious
Fleshgod Apocalypse Agony
Epically orchestrated and unrelentingly aggressive, Agony is about as extreme as it gets. The guitars rip through every song at maximum tempo, only outdone by the uncompromising blastbeats, and the whole affair is underscored by intense and powerful melody. Fleshgod Apocalypse wear there influences on their sleeve, but then, they're also wearing zombie tuxedos. Which is awesome.
Fleshgod Apocalypse Mafia
Given how dense and overbearing this material is, it's perfectly suited to the EP format. In the three songs we get more than our fair share of technical and brutal riffing as well as orchestral interludes and operatic vocals. The cover of At the Gates is fun if not terribly relevant and the instrumental outro wraps it all up neatly and elegantly.
Funeral From These Wounds
Gojira From Mars to Sirius
Gorguts Considered Dead
This album is a little faster, a little more straightforward and a little catchier than other Gorguts' offerings. It's a great prelude to the depth and character they would develop later, while also being a great, old school death metal album.
Gorguts Colored Sands
Gorod Process of a New Decline
Hate Eternal Conquering the Throne
Hate Eternal I, Monarch
Hate Eternal King of All Kings
High on Fire Death Is This Communion
Hour of Penance The Vile Conception
Hour of Penance Paradogma
Hour of Penance Pageantry For Martyrs
Hour of Penance Disturbance
Hypocrisy The Fourth Dimension
Hypocrisy Osculum Obscenum
Hypocrisy Penetralia
Immolation Dawn of Possession
In Flames Whoracle
Not as enthralling as Moonshield but still a great melodic death album. Jesper is still a master of melody and there's enough brutality here to appeal to more straight up death metal fans. A great but slightly flawed album.
In Flames Clayman
When this album is on, it's on, with captivating melodies and distinctive riffs from Jesper Stromblad. When it's not, though, the result is less impressive. Despite some filler, this is still a strong display of In Flames brand of melodic death metal.
In Flames Reroute to Remain
There's a new sound on display here, more down-tuned and chugging and heavier on the synth. Still, the songs are catchy and mostly have great hooks. The guitars, as ever, rule the day, and even when In Flames isn't at their best they still don't disappoint.
Isis In the Absence of Truth
Job for a Cowboy Doom
Lamb of God New American Gospel
Malevolent Creation The Ten Commandments
Martyr Hopeless Hopes
Master On the Seventh Day God Created.... Master
Mastodon Crack the Skye
Mechanism Inspired Horrific
This could easily have been so mediocre and thankfully is not. Driven, of course, by Gene Hoglan's relentless assault on the drum kit and backed up by an assembly line of pseudo-industrial riffs there's more than enough here to please just about any fan. The vocals are a surprising highlight, never mastering any single delivery but adept in a variety, they really help in avoiding the overfamiliarity that kills many modern bids at death metal.
Megadeth Rust in Peace
Meshuggah Catch Thirtythree
Massively impressive but a little too tedious and a little too aimless. The one song approach works perfectly in shorter form but here it does feel stretched. INdividual passages are as good as anything Meshuggah has done but it doesn't come together properly.
Meshuggah Destroy Erase Improve
Ramps up the progressive elements and sheds all but a residue of the thrash origins of the band, marking the first glimpse of what they'd become. Still doesn't have the density of the later albums but makes the most of the space it therefore does have, with a lot more subtle harmonic and ambient details. An oddity and a classic but not yet fully unleashed.
Meshuggah Contradictions Collapse
Almost a missing link between a band that has become so abstract and the music from which it spawned, this album is the only by Meshuggah that can be easily identified with a certain genre. That said it's still unique and has that definitive Meshuggah sound. It might be the most lively and fun of their records while also being the least intense.
Morbid Angel Blessed Are the Sick
At times excessive in the highest degree, at others, especially the interludes, charmingly restrained, almost quaint. This is where Morbid Angel first showed their ability to blend moderate pace and songwriting panache with torrid death metal and as a result this album is a good deal more developed than the debut. It still retains that albums spastic nature, though, for the better and the worse.
Morbid Angel Altars of Madness
I'm tempted to rate it up for its earliness and its impact, and it's a 5/5 if you want to take about important death metal albums. But, the production is both tinny and fuzzy and the songs do lack, in places, the impeccable coherence the band would demonstrate they were capable of later on. That being said, for schizophrenically fast and dynamic death metal, this is your stop and when everything's right it's as good as it gets.
Nader Sadek In the Flesh
There's nothing drastically new in this offering, which clearly plays upon it's influences and retains a ton of
late era Morbid Angel and Hate Eternal, but the inclusion of Flo Mounier on drums and Blasphemer are
enough to give it an exotic quality. It's hard to say who's done what, perhaps it all comes back to Mr. Sadek
himself, but the result is thoroughly intriguing rehash of similar sounds and ideas. Ironically, it succeeds
where those it borrows so heavily from have, in recent years, not.
Nero Di Marte Nero Di Marte
Neuraxis Truth Beyond...
Nevermore This Godless Endeavor
Nevermore Nevermore
Nile Ithyphallic
Obituary Cause of Death
Obituary Slowly We Rot
Obscura Retribution
Juicy, resonating slabs of death metal are interspersed with robust melodies. It's just technical enough, just brutal enough and just melodic enough, and the songs really stick in your head.
Obscura Cosmogenesis
Obscura kicked it up a notch on this one, trading in their streamlined, melodic brand of death metal for ultra technicality and a jaw-dropping sense of grandeur. The solos are blistering, the drums are relentless and the action never stops.
Obscura Omnivium
Even more organic and with a more concise harmonic sense than its predecessor, Omnivium improves on an already great formula. It's not quite perfect but it's as rich and interesting as modern death metal gets.
Opeth Watershed
Opeth Blackwater Park
Opeth Morningrise
Opeth The Roundhouse Tapes
Order of Ennead Order of Ennead
Origin Antithesis
Absurdly fast, absurdly technical and absurdly relentless, this is technical death metal taken to a certain,
kind of predictable, extreme. That said, it's also absurdly tedious and absurdly hard to remember - every
song might as well be another. Origin put it all on display here, and there's just enough for it to be great -
but also flawed.
Pantera The Great Southern Trendkill
Pantera Cowboys from Hell
Possessed Seven Churches
Though it never quite moves beyond its thrash roots, Seven Churches is undeniably death metal at a time when there was no such thing. For its time and its forward-thinking its unparalleled, but it does lack in certain areas. When it gets rolling, as on "The Exorcist" or "Holy Hell", its a vicious bulldozer, but at times in between its somewhat standard bay area thrash. A must have, but not perfect.
Psychotic Waltz Bleeding
Psycroptic The Scepter of the Ancients
Quo Vadis Day Into Night
Rammstein Sehnsucht
Rammstein Reise, Reise
Scar Symmetry Symmetric in Design
Shadows Fall The War Within
Sickening Horror When Landscapes Bled Backwards
Spawn of Possession Cabinet
Spiral Architect A Sceptic's Universe
Strapping Young Lad City
Suffocation Suffocation
Despite moments of excellence, this album just doesn't have the energy of its predecessors. It still gets heavy as all hell, but there's something missing, and Franks vocals continue their downward trend. Great if you love Suffocation, but not mandatory like some of their other albums.
Suffocation Human Waste
System of a Down System of a Down
System of a Down Steal This Album!
The Black Dahlia Murder Nocturnal
A thoroughly enjoyable, eminently headbangable American melodeath album that's only significant fault is paling in comparison to its predecessor. While Nocturnal doesn't bring anything new to the table it moves slightly farther from the metalcore elements of early in the band's career and continues to offer breakneck, punishing riffs complemented by swaths of majestic, foreboding melody.
The Devin Townsend Band Accelerated Evolution
The Faceless Planetary Duality
The Haunted rEVOLVEr
Through the Eyes of the Dead Malice
Unconscious Disturbance Shooting at the Moon
Vehemence God Was Created
Watchtower Control and Resistance
Wolves in the Throne Room Two Hunters
Wolves in the Throne Room Black Cascade
Wormed Exodromos
Fixes a lot of the problems of its predecessor, Planisphaerium, and takes Wormed's kaleidoscopic, cosmic death metal to another level. The production is great, very clean but not overdone, and the guitars have a great overcharged tone that accentuates the energized quality of the music. The better mix also allows the atonal harmonies to shine through and its when they do and a kind of cyclical brightness is introduced that this brutal death metal takes off. Still too many breakdowns, but the stuff in between them is pretty imaginative without sacrificing the death metal basics.

3.5 great
Ahab The Divinity Of Oceans
Ahab Call Of The Wretched Sea
All That Remains This Darkened Heart
Just metal enough, and mercifully devoid of much of the crippling flaws of its genre. If only this album represented the launching point and not the apex of the band's career, it might be something we talk about with fondness.
All That Remains The Fall of Ideals
Arch Enemy Wages of Sin
Arch Enemy Rise of the Tyrant
As I Lay Dying Shadows Are Security
Atreyu The Curse
Atreyu Suicide Notes and Butterfly Kisses
Beneath the Massacre Dystopia
Beneath the Massacre are running out of ideas, and a rehashing of what they've already done gets old fast. There are great moments to be found, but they're fewer and farther between than in the past, and the number of breakdowns and meaningless filler has noticeably increased. Add to that overly flat and sterile production and you've got a crisis of modernity, if you will.
Between the Buried and Me Colors
There's a lot to like here, in terms of catchiness, brutality, technicality and experimentation, which should make for a great album. But Colors possesses just as much pointless, distracting and boring material as anything else, and gets tedious very quickly. You can't make sense of the album without constantly glancing at the track list, though the isolated parts are often wonderful.
Bleed the Sky Paradigm In Entropy
This album is surprisingly ambitious, coupling metalcore with some nu-metal and industrial themes and also trying to take on some serious lyrical themes. It doesn't totally succeed in either department, but there are great moments nonetheless. The Martyr is the best example of this, a melodic nu-metal kind of song that manages to be catchy and compelling. Overall, greater than the sum of its parts, but still flawed.
Blotted Science The Animation of Entomology
The addition of Hannes Grossman only increases the metal chops on display here, and he's probably a better fit than Charlie Zeleny, who is great in his own right, but there's a little something missing nonetheless. Perhaps it's just that it's so short, but it feels like there are fewer riffs, at least fewer riffs that demand your necks attention, than on the debut. It's just as technical and probably even a bit more bizarre, a bit less linear, but is overshadowed by the monolithic full length.
Cannibal Corpse Evisceration Plague
Capharnaum Reality Only Fantasized
These guys clearly wanted to carry on the tradition of tribal, crunchy, groovy death metal from way back when, and do so with considerable success. That said, the songs are all too similar to each other and to tons of songs we've heard from other bands? Good for a listen now and then and notable for its modesty at a time when that was becoming rare, but not much more.
Coprofago Images of Despair
Coroner R.I.P.
Council of the Fallen Revealing Damnation
Council of the Fallen Deciphering the Soul
Darkane Expanding Senses
Darkest Hour So Sedated, So Secure
Darkest Hour Deliver Us
Darkthrone Soulside Journey
Decapitated Nihility
Decapitated The Negation
Devin Townsend Infinity
A cool an certainly interesting little project, merging metal and just about everything else Devin could throw in the mix. Definitely poppy to the max, the album has its share of fun moments and excels when it's at its catchiest. For me, though, it's just a little light.
Devin Townsend Terria
Devin Townsend Project Addicted
Dismember Indecent & Obscene
Dying Fetus Stop at Nothing
Dying Fetus Killing on Adrenaline
Edge of Sanity The Spectral Sorrows
Enfold Darkness Our Cursed Rapture
Entombed Wolverine Blues
Fear Factory Soul of a New Machine
Goatwhore Carving Out The Eyes Of God
Goatwhore A Haunting Curse
God Dethroned Ravenous
Immolation Shadows in the Light
In Flames A Sense of Purpose
Definitely firmly in the land of Emo, this album is nonetheless a success due to the melodic mastery of Jasper Strömblad and company. It alternates very successfully between compellingly dejected and infectiously hopeful and embraces the pop rock direction In Flames have taken best of any of the new material. Still, it suffers form an overall lack of innovation and a decidedly too frequent sulking, keeping it from being great.
Job for a Cowboy Genesis
Lamb of God As the Palaces Burn
Massacre From Beyond
Massacre Inhuman Condition
Meshuggah obZen
Metallica ...And Justice for All
Morbid Angel Domination
Neuraxis A Passage into Forlorn
Neuraxis Asylon
Nevermore Enemies Of Reality
Nile At the Gate of Sethu
Pantera Vulgar Display of Power
Pestilence Resurrection Macabre
Protest the Hero Kezia
Psychotic Waltz A Social Grace
Psycroptic Ob(Servant)
Quo Vadis Defiant Imagination
Scar Symmetry Holographic Universe
More highs and lows here as the band pares things back a bit and explores a more glamorous side of their melo-death. The great songs are great and ceaselessly catchy but things border on painful in some of the more high-flying and riffless passages.
Septicflesh Communion
Skeletonwitch Beyond the Permafrost
Slipknot Iowa
Slipknot Slipknot
Soilwork The Chainheart Machine
Soilwork Steelbath Suicide
TesseracT One
The Black Dahlia Murder Unhallowed
The Black Dahlia Murder Deflorate
The Faceless Akeldama
The Haunted One Kill Wonder
The Haunted The Haunted Made Me Do It
The Ocean Anthropocentric
Through the Eyes of the Dead Bloodlust
Unearth The Oncoming Storm
Vital Remains Into Cold Darkness
Wormed Planisphaerium
There are a lot of interesting things here, but they are hampered by a number of flaws. First, the production is very uneven. The snare and toms are way too loud and sloppy and when they get going they drown everything out. This is a shame as the drummer is trying really hard to do more than just blast. Second, the songs are simply too hectic - there are maybe a few moments of groove on the whole album, in between every great moment is suddenly cut off and never returns. Finally, there are too many breakdowns. Some of them are ok, they're not tastelessly done, but they detract from the adventurous riff-writing and compositional approach. When it's on its unique and intriguing, but them moments are too few.

3.0 good
Aborted The Archaic Abattoir
Aborted The Necrotic Manifesto
Aborted Global Flatline
As Blood Runs Black Allegiance
Pretty good for deathcore that tends towards the core. Every song has at least one good riff and at least one boring one, but the breakdowns aren't all boring and the songs tend to have interesting structures. The drumming is definitely the highlight - the double bass is as fast as anything you'll hear. This is cookie-cutter, but is somehow charming and worth repeated listening.
As I Lay Dying Frail Words Collapse
Atheist Jupiter
Still sounds like Atheist, just without any of the shock and awe that association carried in the early days. Some of the songs are good, and almost all have a great riff or drum beat or transition, but none are classics. In the end, it suffers less from being bad than it does from simply being unnecessary.
Avenged Sevenfold Sounding the Seventh Trumpet
Fun and catchy but very flawed. The good songs are vicious, metallic metalcore , the rest are heavy on the emo or just plain boring. Synyster Gates' re-recorded opener is also a highlight.
Behemoth The Apostasy
Just too much filler. A couple songs stand out ("Prometherion", "Slaying the Prophets ov Isa") and are classic Behemoth, but the rest just feels so bland. Riffs don't match up, transitions are random and abrupt and the vocals are about as bad as growls get. This band has the ability but it doesn't come together here.
Beyond Creation The Aura
Run of the mill technicality and precision marred by uncompelling composition, boring riffs and pathetic break downs. Survives on the occasional high point and very nice bass work from Dominic Lapointe and little else.
Bleeding Through The Truth
Bleeding Through Declaration
There's nothing really bad about this album, except the occasional clean breakdown that just doesn't work, but there's also nothing great. At least when Bleeding Through was making aggressive, atmospheric metalcore they had some charm. As a generic deathcore band, they're on par with pretty much every other deathcore band. There are good and heavy riffs and the drumming is intense, but none of it stands out in any way.
Blink-182 Blink-182
Blood Red Throne Monument Of Death
Blood Red Throne Affiliated With the Suffering
Carcass Reek of Putrefaction
Chimaira The Infection
Chimaira Resurrection
Cynic Traced in Air
Devin Townsend Project Ki
Dying Fetus Descend Into Depravity
Godsmack Faceless
Hellwitch Syzygial Miscreancy
High on Fire Snakes For The Divine
In Flames Come Clarity
Assuming you don't already hate modern In Flames, there's no reason to think this album should be bad - it's more aggressive and has a ton more riffs than "Soundtrack...". Yet, it falls flat. There are a couple great songs, but they all sound the same and lack the charm and artistry of its successor. In Flames could have pulled this album off 5 years ago, but not when they tried.
Insomnium In the Halls of Awaiting
In terms of manipulating the curious beauty and serenity of a somber, somnambulant atmosphere, these guys are as good as any, a feat which, unfortunately, has already been done. There are captivating moments throughout, and if you're in the mood this will surely tickle your Gothenburg fancy with a decidedly severe attitude, but otherwise it falls by the wayside of musical relevance.
Job for a Cowboy Ruination
Lamb of God Ashes of the Wake
Bright and shiny at first, this album doesn't hold up to repeat listens. It doesn't add anything that wasn't good on the previous release, rather meandering too often in the idea of itself. Still has a couple great songs, but too much filler.
Lamb of God Sacrament
Linkin Park Hybrid Theory
Pure nostalgia points? You betcha. Still, as bas as I know this is, these songs are catchy as hell, and we can all handle a few minutes of rap-metal per year, can't we?
Master Master
Megadeth Killing Is My Business...
Morbid Angel Abominations of Desolation
Mudvayne Lost and Found
Neuraxis Imagery
Origin Origin
Pantera Reinventing the Steel
Periphery Periphery
Pestilence Doctrine
Protest the Hero Scurrilous
Revocation Empire of the Obscene
Scar Symmetry Pitch Black Progress
On paper there's not much different about this album than any of the bands others, but dangit if I can't remember a single song except for "The Kaleidoscopic God". All the ingredients for a Gothenburg album are here, but maybe that's the problem. I prefer the more invigorating debut or the more schizophrenic follow-up to this.
Slipknot Vol. 3: (The Subliminal Verses)
Suffocation Blood Oath
System of a Down Mezmerize
The Absence From Your Grave
The Black Dahlia Murder Ritual
Trivium Ascendancy
Viraemia Viraemia
I don't see how this is different than any other "but it's SO technical!" validation of the very-tech-death genre. Yeah, they ARE so technical, props given, but it's still flowless, grooveless and soulless. And it has terrible breakdowns. So. It is what it is.

2.5 average
Aborted Strychnine.213
Blood Red Throne Brutalitarian Regime
Still doing the same "old school", Cannibal Corpse worshipping they've always done, only now with no life, no
energy, no pizazz. After the infectious grooves and masterful simplicity of Come Death, this just feels like a
caricature. Sure, they still rip through unflinchingly linear death metal riffs and bust out the occasional bouncy
breakdown, but it comes across as so flat. The mastery of this craft was executed years ago, now we're just
getting retreads.
Blood Red Throne Souls of Damnation
Children of Bodom Are You Dead Yet?
The mix is way off here, apparently in an attempt at greater accessibility, and there's an overt poppiness that the band had previously held in check. Still, Bodom has always succeeded by toying around with pop elements, so it's neither a total departure nor a total failure. What really hampers it is the apparent acceptance that Bodom is what they are and aren't changing, something in direct opposition to their original, genre-melding hijinks.
Children of Bodom Blooddrunk
At this point, Bodom's sound had become a gimmick. But then, hadn't they always been somewhat gimmicky? Sure the vocals are pretty lame, and the rhythm section is totally generic, but still, when Alexi hits on a killer hook it is what it always has been - magnificent. They're fewer and farther between, but the album is still an entertaining listen, especially when you want some hunky melodies.
Cryptopsy The Unspoken King
Dimmu Borgir In Sorte Diaboli
Weak production and hapless songwriting abound on this ill-conceived album. Any remnant of the harsh darkness this band once espoused is long gone and all that remains is the idea of "metal + orchestration", a meager substitute for good music. There are good moments, and it's not totally different from anything Dimmu have done, it's just totally uninspired.
Disturbed The Sickness
Disturbed Believe
Fear Factory Mechanize
Linkin Park Meteora
Morbid Angel Heretic
For a band that did such a good job and was so effective with their tone and production and that has a history of such exceptional riffs, this is really a letdown. Neither of those things are found here, only a dearth of interesting guitar lines and a an admittedly focused but weak sound for the strings. Flat and tepid, this album only showed hints of the band that created it.
Pantera Far Beyond Driven
Psycroptic The Inherited Repression
... And it's basically exactly the same. Psycroptic have released three albums in a row which each attempt to be the exact same thing. This isn't a bad thing, though it's not great, but it's been overdone, and not just by this band. What happened to fast, spastic riffs? What happened to climactic songwriting? Hasn't been seen since Scepter of the Ancients. Psycroptic continue to deteriorate simply by doing... nothing.
Soilwork A Predator's Portrait
Trivium Ember to Inferno
Unearth III: In the Eyes of Fire
Vital Remains Icons of Evil
Vital Remains Dechristianize

2.0 poor
As I Lay Dying Beneath the Encasing of Ashes
Chimaira Pass Out Of Existence
Disturbed Ten Thousand Fists
Morbid Angel Illud Divinum Insanus
There are a few good songs here, but they're not great and they're not any better than the good songs on Heretic, and there are fewer of them. And getting to them requires navigating through some truly awful, inexplicable almost legitimately comically bad stuff. The bad is so bad, it's actually like some Ziltoid B-sides without any of the tongue-in-cheek-ness. Hopefully Pete Sandoval will rejoin the band just out of fury and pummel them back into, heck, even mediocrity would be great.
Nevermore The Obsidian Conspiracy
System of a Down Hypnotize

1.5 very poor
Avenged Sevenfold City of Evil
The music here isn't really the problem, but it does as little as posisble to help. Considering how long the songs are, you would expect much more compositionally, but you basically get overlong verses, too many choruses and solos. The solos are the highlight, but the guitar tone is totally boring - it's the same as the verses, which thus are totally punchless. And holy crap are the vocals terrible. M. Shadows cannot sing, but at least when he was making (quite good) metalcore that wasn't a problem. Now that he's trying his best to be Axl Rose the fact that he sounds like a 75 year old chainsmoker tripping on acid is a bit of a detriment. I preferred A7X's honest if derivative brand of metalcore, but even their later, fully de-clawed attempts at pop-metal were better than this. This is the nadir.
Soilwork Stabbing the Drama
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