| 5.0 classic |
| Beastie Boys Paul's Boutique |
| The flow, the beats, the lyrics, the namedropping; this album's got it all! As the finest of it's kind it deserves a "classic" rating. The Sounds of Science, Looking Down the Barrel of a Gun and B-Boy Bouillabaisse makes everything even better! |
| Black Sabbath Master of Reality |
| The first true, and best, example of a sludgy, stoner-metal record. Heavy as fuck and better than almost anything, this album has passed the test of time. My favorite tracks off this is Children of the Grave, Into the Void and Sweet Leaf. |
| Black Sabbath Paranoid |
| This record is probably what metal is all about. Hard, catchy, solid and heavy sludge-like doom-riffs and soothing songs well-played by over-the-top musicians, lead by an immortal son of a bitch. Never before nor since has an album contained so many powerful guitar chords, thanks to one of the greatest guitarists ever, Tony Iommi. "Paranoid" is essential in every collection, metal or not. Everyone has probably heard the title track and Iron Man, while more recomendable tracks are War Pigs, Hand of Doom and Fairies Wear Boots. But all are essential. |
| Bob Marley and The Wailers Exodus |
| From the dark, swirling guitar-licks to the bare and simple, yet undeniably intoxicating basslines of Barrett, mixed with tight drumming and Marley's incredible, laid-back singing-voice, this album provides some of the most solid material in the history of music. It's relaxed nature, beautiful music and inspired lyrics stand harmoniously perfect in-between Bob's political themes and texts, and his majiuana-loving reggae. The title song, Three Little Birds and Jammin' are three different, but great displays of his music and this album. |
| Brand New The Devil and God Are Raging Inside Me |
| Bruce Springsteen Born To Run |
| Probably the most beautiful record to ever strike the earth. Bruce Springsteen put so much effort into this album, and the result was nothing less than stunning. The keytracks are Thunder Road, Backstreets and Jungleland. Oh yeah, and that one everyone knows. |
| Bruce Springsteen Darkness On The Edge Of Town |
| Springsteen's follow-up to his 1975 masterpiece, Born to Run, is almost as good as it's predecessor. Singing about the common man, racing cars and beautiful and desirable women, Bruce manages to create something unique, yet very wide, spanning over songs from the cheerful piano in "Badlands" to the hard-hitting guitar-riff of "Adam Raised a Cain", with mellow and powerful ballads as "Racing in the Street" and the title track. I don't think I have to mention the lyrics, as it's pretty commonly known that Springsteen never disappoints on that matter. |
| David Bowie The Rise and Fall of Ziggy Stardust... |
| "TO BE PLAYED AT MAXIMUM VOLUME". That's what the original LP-cover said. And boy, is that true. There are no words that can describe this album properly, other than it's just fantastic. Nothing less. Maybe more. The most important songs are Ziggy Stardust, Five Years and Moonage Daydream. |
| Death Cab for Cutie Transatlanticism |
| One of the first indie-records I ever bought, and remains to this day one of my all-time favorite albums. The lyrics (A Lack of Color), musicianship (We Looked Like Giants) and atmosphere (the title-track) found here is quite unique, and takes me back every time I hear it. Masterfully done. |
| Deftones White Pony |
| Probably the finest alternative metal record of the 21st century, White Pony shot the Deftones right into the new millenium at 90 m./p.h. with hard and agressive songs like the furious Elite or Korea, to the more mellow and beautiful ballad-like ending in Knife Prty along with the entire Digital Bath or Passenger (featuring guest-vocals by Maynard James Keenan of Tool), ending in the slow and longer reprise of the single Back to School that is Pink Maggit. |
| Eagles Hotel California |
| Not only is this record one of the greatest albums ever made, it also brings me a deep feeling of nostalgia thanks to my parents who've introduced me to it. Simply just amazing. The title track, The Last Resort and Life in the Fast Lane are probably the most important tracks. |
| Eminem The Marshall Mathers LP |
| As a bunch of Eminem's skits have shown, not many believed in him, but with the Slim Shady LP he showed them otherwise. But it wasn't until this mastodon of an album he showed them that there was no one quite like him, and no one is up to this day. The greatest moments on the album is Stan, Kim and Marshall Mathers. |
| Genesis Selling England by the Pound |
| What is probably considered the band's Magnum Opus, Selling England by the Pound is one of the greatest progressive rock achievements of all time. Steve Hackett's guitarriffs and sound could in a single record take credit for the inspiration of the way bands like Iron Maiden and Judas Priest sound like. Furthermore, is Peter Gabriels voice and lyrics at it's finest, and the simple beauty of the albums title is something respectable in itself. There's not really a dull moment to be found, but to point out the highlights, one has to say the title track, Firth of Fifth and The Cinema Show. |
| Iron Maiden The Number of the Beast |
| My favorite Metal album. The first one Iron Maiden did with their new vocalist, Bruce Dickinson, who took the band to newer heights. The album is essential in every music collection, and specially in every Metal collection. The most awesome of the songs are Hallowed Be Thy Name, 22 Acacia Avenue and The Prisoner. |
| Iron Maiden Somewhere in Time |
| Iron Maiden taking a step into a more progressive sound than before, making their strongest album since The Number of the Beast (not taking Live after Death into account). First being thrown right into the title track, Caught Somewhere in Time, and forwarding on to a journey through time and space with gallopping basslines and futuristic, tight riffs and solos. Wasted Years, Stranger in a Strange Land and Alexander the Great has some amazing guitarwork, and are recommendable for anyone who especially enjoys Adrian Smiths songwriting. |
| Iron Maiden Live After Death |
| This live album's raw and high-energetic sound and feel is just incredible, and unlike most other live albums made. Pure metal at it's best! |
| Kanye West My Beautiful Dark Twisted Fantasy |
| The greatest album made in a long time. There are no words to describe how I felt when I heard an album in the year 2010 sound just as good as the best of the best classics through the history of music. The jaw-droppers are Runaway, Lost in the World and All of the Lights. |
| Metallica Ride the Lightning |
| Although the title for Metallica's best album often (and understandable) goes to Master of Puppets, Ride the Lightning is my personal favorite due to it's rough production (going just a notch above their first album, Kill 'Em All, which may be too rough for some), James Hetfield's very young and harsh vocals, and the incredible musicianship (even Lars was great back then). Fade to Black, Creeping Death and For Whom the Bell Tolls may be some of the best thrash songs ever made. |
| Pearl Jam Ten |
| Probably my favorite album of the 90s. This album has an incredible mix of Rock, alt and grunge that just speaks to me unlike any other of it's time. Even Flow, Alive and Release are essential. |
| Pink Floyd The Dark Side of the Moon |
| True love never dies. I've loved this record since the first time I heard it in it's entirety (admittedly, I was really stoned!) If you don't like this, you're an idiot. Time sums up everything that's amazing about Pink Floyd, and Brain Damage + Eclipse are just fantastic closing-tracks. |
| Pink Floyd Wish You Were Here |
| This album only has five tracks, and all of them are fit for a rating of five. The incredibly epic I-V and VI-IX parts of Shine on You Crazy Diamond are nothing less than spectacular, and the remaining tracks are amazing as well. Most notably are the SoYCD-parts and the title track. |
| Pink Floyd The Wall |
| Pink Floyd's longest and best album, the Wall is a story told too many times, told in a different way. Incredible and unmatched. Most people ought to know songs such as Comfortably Numb, Hey You and Another Brick in the Wall Part II. |
| Radiohead OK Computer |
| "Fitter. Happier. More productive. Comfortable." In a setting of something I'd like to compare to a world just before the happening of Skynet. Yes, Skynet as in The Terminator. On OK Computer, there's a process in the world going on, making it more and more electronical than it used to be. This record tells this story in a hard-hitting, beautiful and stunning way. The best tracks are Paranoid Android, Exit Music (For a Film) and Electroneering (with "Fitter Happier" just before it). |
| Rush A Farewell to Kings |
| A classic, progressive rock album of it's finest kind. Rush's first real step into the progressive sound they're so well known for, only topped by it's follower, Hemispheres. The best tracks are the two epics, Xanadu and Cygnus X-1, and the title-track, A Farewell to Kings. |
| Rush Hemispheres |
| Quite possibly Rush' best album. With it's entry track filling up side A of the vinyl, and being almost as good as part I, half the record is already classic. Side B has the albums two single, both worth of being rated very high, and finally there is La Villa Strangiato, the greatest instrumental-track ever made. |
| Rush Moving Pictures |
| Rush' biggest commercial success, and it's easy to see why. On Side-A they deliver three of their greatest, and most radio-freindly songs throughout their discography and wonderful melodies as the immortal Tom Sawyer, the soothing Red Barchetta or Limelight, to the hard-hitting instrumental, YYZ. On Side-B, however, Rush becomes more innovative, and takes up what they started on Permanent Waves; a more raggae-feel prog-rock, perfectly displayed in Vital Signs; however, The Camera Eye and Witch Hunt are not to be overlooked. |
| The Gaslight Anthem The 59 Sound |
| Springsteen's followers from New Jersey make an album that ranges almost up to the Boss' best in this sing-a-long and incredibly likeable and infectous punk/rock-record with unmatchable hits as Film Noir, anthems like The Patient Ferris Wheel, the soft ballad Here's Looking at You Kid, and hard-hitting rocker at the end of the album, The Backseat. |
| The National Boxer |
| The National Alligator |
| Tracks like "Looking for Atronauts", "Daughters of the Soho Riot" and "Val Jester" has the atmosphere of their later records, whereas "Abel" and "Mr. November" has a post-punk feel to them. The lyrics found on tracks such as "Karen" and "All the Wine" just rocks. And I haven't even mentioned my favorite which is "Secret Meeting", where the shouting vocals at the end just harmonizes so well with Matt's voice. It also packs a three-pack-power-punch in the incredible record-ending spanning in "The Geese of Beverly Road", "City Middle" and the previously mentioned rocker, "Mr. November". Without a doubt, one of the finest indie-rock records out there. |
| The Rolling Stones Sticky Fingers |
| The first Stones' album I ever heard. It's just so rocking, so emotional, so perfect. Can't You Hear Me Knocking, Moonlight Mile and Brown Sugar are classics! |
| The Rolling Stones Exile on Main St. |
| The Rolling Stones, nitty and gritty. The pure raw sound of rock'n'roll roots found on this record is unmatchable, and the collection of songs is pretty much perfect. Going from psychedelic rockers such as "Rocks Off" or "All Down the Line" to the tender ballads like "Let it Loose" and "Shine a Light", into the more bluesy classics which are "Stop Breaking Down" (Robert Johnson-cover) and "Ventilator Blues", on the latter where Mick Jagger explains exactly how you feel after the Roskilde Festival - but it also transcends in the up-lifting, life-afirming songs that are "Loving Cup" and "Tumbling Dice". This is, indeed, one of the greatest albums ever made. Jagger howls and rasps like a wild dog, and Keith plays incredibly fierce. This is the very essence of not only the Stones, but of what rock and roll really is. |
| The Rolling Stones Let It Bleed |
| A wonderful album, despite of the terrible theme of it. The tracks feature so many aspects of how the world was wrong back then, and while many of the songs are warm, most of them are incredibly sad while being like nothing else. Most notably are the songs Gimme Shelter, Monkey Man and You Can't Always Get What You Want. |
| The Who Who's Next |
| This masterpiece by The Who is one of my definite favorite albums. Every song is just amazing. There is nothing that stands up besides it. And with songs like the epic Baba O'Riley, the fist-full ballad Behind Blue Eyes, and finally the giant monster, Won't Get Fooled Again. |
| Tool Lateralus |
| The ultimate progressive, metal-listening. Without even noticing how heavy or hard-hitting the album is, every song flows in it's own unique way, yet maintaining a cohessive feel to it unlike any other band today; perhaps even throughout music-history. With a slight improvement from their last album, nima, Lateralus breaks the standard for 21st century alternative-and-metal music. Recommended songs are Schism, the title-track, and the marathon-long Reflection. |
| 4.5 superb |
| AC/DC Highway to Hell |
| AC/DC AC/DC Live |
| If you don't like this, I'm pretty sure you don't have any balls. |
| Beastie Boys Licensed To Ill |
| Billy Joel The Stranger |
| Black Sabbath Black Sabbath |
| The first true Metal album. The muddy, crunchy production, and songs like the title track, The Warning and N.I.B. makes this an absolute classic, and one of the greatest metal records ever, if not one of the greatest records. |
| Black Sabbath Sabbath Bloody Sabbath |
| Bob Dylan Blonde On Blonde |
| Bob Dylan Bringing It All Back Home |
| Bob Dylan Highway 61 Revisited |
| Although this record contains some of the best tracks ever written (such as Desolation Row and Like a Rolling Stone), it still lacks a little something that makes it a 5. Variables that keeps it from being so, are tracks like Queen Jane Approximately and From a Buick 6, which just aren't as good as the rest, the first one being too long for it's own good. |
| Bob Marley and The Wailers Legend |
| Bon Iver For Emma, Forever Ago |
| Brand New Deja Entendu |
| Bright Eyes I'm Wide Awake, It's Morning |
| Bruce Springsteen Born In The USA |
| Bruce Springsteen The River |
| Bruce Springsteen Live 1975-1985 |
| Bruce Springsteen Hammersmith Odeon London '75 |
| Bruce Springsteen The Rising |
| Camel Mirage |
| Camel The Snow Goose |
| Camel Moonmadness |
| Creedence Clearwater Revival Cosmo's Factory |
| David Bowie Aladdin Sane |
| David Bowie Live In Santa Monica '72 |
| Deep Purple Made In Japan |
| Deftones Koi No Yokan |
| Depeche Mode Violator |
| Depeche Mode The Singles 86–98 |
| Derek and the Dominos Layla And Other Assorted Love Songs |
| Dio Holy Diver |
| Dire Straits Alchemy: Dire Straits Live |
| Disney Soundtracks The Lion King |
| DJ Shadow Endtroducing..... |
| Emerson, Lake and Palmer Brain Salad Surgery |
| Eminem The Slim Shady LP |
| Fleetwood Mac Rumours |
| Foo Fighters The Colour and the Shape |
| Frank Ocean Channel Orange |
| Frank Turner Love, Ire & Song |
| Frank Turner Tape Deck Heart |
| Frightened Rabbit The Midnight Organ Fight |
| Genesis Foxtrot |
| An incredibly strong record, and what really put Genesis on the map. The first side contains some great epics such as Watcher of the Skies and Get 'Em Out by Friday, and side B almost mainly consists of the greatest Prog. Rock song ever made, the nearly 23-minute long Supper's Ready, spanding over 7 different sections; a marvelous journey that cannot be matched. |
| Genesis The Lamb Lies Down on Broadway |
| Goat World Music |
| Guns N' Roses Appetite for Destruction |
| Iron Maiden Iron Maiden |
| Iron Maiden Piece of Mind |
| Iron Maiden Seventh Son of a Seventh Son |
| Iron Maiden Powerslave |
| Jeff Buckley Grace |
| Jethro Tull Thick as a Brick |
| Jethro Tull Aqualung |
| Johnny Cash At Folsom Prison |
| Johnny Cash At San Quentin |
| Joni Mitchell Blue |
| Judas Priest Painkiller |
| Judas Priest Sad Wings of Destiny |
| Judas Priest Stained Class |
| Kanye West The College Dropout |
| Kashmir The Good Life |
| Kate Bush Hounds of Love |
| King Crimson In the Court of the Crimson King |
| Kraftwerk The Man-Machine |
| Kvelertak Meir |
| Kvelertak Kvelertak |
| L.O.C. Melankolia / XxxCouture |
| A superb Danish Hip/Hop-album made by Liam O'Connor who might be the best danish single rapper. Fellatio, CFX and Sl!k are songs which every Dane must have heard at some point. |
| Laura Stevenson Wheel |
| Led Zeppelin Led Zeppelin |
| Led Zeppelin Led Zeppelin II |
| Led Zeppelin Led Zeppelin IV |
| Led Zeppelin Houses of the Holy |
| Led Zeppelin Physical Graffiti |
| Led Zeppelin How the West Was Won |
| The definite Led Zeppelin-record. With songs spanning from their debut to Houses of the Holy, sublime musicianship and an all-together well-played performance (two separate nights), this live-album contains the back-bone of Hard Rock as we know it. Plant's gritty howls, Page's blistering guitars, Jones' thick layer of bass, and Bonzo's mastodontic pounding make sure that anyone with just the slightest hint of chesthair will enjoy this triple-CD packed with 150 minutes of Rock n' Roll at it's finest. |
| Lynyrd Skynyrd Pronounced Leh-Nerd Skin-Nerd |
| Malk De Koijn Sneglzilla |
| Malk De Koijn Smashhit in Aberdeen |
| Malk De Koijn's first album is also their greatest one, and due to it's production, rhyming and innovative use of the Danish language, it's earned itself the title as one of the best Rap/Hip-hop albums of all time. Main numbers are Jagt, Kosmisk Kaos and Mio. |
| Mastodon Crack the Skye |
| Megadeth Rust in Peace |
| Metallica ...And Justice for All |
| Metallica Master of Puppets |
| Mew Frengers |
| Modest Mouse The Moon & Antarctica |
| My Bloody Valentine Loveless |
| Nas Illmatic |
| Neil Young After the Gold Rush |
| Neutral Milk Hotel In the Aeroplane Over the Sea |
| Nine Inch Nails The Downward Spiral |
| Opeth Blackwater Park |
| Otis Redding Otis Blue: Otis Redding Sings Soul |
| Pink Floyd Pulse [DVD] |
| Pink Floyd Animals |
| I can't help myself when it comes to Animals. It's probably the first, pure progressive rock-album I really liked. Excellent musicianship, and a hell of a record. Putting in recs here would be stupid, since there's only 5 tracks, 2 of which are very alike, and very short. |
| Prince Purple Rain |
| Queen A Night at the Opera |
| Queens of the Stone Age Songs for the Deaf |
| This tight, lenghty album might be the finest rock album in the 21st century. Not only does QotSA include Josh Homme, but on this album the band also included Dave Grohl (Nirvana, Foo Fighers) on drums. The songs I prefer the most are The Mosquito Song, A Song for the Deaf and The Sky is Falling. |
| Queens of the Stone Age Rated R |
| Queensryche Operation: Mindcrime |
| Radiohead In Rainbows |
| Radiohead The Bends |
| Although not as complex, nor as popular, as it's follower, The Bends is the greatest mix of Brit Pop, Alt Rock and Electronica around, and an album which gets as close to a five as possible, although still not ranking high enough to get one. The best tracks on this album are Fake Plastic Trees, My Iron Lung and the title track. |
| Radiohead Kid A |
| Red Hot Chili Peppers Blood Sugar Sex Magik |
| Rush 2112 |
| Rush Permanent Waves |
| Rush Exit...Stage Left |
| Rush Signals |
| Rush Clockwork Angels |
| Best Rush-album in 31 years. Best album of the last 31 years? Maybe. |
| Sigur Ros Ágætis Byrjun |
| Slayer Reign in Blood |
| An intense journey to hell and back. Reign in Blood is the most evil and shredding album ever made, but still it's so fantasticly joyous to listen to. The musicianship is top notch, and Tom Araya screams and rasps quicker and more sinister than Hell Spawns themselves. Angel of Death and Raining Blood are closer to real sadism than anything else, and everything in between is just bloody. |
| Soilwork The Living Infinite |
| Soundtrack Top Gun (Special Edition) |
| Streetlight Manifesto Everything Goes Numb |
| Supertramp Crime of the Century |
| System of a Down Toxicity |
| The Beatles 1967 – 1970 |
| The Beatles Revolver |
| The Beatles Sgt. Pepper's Lonely Hearts Club Band |
| The Beatles Abbey Road |
| Why choose between being a Beatles fan or a Rolling Stone fan as you had to once, when you can love them both? This incredible album is by far the band's greatest, and very few other records can best it. The high-lights of the album is Something, Oh! Darling, and the Abbey Road Medley. |
| The Clash London Calling |
| The Cure Disintegration |
| The Dillinger Escape Plan Calculating Infinity |
| The Doors The Doors |
| The Gaslight Anthem Handwritten |
| The Jimi Hendrix Experience Electric Ladyland |
| Jimi Hendrix once made what may be one of the greatest double albums of all time, and it also is one the albums with the most excellent guitar-playing ever. All of the songs are just excellent. |
| The Jimi Hendrix Experience Are You Experienced? |
| The Mars Volta De-Loused in the Comatorium |
| The Menzingers On the Impossible Past |
| The National High Violet |
| The National Trouble Will Find Me |
| The Rolling Stones Beggars Banquet |
| This bluesy, rock and roll record is what first put the Rolling Stones on a pediestal. It's so full of fantastic songs about the common man, the real world, and how everything is viewed upon by the band. |
| The Smiths The Queen Is Dead |
| The Strokes Is This It |
| The Strokes Room on Fire |
| The Tallest Man on Earth The Wild Hunt |
| The Weakerthans Reconstruction Site |
| The Who Live at Leeds |
| This is probably the best Live Album that has ever been recorded. |
| The Who Quadrophenia |
| Tool Aenima |
| My second-favorite Tool album by just an inch below Lateralus. This is more consistent and builds up better than it's follower, though, and it's a hell of an album, destroying everything in it's path. The title track, Third Eye and Pushit are probably top 3. |
| U2 Achtung Baby |
| U2 The Joshua Tree |
| U2's greatest release to date, getting in just above Achtung Baby. Bono and the Edge are at their prime on this album, and throughout the entire record it doesn't get boring. The three best tracks are the three first ones, although I'd recommend anyone to just take the entire album in one sitting. |
| Yes Close to the Edge |
| 4.0 excellent |
| AC/DC High Voltage |
| AC/DC Back In Black |
| AC/DC Let There Be Rock |
| AC/DC Live At Donington |
| AC/DC If You Want Blood You've Got It |
| AC/DC T.N.T. |
| Alanis Morissette Jagged Little Pill |
| Alice in Chains Dirt |
| Alphaville Forever Young |
| Amy Winehouse Back To Black |
| Anthrax Among The Living |
| Arcade Fire Neon Bible |
| Arcane Roots Left Fire |
| Atoms for Peace Amok |
| Band of Horses Cease to Begin |
| Beastie Boys Check Your Head |
| Between the Buried and Me Colors |
| For about the first 20 minutes of the album, the band doesn't really get to me, but by the end of Sun of Nothing and through the entire Ants of the Sky, they showcase some excellent and enjoyable music, leading into a great first 1,5 minutes of Prequel to the Sequel. Unfortunately, it is not until White Walls, this excellence shows again (although the track before it, Viridian also provides some nice guitar work), making some parts of the album take forever between the aforementioned parts of the record. All in all, this is a great album, although it drags on a bit in some places ? and I also seem to enjoy the mellow paces of the album more than the others. The vocalist's growls tend to tire me a lot, but the musicianship is sublime, making a nice hint to Jazz Fusion at places, fused with their progressive metal. Concluded, this album is a 4 after several listens (and after getting used to the vocals that especially grows on you after having seen them live). |
| Biffy Clyro Blackened Sky |
| Biffy Clyro Only Revolutions |
| Biffy Clyro Opposites |
| Billy Joel Piano Man |
| Bjork Homogenic |
| Black Sabbath Heaven and Hell |
| Black Sabbath Sabotage |
| Black Sabbath Volume 4 |
| Bloc Party Silent Alarm |
| Bob Dylan Blood on the Tracks |
| Bob Marley and The Wailers Live! |
| Bon Iver Bon Iver |
| Bon Jovi Crossroad |
| Bruce Dickinson The Chemical Wedding |
| Bruce Springsteen The Promise |
| Bruce Springsteen Greetings From Asbury Park, N.J. |
| Bruce Springsteen Nebraska |
| Bruce Springsteen Tunnel Of Love |
| Bruce Springsteen The Wild, the Innocent, and the E Street Shuffle |
| Bruce Springsteen Wrecking Ball |
| Burzum Hvis Lyset Tar Oss |
| Carpark North Carpark North |
| Charles Bradley Victim of Love |
| Chris Cornell Euphoria Morning |
| Coldplay A Rush of Blood to the Head |
| Cream Disraeli Gears |
| CunninLynguists Oneirology |
| Daft Punk Discovery |
| Dave Matthews Band Big Whiskey and the GrooGrux King |
| David Bowie Heroes |
| David Bowie Station to Station |
| David Bowie Hunky Dory |
| David Bowie Earthling |
| Death Symbolic |
| Death Cab for Cutie Plans |
| Deep Purple Deep Purple In Rock |
| Deep Purple Machine Head |
| Deftones Around the Fur |
| Deftones Diamond Eyes |
| Depeche Mode The Best Of - Volume I |
| Depeche Mode The Singles 81→85 |
| Depeche Mode Delta Machine |
| Dire Straits Brothers in Arms |
| Disney Soundtracks Hercules |
| Disney Soundtracks Aladdin |
| Dizzy Mizz Lizzy Dizzy Mizz Lizzy |
| Dry The River Shallow Bed |
| These guys ought to be heard by so many more people (who don't just say "Hey, these are Mumford the second!" - incredible debut, even better live performances. |
| Eagles Their Greatest Hits (1971-1975) |
| Elton John Goodbye Yellow Brick Road |
| Eminem The Eminem Show |
| Eric Clapton Slowhand |
| Fair to Midland Fables From a Mayfly |
| Fleetwood Mac Tusk |
| Foo Fighters Wasting Light |
| Foxygen Take The Kids Off Broadway |
| Foxygen We Are The 21st Century Ambassadors... |
| Frankie Goes To Hollywood Welcome to the Pleasuredome |
| Frightened Rabbit Pedestrian Verse |
| Gary Clark Jr. Blak and Blu |
| Gary Moore Ballads & Blues (1982-1994) |
| Genesis Nursery Cryme |
| Godspeed You! Black Emperor F#A#(Infinity) [Vinyl] |
| Green Day American Idiot |
| Green Day Dookie |
| Halestorm The Strange Case Of... |
| Infected Mushroom Legend Of The Black Shawarma |
| Iron Maiden Killers |
| Iron Maiden Brave New World |
| Iron Maiden Death On The Road |
| Iron Maiden En Vivo (DVD) |
| Saw them live on this tour at the Roskilde Festival. It was awesome. |
| Iron Maiden Dance Of Death |
| Iron Maiden Flight 666 (DVD) |
| Iron Maiden Maiden England |
| Jackson Browne Running on Empty |
| Japandroids Celebration Rock |
| Jimi Hendrix Voodoo Child: The Jimi Hendrix Collection |
| John Coltrane A Love Supreme |
| Johnny Cash American IV: The Man Comes Around |
| Johnny Cash Johnny Cash With His Hot And Blue Guitar |
| Joni Mitchell Hejira |
| Journey Greatest Hits |
| Judas Priest British Steel |
| Judas Priest Sin After Sin |
| Justice Cross |
| Justin Timberlake FutureSex/LoveSounds |
| Kanye West Late Registration |
| Kate Bush The Kick Inside |
| Kate Bush 50 Words for Snow |
| Kate Bush The Sensual World |
| Kate Bush The Whole Story |
| The B-side material is not quite as strong as A, but it's still an excellent collection of songs. |
| Kendrick Lamar good kid, m.A.A.d city |
| Killer Mike R.A.P. Music |
| King Crimson Red |
| King Diamond Abigail |
| Kings of Leon Only By The Night |
| Kraftwerk Autobahn |
| Kyuss Welcome To Sky Valley |
| Kyuss Blues for the Red Sun |
| Lamb of God Resolution |
| Lamb of God Sacrament |
| Lamb of God Ashes of the Wake |
| Led Zeppelin Led Zeppelin III |
| Led Zeppelin Mothership |
| Lynyrd Skynyrd Second Helping |
| Lynyrd Skynyrd One More From the Road |
| Malk De Koijn Toback To The Fromtime |
| Mastodon The Hunter |
| Mastodon Blood Mountain |
| Meat Loaf Bat Out of Hell |
| Megadeth Peace Sells... but Who's Buying? |
| Metallica Metallica |
| Metallica Kill 'Em All |
| Metallica S&M |
| Michael Jackson Bad |
| Mike Oldfield Tubular Bells |
| Modest Mouse Good News For People Who Love Bad News |
| Modest Mouse We Were Dead Before the Ship Even Sank |
| Modest Mouse This Is A Long Drive For Someone With Nothing To.. |
| Motorhead Ace of Spades |
| Mr. Bungle California |
| Neil Young Harvest |
| Neil Young Everybody Knows This Is Nowhere |
| Neil Young Psychedelic Pill |
| Nephew USADSB |
| Nephew 07.07.07 |
| Nick Cave and The Bad Seeds Murder Ballads |
| Nirvana Nevermind |
| Nirvana MTV Unplugged in New York |
| Nirvana In Utero |
| Nirvana Live At Reading |
| Oasis (What's The Story) Morning Glory? |
| Opeth Still Life |
| Opeth Damnation |
| Opeth Ghost Reveries |
| Ozzy Osbourne Blizzard Of Ozz |
| Paul Simon Graceland |
| Pearl Jam Vs. |
| Peter Gabriel So |
| Phoenix Wolfgang Amadeus Phoenix |
| Pink Floyd Live At Pompeii |
| Pink Floyd Meddle |
| Primal Scream Screamadelica |
| Prince 1999 |
| Prince Sign O' The Times |
| Public Enemy It Takes a Nation of Millions to Hold Us |
| Queen A Day At The Races |
| Queen Jazz |
| Queen Queen |
| Queens of the Stone Age Queens of the Stone Age |
| Queensryche Queensryche EP |
| Quicksand Quicksand |
| R.E.M. Automatic For the People |
| Radiohead The King of Limbs |
| Radiohead Amnesiac |
| Rage Against the Machine Rage Against the Machine |
| Rainbow Rising |
| Rammstein Reise, Reise |
| Red Hot Chili Peppers By the Way |
| Refused The Shape of Punk to Come |
| Rinoa An Age Among Them |
| Run DMC Raising Hell |
| Rush Grace Under Pressure |
| Rush Fly by Night |
| Rush All the World's a Stage |
| Rush Counterparts |
| Scorpions Love At First Sting |
| Slayer South of Heaven |
| Soundgarden Superunknown |
| Soundgarden Badmotorfinger |
| Soundtrack Pulp Fiction |
| I guess this album is more of a 4, especially seeing as it's a soundtrack, but the songs put into the context of the movie just makes it too awesome not to be rated a 4.5 |
| Stephen Lynch Superhero |
| Stevie Wonder Innervisions |
| Stevie Wonder Songs in the Key of Life |
| Stormtroopers Of Death Speak English or Die |
| Streetlight Manifesto The Hands That Thieve |
| Supertramp …Famous Last Words… |
| Suspekt Prima Nocte |
| System of a Down System of a Down |
| System of a Down Steal This Album! |
| Temple of the Dog Temple of the Dog |
| The Beatles 1962 - 1966 |
| The Beatles Rubber Soul |
| The Beatles The Beatles |
| The Beatles Magical Mystery Tour |
| The Black Keys Brothers |
| The Cult Love |
| The Dear Hunter The Color Spectrum (Complete Collection) |
| The Dillinger Escape Plan Option Paralysis |
| The Doors L. A. Woman |
| The Gaslight Anthem Señor and the Queen |
| The Gaslight Anthem American Slang |
| The Killers Hot Fuss |
| The Killers Sam's Town |
| The Mars Volta Frances the Mute |
| The Moody Blues Days of Future Passed |
| The National Sad Songs for Dirty Lovers |
| The Police Synchronicity |
| The Police Greatest Hits |
| The Rolling Stones 12 X 5 |
| The Rolling Stones Aftermath |
| The Rolling Stones Some Girls |
| The Rolling Stones Tattoo You |
| The Rolling Stones Get Yer Ya-Yas Out! |
| The Rolling Stones Out Of Our Heads |
| The Rolling Stones December's Children (And Everybody's) |
| The Rolling Stones The Rolling Stones No.2 |
| The Roots Things Fall Apart |
| The Smashing Pumpkins Siamese Dream |
| The Smiths The Smiths |
| The Sword Warp Riders |
| The Sword Gods of the Earth |
| The Tallest Man on Earth Shallow Grave |
| The Tallest Man on Earth There's No Leaving Now |
| The Weeknd Echoes of Silence |
| The Who Tommy |
| The Who The Who Sell Out |
| The Who My Generation |
| Thin Lizzy Live And Dangerous |
| Tom Waits Rain Dogs |
| Tool 10,000 Days |
| Tool Undertow |
| Tool Opiate |
| TTNG Animals |
| Unknown Mortal Orchestra Unknown Mortal Orchestra |
| Van Halen Van Halen |
| Van Halen 1984 |
| Volbeat Guitar Gangsters & Cadillac Blood |
| Volbeat Rock The Rebel/Metal The Devil |
