hdfalls
User

Soundoffs 1
Album Ratings 43
Objectivity 48%

Last Active 01-19-10 8:53 am
Joined 01-19-10

Review Comments 1

Average Rating: 4.20
Rating Variance: 0.30
Objectivity Score: 48%
(Poorly Balanced)

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5.0 classic
At the Drive-In Relationship of Command
Frightened Rabbit The Midnight Organ Fight
James Blake Overgrown
mewithoutYou Brother, Sister
Neutral Milk Hotel In the Aeroplane Over the Sea
The Mars Volta De-Loused in the Comatorium

4.5 superb
Aqualung Strange and Beautiful
Beck Guero
Bjork Medulla
Bon Iver Bon Iver, Bon Iver
Brian Eno Taking Tiger Mountain (By Strategy)
Brian Eno Another Green World
Brian Eno Before and After Science
Brian Eno Another Day On Earth
Fever Ray Fever Ray
Macklemore and Ryan Lewis The Heist
Mae The Everglow
mewithoutYou Catch For Us the Foxes
mewithoutYou Ten Stories
of Montreal Hissing Fauna, Are You the Destroyer?
Radiohead OK Computer
Radiohead In Rainbows

4.0 excellent
Anberlin Cities
Apoptygma Berzerk Welcome To Earth
Buck 65 20 Odd Years
Colour Revolt Plunder, Beg, and Curse
James Blake James Blake
M.I.A. Kala
mewithoutYou A to B: Life
Muse Absolution
Muse Black Holes & Revelations
The Mars Volta The Bedlam in Goliath

3.5 great
Anberlin Never Take Friendship Personal
Aqualung Memory Man
Bjork Volta
Brian Eno Ambient 4: On Land
Colour Revolt Colour Revolt
Norma Jean Bless the Martyr and Kiss the Child
Norma Jean is not for everyone, but this album is by far their greatest effort to date. as far as vocals, Cory simply can't compare to Josh in raw talent. As a whole, "kiss the martyr..." provides lush and startling texture, tempered with just enough tradition and, well, rhythm. i tend to attribute this to josh as well, since NJ became relatively tame and boring after he left, and his next project "The Chariot" was so far in the other direction to be un-listenable. people seem to hate this album, but i would suggest you listen to it 3 or 4 times without distraction. Yes, it is obscenely dissonant, but if it washes over you and sinks in, you will begin to notice subtle virtuosity in both the instrumental and in the vocals. being able to invoke emotions has always been a true test of good music, and hardcore/posthardcore has long been associated with angst and little else. somehow with this album NJ manages to bring out much deeper, more intelligible emotions from their harsh chords. that alone is worth a few listens
of Montreal Satanic Panic in the Attic
The Mars Volta Frances the Mute

3.0 good
Beck Modern Guilt
Owl City Ocean Eyes
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