Nagrarok
Charles Montgomery Burns
User

Reviews 75
Soundoffs 35
News Articles 3
Approval 100%
Site Rank 87

Album Ratings 549
Objectivity 81%

Last Active 11-21-09 2:52 pm
Joined 07-06-08

Forum Posts 28
Review Comments 1908

Band Edits 4

Average Rating: 3.41
Rating Variance: 0.67
Objectivity Score: 81%
(Well Balanced)

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5 classic
Black Sabbath Paranoid
Paranoid created heavy metal. Yes it did, Black Sabbath may have contained the first heavy metal tracks, but was all blues-rock apart from that. Now this, this is what created true 'EVY METUL. Powerful riffs, dark bass lines, wicked drum fills, moody solos, and a very tolerable Ozzy Osbourne. Did you know this was originally to be called War Pigs? Maybe they should have gone on with it, because that tracks does some serious metal owning, I tell ya. Apart from the overrated but enjoyable Paranoid and the it-doesn't-really-add-anything-to-the-album 2-minute Rat Salad, every track here is either classic, essential, or both.
Deep Purple Made In Japan
Explosions In The Sky The Earth is Not a Cold Dead Place
Helloween Keeper of the Seven Keys Pt. 1
Iron Maiden The Number of the Beast
As awesome as Powerslave might be, Number of the Beast is, for me, everything that Iron Maiden stands for. Killer riffs, fantastic solos, outstanding bass lines, a wicked first performance by Dickinson and Burr's underrating drumming create an album that is even now still fresh and exciting. It goes in all directions you'll want a classical metal record to go, and Maiden make everything fit seamlessly together. A truly ageless album.

Oh, and did I mention it has Hallowed Be Thy Name?
Judas Priest Sad Wings of Destiny
Black Sabbath created heavy metal with Paranoid, but then came Judas Priest, creating quite a different style that was equally influential, and even in a wider range of would-be genres. The double lead assault, thumping bass lines, crazy yet varied vocals and a much less gloomy approach made Sad Wings of Destiny the second landmark in heavy metal history. Epic (Victim of Changes), succeedingly theatrical (The Ripper), menacing (Genocide, Island of Domination), catchy (Tyrant) and even soft (Epitaph), Sad Wings of Destiny had it all. And it still has.
Opeth Still Life
It is too bad that most part of Sputnik seem to think that Blackwater Park is Opeth's best output. I have only one thing to say about this: you are WRONG. Still Life is a brilliant concept album, and tells the story of a medieval tragedy. Akerfeldt's songwriting is top-notch, the story is masterfully carried out through Opeth's signature shifts between light (listen to the fully acoustic 'Benighted') and heavy ('Serenity Painted Death' would be a good example). Where these shifts often seem redundant and/or meaningless on other albums, they work perfectly with the flow of the story, making it a dynamic experience. Perhaps opener track 'The Moor' is the perfect showcase of everything, and I mean EVERYTHING that this band has to offer. Highlights among the highlights are the aforementioned 'The Moor' and 'Benighted', but and also 'Face of Melinda' and closer 'White Cluster'.
Pearl Jam Ten
Pink Floyd Wish You Were Here
Radiohead OK Computer
The Clash London Calling
U2 The Joshua Tree

4.5 superb
Alice in Chains Jar of Flies
Mixing acoustic and electric in an EP recorded in just a couple of days, Alice in Chains were in fact just messing around with some ideas when creating Jar of Flies. The results are outstanding to say the least, with the three first songs forming the best part of the album. Rotten Apple and especially Nutshell perfect that beautiful depression AiC had since some time had copyright on, and I Stay Away is the album's most powerful piece, featuring one of Staley's best vocal performances in his career. You can't really go wrong with Jar of Flies. It is not as consistently heavy as Dirt, but neither is it as light as the band's first EP Sap, instead making for a perfect blend between the two.
Alice in Chains MTV Unplugged
Arctic Monkeys Whatever People Say I Am....
Black Sabbath Heaven and Hell
Ronnie James Dio was truly a blessing for Black Sabbath. Not only were they now relieved of Ozzy Osbourne, who had been more of a burden than anything else in the last few years, Dio also brought with him a fresh inspiration to Sabbath's music (not to mention that he does a much better job at singing than the often irritating Ozzy used to do).

The other three original members also seem to be doing better again instrumentally, as they put out something of musical quality that the band had not known since the times of Paranoid and Master of Reality. Simply put, Heaven and Hell is one of Black Sabbath's finest.
Bruce Springsteen Born To Run
Dave Matthews Band Crash
Deep Purple Deep Purple In Rock
Deep Purple Machine Head
Deep Purple Burn
Dire Straits Brothers In Arms
Edge Of Sanity Crimson
Genesis Selling England By The Pound
Genesis The Lamb Lies Down On Broadway
Guns N' Roses Appetite For Destruction
Iced Earth Alive In Athens
Iron Maiden Powerslave
Iron Maiden Iron Maiden
Iron Maiden's debut certainly showed that they were great to begin with. It is clearly the rawest of all their albums, which is a combination of Paul Di'Anno's raspy vocals and the fact that the production wasn't very good. This seems to suit the style of the album, however, as it showcases lots of this raw energy, evident on songs as 'Prowler' and 'Running Free', which, while they may not be Maiden's best, they are a hell of a lot of fun to listen to. The album did already contain hints of the melodic side Maiden later more strongly developed, for example heard in 'Remember Tomorrow' and 'Strange World'. High point is of course the epic 'Phantom of the Opera', which is truly an achievement for the band in their young days.

Simply put, Iron Maiden is outstanding for a first output, and tons of fun to listen to. It may well be one of metal's finest debuts, and set a standard for the British New Wave of Heavy Metal.
Iron Maiden Live After Death
Iron Maiden Rock In Rio
Judas Priest Painkiller
Judas Priest Screaming for Vengeance
King Crimson In the Court of the Crimson King
King Crimson Red
Led Zeppelin Physical Graffiti
Led Zeppelin Led Zeppelin II
Megadeth Rust In Peace
Mike Oldfield Tubular Bells
Mono Hymn To The Immortal Wind
Opeth Blackwater Park
Pearl Jam Vs.
Pearl Jam at both their loudest loud and softest soft. With menacing instrumentation and actual screams from Vedder next to some of the band's most subtle work, Vs. is an absolute winner. Almost a shame Ten is so fantastic, because this is definitely not a record to be overlooked.
Pink Floyd The Wall
Pink Floyd Animals
Porcupine Tree Fear Of A Blank Planet
Porcupine Tree Deadwing
Rush 2112
If that magnificent, brilliant and amazing title track would have been a bit longer and made up the entire album, this would have been an undeniable classic. I wish for this to be 5/5, but the objective part of me just can't do it. The other half of the album is, as already has been said, far too disjointed from the rest of the album, and that is a massive shame. The other tracks are great on their own, but can't live up the early promise of perfection in the first half of the album.
The Clash The Clash (UK)
U2 Achtung Baby

4 excellent
A Perfect Circle Mer de Noms
AC/DC Let There Be Rock
AC/DC Highway To Hell
AC/DC Back in Black
Accept Balls to the Wall
Agalloch The Mantle
Agalloch Pale Folklore
Agalloch Ashes Against the Grain
Alice in Chains Facelift
Alice in Chains Dirt
Alice in Chains Black Gives Way to Blue
Alice's is back in business as Black Gives Way to Blue delivers vintage heaviness, vocal harmonisations and songwriting like the boys have never been out. Matching Staley is of course impossible for anyone to achieve, but newling DuVall seems to be the man for the job, and while he doesn't even try to imitate his predecessor, his tone and range are very similar. Standard but great rock songs (Check My Brain), simple yet effective ballads (Your Decision) and pounding heaviness (A Looking in View), Black Gives Way to Blue really has everything we could possibly wish for after Staley's unfortunate passing. Less bleak than classic Alice, but perhaps even heavier than the likes of Dirt, the album is both fresh and nostalgic, and surely delivers the goods.
Amon Amarth With Oden On Our Side
Amon Amarth Twilight of the Thunder God
Maybe it is because I hadn't heard any of Amon Amarth's earlier albums when I listenend to this, but this one hell of a fun ride. That the band has perfected their style is easily assumable, as all factors that make a record in this genre great are there. The melodic guitars are fantastic, the drums are pounding, and vocalist Johan Hegg roars about like a true viking more than I've heard any other viking metal vocalist do so far. On top of that, the album contains some very good guest performances: a guitar solo by Roope Latvala (CoB), guest vocals by Lars Goran Petrov (Entombed) and the marvellous cello work of Apocalyptica, which is the most unique and best of the three perfomances. Twilight of the Thunder God is worth your while, especially if you're in search of simple fun and adrenaline.
Amorphis Silent Waters
Amorphis Tales From the Thousand Lakes
Anthrax Among the Living
Apocalyptica Apocalyptica
Black Sabbath Mob Rules
Black Sabbath Black Sabbath
Black Sabbath Master of Reality
Black Sabbath Sabbath Bloody Sabbath
Black Sabbath Sabotage
Bloc Party Silent Alarm
Blof Boven
Blof Blauwe Ruis
Blue Oyster Cult Fire of Unknown Origin
Brian Eno Ambient 1: Music For Airports
Burzum Hvis Lyset Tar Oss
Coldplay A Rush Of Blood To The Head
Coldplay Live 2003
Coldplay Viva La Vida
Dark Tranquillity The Gallery
Dead Letter Circus Dead Letter Circus
Death Symbolic
Death Human
Deep Purple Perfect Strangers
Deep Purple Fireball
Dinosaur Jr. Farm
A shame I have to discover this so late in 2009, as it has everything to instantly put you in a good mood. Superbly performed, overpowering guitar melodies, a smooth flow and relaxing vocals: these are what create this very, very excellent album.
Dio Holy Diver
Dream Theater Six Degrees of Inner Turbulence
Dream Theater Awake
Dream Theater Images and Words
Dream Theater are both loved and hated by many. The have been accused of their inabilty to write proper lyrics, which is unfortunately very much true, and letting their instrumental 'wankery' (as it is often referred to) drown what could have been good songs. Newly-introduced vocalist James LaBrie is not exactly lauded as a metal vocalist, which is very understandable, as his high wails can get immensely annoying, especially on this album. On later releases he does a much better job, especially on follow-up Awake, where he his at his prime. Despite these flaws, Images and Words is a very important record in the history of Progressive Metal, and displays virtuostic work throughout. Especially John Petrucci and Mike Portnoy are undeniably strong. Also, while he was not as technically skilled as the other band members at the time, keyboardist Kevin Moore would never be equalled by his replacements, both as a musician and composer.

What it all comes down to is that Images and words is a real treat for the prog listener, but is a letdown vocally and even more so lyrically. Though it is an excellent record, it is not the classic many make it out to be, neither is it Dream Theater's best.
Dream Theater Metropolis Part 2: Scenes From a Memory
Dream Theater Octavarium
dredg Catch Without Arms
Eluvium Copia
Ensiferum Ensiferum
Ensiferum Victory Songs
Equilibrium Sagas
Equilibrium Turis Fratyr
Explosions In The Sky How Strange, Innocence
Explosions In The Sky Those Who Tell the Truth...
Faith No More Angel Dust
Foo Fighters The Colour And The Shape
Gamma Ray Land of the Free
Gates of Winter Lux Aeterna
Genesis Foxtrot
Genesis Nursery Cryme
God Is An Astronaut All Is Violent, All Is Bright
God Is An Astronaut Far From Refuge
Godspeed You! Black Emperor Slow Riot For New Zero Kanada
Guns N' Roses Use Your Illusion II
Guns N' Roses Use Your Illusion I
Helloween Walls of Jericho
Iced Earth Burnt Offerings
Iced Earth Night of the Stormrider
Iced Earth Something Wicked This Way Comes
Iced Earth The Glorious Burden
In Flames The Jester Race
Iron Maiden Killers
Maiden's second effort Killers is a more refined affair than their debut, mostly in terms of production, but also in style. Where Iron Maiden had rawer songs like 'Running Free' and 'Sanctuary', these now have been replaced by more polished efforts. The band still hadn't lost their rawer sound completely, however. This would take place after the leaving of Paul Di'Anno, who was very important in creating their early sound. The man is just a lot of fun to listen to, for example on 'Wrathchild', 'Murders in the Rue Morgue' and 'Killers', all true early Maiden classics. Killers is also more consistent than its predecessor, but then again carries a few weaker songs like 'Drifter'. Though this may be true, it does not even ruin the listening experience, as all songs are still great fun, and the album is highly recommended even if you're not a Maiden fan, or if you always thought Mr. Dickinson used an exeggerated vocal style.
Iron Maiden Piece of Mind
Iron Maiden Somewhere in Time
With their 6th album, Iron Maiden changed their style slightly, leaning towards an experimental side of things, something they would eleborate further on Seventh Son of a Seventh Son. Guitar and bass synths were added, giving their sound a futuristic touch, which coincides with the album's theme perfectly. The synths gave a new edge to Maiden signature sound, while not dominating the music.
Opener 'Caught Somewhere in Time' applies this new feature perfectly, having guitarists Dave Murray and Adrian Smith displaying one of their best dual guitar harmonizations, something that Maiden has become known for. Overall, Somewhere in Time has a refreshing sound and contains often overlooked classics such as 'The Loneliness of the Long Distance Runner', and 'Stranger in a Strange Land'. Also a highlight is the accessible 'Wasted Years'. Harris' epic 'Alexander the Great' is also strong, be it not so much lyrically as instrumentally. Somewhere in Time is often overlooked next to albums such as Number of the Beast and Powerslave, but is actually one of Maiden's finest, and deserves to be in anyone's collection.
Iron Maiden Seventh Son of a Seventh Son
Iron Maiden Brave New World
Iron Maiden Dance of Death
Iron Maiden A Matter of Life and Death
Iron Maiden Rock In Rio (DVD)
Iron Maiden Live After Death DVD
Iron Maiden Death On The Road
Iron Maiden Live at Donnington
Iron Maiden Best of the Beast
Jimi Hendrix Are You Experienced
Jimi Hendrix Axis: Bold As Love
Jimi Hendrix Electric Ladyland
Jimi Hendrix Live at Woodstock
Joe Satriani Surfing With The Alien
Judas Priest Stained Class
Judas Priest Unleashed In The East
Kamelot Karma
Kamelot Epica
Kamelot The Black Halo
Katatonia Viva Emptiness
Kings of Leon Only By The Night
Led Zeppelin Led Zeppelin I
Led Zeppelin Led Zeppelin IV
It is truly hard to say what is ultimately Led Zeppelin's best output. However, it is without doubt that the over-praised No. IV does not live up to its reputation.

Is it really really great? Yes.
Does it contain one of the greatest rock songs ever? Yes.
Classic? No.

True, Black Dog is also downright fantastic, When the Levee Breaks is great, and Rock and Roll may be generic, but is just plain fun to listen to. The major part of the album is rock greatness, but songs like Battle for Evermore and Four Sticks do inevitably drag the album down.
Led Zeppelin Houses of the Holy
Led Zeppelin How The West Was Won
Live Throwing Copper
Marillion Script For A Jester's tear
Meat Loaf Bat Out Of Hell
Megadeth Peace Sells... But Who's Buying?
Megadeth Endgame
Megadeth is back with an excellent album chocked with agression, technical riffs, impressive solos and whatnot. This obviously won't be enough to rival the classics Peace Sells... and Rust in Peace, but the most remarkable feat here is putting out a true quality record that doesn't stray too far from 'Deth's roots and is still a fresh experience. Mustaine shows that some veteran metallers still have the chops.
Metallica Master of Puppets
Michael Jackson Thriller
Moonsorrow V: Havitetty
Mother Love Bone Apple
Motorhead Ace of Spades
Ace of Spades is one hell of enjoyable album, but knows it downsides in the end. Its title track may be the best thing this band has ever done, all the songs are enjoyable, but what gets boring is the fact falls into the trap of using the same base formula for every song. They're mostly short, full of adrenaline and fueled by Lemmy's instantly recognizable voice. That, however is not enough to make it the classic it is thought to be. Nevertheless, this is an essential album both for Motörhead and the development of the New Wave of British Heavy Metal.
Motorhead Inferno
Muse Origin of Symmetry
Muse Absolution
Muse H.A.A.R.P
Nirvana In Utero
Nirvana MTV Unplugged in New York
Nirvana Live At Reading
It's loud, it's noisy, and it's good. An entry into Nirvana's discography that comes surprisingly late and yet at the right moment. Kurt Cobain would have been proud.
Oasis Definitely Maybe
Oasis Whats the Story Morning Glory
Opeth Watershed
Opeth My Arms, Your Hearse
Opeth Deliverance
Opeth Damnation
Opeth Lamentations (Live at Shepherd's Bush Em
Patti Smith Horses
Pearl Jam No Code
Pearl Jam Vitalogy
Pearl Jam Yield
Pink Floyd Meddle
Pink Floyd Dark Side of the Moon
Pink Floyd The Piper at the Gates of Dawn
Porcupine Tree The Sky Moves Sideways
Porcupine Tree In Absentia
Porcupine Tree Stupid Dream
Porcupine Tree Signify
Queen A Night at the Opera
Queens Of The Stone Age Songs For The Deaf
Queens Of The Stone Age Rated R
R.E.M. Automatic For the People
Radiohead The Bends
Radiohead Kid A
Rainbow Rising
Rainbow is a very much underrated band. In their early days, that is. Ritchie Blackmore and Ronnie James Dio made an excellent pair musically, and put out a classic hard rock album with Rising. The only thing that prevents it from being a true classic is the length of 33 minutes, which ultimately falls short. However, it is most certainly worth a listen because of Dio's powerful vocals, which are on his best here, and Blackmore's phenomenal guitar skills. Too bad that these two men's egos couldn't be in one space, they could've made so many good stuff together.
Rainbow Long Live Rock & Roll
Red Hot Chili Peppers BloodSugarSexMagik
Red Hot Chili Peppers Californication
Red Hot Chili Peppers By The Way
Regina Spektor Far
Riverside Out of Myself
Riverside Second Life Syndrome
Rush Hemispheres
Saxon Wheels of Steel
Saxon Strong Arm of the Law
Slayer Reign in Blood
Sonata Arctica Silence
Sonata Arctica Winterheart's Guild
Sonata Arctica Reckoning Night
Soundgarden Superunknown
Stone Temple Pilots Thank You
Symphony X The Divine Wings of Tragedy
Symphony X V: The New Mythology Suite
Symphony X Paradise Lost
Temple of the Dog Temple of the Dog
The Clash Give 'Em Enough Rope
The Gaslight Anthem The '59 Sound
The Gathering The West Pole
The Hives Black And White Album
The Mars Volta De-Loused in the Comatorium
The Rasmus Dead Letters
The Smiths The Queen Is Dead
The Who Who's Next
Thin Lizzy Jailbreak
Tool Aenima
Tool Lateralus
U2 War
U2 The Unforgettable Fire
U2 All That You Can't Leave Behind
U2 How to Dismantle an Atomic Bomb
U2 Under A Blood Red Sky
Wintersun Wintersun
Yes Close To The Edge

3.5 great
3 Doors Down The Better Life
30 Seconds to Mars 30 Seconds to Mars
30 Seconds to Mars A Beautiful Lie
AC/DC High Voltage
AC/DC Powerage
AC/DC The Razor's Edge
Accept Restless and Wild
Alice Cooper Along Came a Spider
Alice in Chains Sap EP
Amon Amarth Fate of Norns
Amorphis Eclipse
Amorphis Elegy
Anacrusis Screams and Whispers
Apocalyptica Inquisition Symphony
Arctic Monkeys Favourite Worst Nightmare
At the Gates Slaughter of the Soul
Audioslave Audioslave
Be'lakor Stone's Reach
Very solid progressive melodic death metal that has been influenced by many artists from the Scandinavian scene, especially Opeth. Stone's Reach gets on the repetitive side after the first two highlights Venator and From Scythe to Sceptre, but provides a necessary break with the short and acoustic Huks (there's your proof for the Opeth-influences), and closes off on a high note, with the truly worth epic Countless Skies.
Black Sabbath Dehumanizer
Blackfield Blackfield II
Breaking Benjamin We Are Not Alone
Breaking Benjamin Phobia
Children Of Bodom Follow the Reaper
Coldplay Parachutes
Coldplay X&Y
Deep Purple Deep Purple
Deep Purple Purpendicular
Deep Purple Bananas
Deep Purple Rapture of the Deep
Dirty Pretty Things Waterloo to Anywhere
DragonForce Sonic Firestorm
Dream Theater A Change of Seasons
Dream Theater Train of Thought
Dream Theater Black Clouds and Silver Linings
dredg El Cielo
Editors The Back Room
Editors An End Has A Start
Ensiferum Iron
Ensiferum From Afar
Once again, everyone's favourite folk/viking metal act Ensiferum release a solid slab of heroic tunes that will surely please fans of their other work. While indeed slightly more bombastic than we are used to, From Afar adds nothing really new to the table, but then again, who cares?
Explosions In The Sky The Rescue
Explosions In The Sky All of a Sudden, I Miss Everyone
Faith No More The Real Thing
Flotsam and Jetsam Doomsday for the Deceiver
Foo Fighters One By One
Foo Fighters In Your Honor
Franz Ferdinand Franz Ferdinand
Genesis Trespass
God Is An Astronaut The End of the Beginning
God Is An Astronaut A Moment of Stillness EP
Green Day American Idiot
Guns N' Roses GNR Lies
Helloween Gambling With The Devil
Helloween The Dark Ride
Helloween Helloween
Iced Earth Iced Earth
Iced Earth Horror Show
Iced Earth The Dark Saga
Interpol Turn on the Bright Lights
Interpol Antics
Interpol Our Love To Admire
Iron Maiden Edward The Great, Greatest Hits
Iron Maiden Somewhere Back In Time: The Best Of 1980 - 1989
Iron Maiden Maiden Japan
Joy Division Unknown Pleasures
Joy Division Closer
Judas Priest Hell Bent for Leather
Judas Priest British Steel
Judas Priest Sin After Sin
Judas Priest Angel of Retribution
Kaiser Chiefs Employment
Katatonia Night Is The New Day
Despite claims of progression, Katotonia haven't changed their sound all that much since Viva Emptiness. Still, that doesn't mean Night is the New Day is a dissapointment. In fact, it is great.
Keane Hopes & Fears
Kings of Leon Because Of The Times
Kreator Pleasure to Kill
Led Zeppelin Presence
Led Zeppelin Led Zeppelin III
Led Zeppelin In Through the Out Door
Live Secret Samadhi
Live The Distance To Here
Live Awake: Best Of
Megadeth Countdown to Extinction
Metallica Metallica
Metallica Death Magnetic
Modest Mouse We Were Dead Before the Ship Even Sank
Mother Love Bone Shine
Motorhead Bomber
Muse Showbiz
Muse Black Holes and Revelations
Nirvana Bleach
Nirvana Incesticide
Oasis Dig Out Your Soul
Oasis Don't Believe The Truth
Opeth Morningrise
Opeth Ghost Reveries
Pearl Jam Riot Act
Pearl Jam Binaural
Pearl Jam Backspacer
Eleven great tracks. Nothing more, nothing less. Pearl Jam is back with its greatest release since Yield.
Pink Floyd A Saucerful Of Secrets
Pink Floyd The Division Bell
Porcupine Tree Up The Downstair
Porcupine Tree Lightbulb Sun
Porcupine Tree Nil Recurring
Queens Of The Stone Age Queens Of The Stone Age
Radiohead Pablo Honey
Radiohead Amnesiac
Radiohead Hail To The Thief
Radiohead In Rainbows
Radiohead My Iron Lung EP
My Iron Lung shows transition between Pablo Honey and The Bends, created in the days of Radiohead's more rockish era. Aside from the title track, which would later appear on The Bends, this has some seriously fantastic b-sides on it, most notably The Trickster. The acoustic Creep is one of the album's most interesting, although not entirely succesful moments, having Yorke providing more personal vocals at the cost of powerful instrumentation. Never got into anything post-OK Computer? Check this out.
Riverside Rapid Eye Movement
Rose Tattoo Rose Tattoo
It's Australian blues/hard rock from the late 70's, and it sounds very much like AC/DC. Gotta love it or hate it.
Rush Rush
Samson Shock Tactics
Saxon Saxon
Saxon Into the Labyrinth
Snow Patrol Final Straw
Snow Patrol Eyes Open
Sonata Arctica Ecliptica
Sonata Arctica Unia
Soundgarden Badmotorfinger
Symphony X Twilight in Olympus
Symphony X The Odyssey
Symphony X The Damnation Game
Testament The Legacy
The Bravery The Sun and the Moon
The Fratellis Costello Music
The Gaslight Anthem Sink or Swim
The Hives Veni Vidi Vicious
The Hives Your New Favourite Band
The Hives Tyrannosaurus Hives
The Killers Hot Fuss
The Killers Sam's Town
The Last Shadow Puppets The Age Of The Understatement
The Rasmus Into
The Verve A Storm in Heaven
Tool Undertow
Tool Opiate
Tool 10,000 Days
U2 Boy
U2 Rattle And Hum
X Japan Art Of Life
ZZ Top Eliminator

3 good
3 Doors Down Away From The Sun
A Perfect Circle Thirteenth Step
AC/DC Dirty Deeds Done Dirt Cheap
AC/DC Who Made Who
AC/DC BallBreaker
AC/DC Stiff Upper Lip
AC/DC '74 Jailbreak
Alice in Chains Alice in Chains
Alice in Chains We Die Young EP
Amorphis The Karelian Isthmus
Amorphis Far From The Sun
Apocalyptica Plays Metallica by Four Cellos
Arctic Monkeys Humbug
Black Sabbath Technical Ecstasy
Black Sabbath Born Again
Black Sabbath The Eternal Idol
Blackfield Blackfield
Breaking Benjamin Saturate
Breaking Benjamin So Cold EP
Butcher Jones No Gods West Ep
Deep Purple Stormbringer
Deep Purple The Book of Taliesyn
Disturbed Indestructible
DragonForce Valley of the Damned
Dream Theater When Dream And Day Unite
Dream Theater Greatest Hit (... and 21 Other...)
Ensiferum Dragonheads (EP)
Fiction Plane Left Side of the Brain
Foo Fighters Foo Fighters
Foo Fighters There Is Nothing Left To Lose
Foo Fighters Echoes, Silence, Patience & Grace
God Is An Astronaut God Is An Astronaut
Iron Maiden The X Factor
Iron Maiden Virtual XI
Iron Maiden The Soundhouse Tapes
Iron Maiden No More Lies EP
Judas Priest Defenders of the Faith
Judas Priest Rocka Rolla
Judas Priest A Touch Of Evil Live
Kamelot Ghost Opera
Keane Under The Iron Sea
King Crimson In the Wake of Poseidon
King Crimson Lizard
King Crimson Lark's Tongue in Aspic
Led Zeppelin Coda
Live V
Live Birds Of Pray
Maximo Park A Certain Trigger
Metallica Ride the Lightning
Nirvana Nevermind
Oasis Standing On The Shoulder Of Giants
Opeth Orchid
Pink Floyd Atom Heart Mother
Pink Floyd The Final Cut
Porcupine Tree The Incident
The Incident is a reworking of Fear of a Blank Planet's style in an ambitious 2 discs, but lacks the impressiveness and coherence of its predecessor. It is like typical modern Porcupine Tree, but without something that binds it all together properly. Just passable.
Queen Made In Heaven
Queens Of The Stone Age Lullabies to Paralyze
Rainbow Ritchie Blackmore's Rainbow
Unfortunately Rainbow's first record suffers from an untalented input. Sure, Ritchie Blackmore is a fantastic guitar player, and also Dio is well known for his voice. The members that were with Rainbow on this first release though, the members from Elf (Dio's previous band), do nothing really interesting musically. The record is also very bluesy compared to later Rainbow (also caused by the presence of the Elf members). Still, after all, Rainbow's first 3 albums are Ritchie's and Dio's show, and those two also make this one a decent output. With the addition of Toney Carey, Cozey Powell and Jimmy Bain, they greatly topped it with Rising. Highlights here are Man on the Silver Mountain and Catch the Rainbow.
Red Hot Chili Peppers One Hot Minute
Red Hot Chili Peppers Stadium Arcadium
Rush Fly By Night
Samson Head On
Scott Lavender The Piano Tribute to Iron Maiden
Soundgarden Louder Than Love
Soundgarden Down on the Upside
Symphony X Symphony X
Talking Heads Remain In Light
The Bravery The Bravery
The Fratellis Here We Stand
The Hives Barely Legal
The Killers Sawdust
The Killers Day & Age
The Rasmus Hide from the Sun
Them Crooked Vultures Them Crooked Vultures
All three gentlemen on this here record have been capable of better things in their respective pasts, but that doesn't mean Them Crooked Vultures are not a decent band that created a decent record. A shame it is then, that this record never gets further off the ground than just being a nice listen. Homme is definitely taking the lead here, unsurprisingly, and if he perhaps had given space to the more Grohl- or Jones-ish waves of musical creativity, the sound of Them Crooked Vultures could have truly been the sum of its parts.
U2 Zooropa
U2 No Line On The Horizon
U2 The Best Of 1980-1990
U2 The Best Of 1990-2000

2.5 average
AC/DC Flick Of The Switch
AFI The Art of Drowning
AFI Sing the Sorrow
AFI The AFI Retrospective
Amorphis Tuonela
Black Sabbath Never Say Die!
Bloc Party A Weekend in the City
Deep Purple Shades of Deep Purple
Deep Purple Abandon
DragonForce Inhuman Rampage
Dream Theater Falling Into Infinity
dredg Orph E.P
Franz Ferdinand You Could Have It So Much Better
Guns N' Roses Chinese Democracy
Heaven and Hell The Devil You Know
Helloween Keeper of the Seven Keys Pt. 2
Iron Maiden Fear of the Dark
Judas Priest Ram It Down
Judas Priest Nostradamus
Judas Priest Live in London
Kaiser Chiefs Yours Truly, Angry Mob
Live Mental Jewelry
Live Songs From Black Mountain
Meat Loaf Bat Out Of Hell II: Back Into Hell
Metallica Kill Em All
Metallica Load
Motorhead Overkill
Muse The Resistance
It had to happen, right? Muse finally release a below-standard album, that can be best described as a collection of tracks that mix their earlier Orgin/Absolution sound with the newfound poppier direction on Black Holes, with weaker results than before. Add to that that Bellamy rips off both Queen's Bohemian Rhapsody (United States of Eurasia) and his own New Born (Unnatural Selection), and you've already got a letdown album. The closing epic Exogenesis Symphony is promising, and indeed very pretty, but altogether not consistenly impressive. Muse's eventual downfall was inevitable.
Nickelback The State
Nickelback Silver Side Up
Nickelback All the Right Reasons
Oasis Heathen Chemistry
Patti Smith Radio Ethiopia
Pearl Jam Pearl Jam
Queens Of The Stone Age Era Vulgaris
Radiohead The Best of
I'm just saying it. This is completely unnessecary. There are just these bands that are not supposed to release compilation albums. Radiohead releases albums that each have a very distinct sound and feel. These should simply be experienced as a whole. That said, the flow of this album is unpleasant to say the least, moving from rockers on The Bends to the far more experimental outings on Kid A, for example. Of course, EMI released this just to make money, but they could have made a proper effort to put the songs in a more fitting order. The music is still good though, we're talking about one of Britain's finest and most talented bands here, but even people wanting to get into Radiohead would better consider buying The Bends or OK Computer.
Snow Patrol Songs for Polarbears
Snow Patrol When It's All Over We Still Have to Clear Up
Soundgarden Ultramega OK
The Gaslight Anthem Señor and the Queen
The Rascals Rascalize
U2 October
U2 POP
U2 U218 Singles + DVD
Wolfmother Wolfmother

2 poor
3 Doors Down Seventeen Days
AC/DC For Those About To Rock...
AC/DC Fly On The Wall
AC/DC Black Ice
AFI Decemberunderground
Airbourne Runnin' Wild
Angel Witch Angel Witch
Blind Guardian Nightfall in Middle-Earth
Bloc Party Intimacy
Deep Purple Who Do We Think We Are!
Deep Purple The House of Blue Light
Deep Purple Made in Europe
DragonForce Ultra Beatdown
These guys have one major problem, and just one. They are not very much original. In any way. At all. And yeah, I'm still making an understatement. Sure, DragonForce may have the two fastest guitarists in the world, that doesn't make them GOOD. Well, it did, in fact, with their first album, which was alright, and their second, which was great. Their sound could be called refreshing even, they were a 'one of a kind' band, really. The potential was there, but where DragonForce doesn't sound like anyone else, this 4th record make them sound too much like themselves. Again. And that, frankly enough, is unforgivable. If they pull of this trick again with their next, I will be forced to give them even lower than this.
Dream Theater Systematic Chaos
Iced Earth Framing Armageddon (Something Wicked Pt. 1)
Iron Maiden No Prayer For The Dying
Even the best bands make bad albums, and Iron Maiden proves it with No Prayer for the Dying. The album is too bland and unispired overall, but what makes it even worse is that its the single Maiden album that contains none of their classics.

Some of these problematic tracks are opener Tailgunner, The Assasin, Hooks in You and Bring Your Daughter... to the Slaughter, the latter having charted surprisingly well for such a bad song. These tracks have all got the same problem. They are frustratingly repetitive and have boring choruses, and there seems to be no creative input in any of them. There are some excellent efforts on No Prayer for the Dying though, such as its title track.
Iron Maiden Live!! +one
Iron Maiden Ed Hunter
Judas Priest Point of Entry
Judas Priest Jugulator
Judas Priest Priest...Live!
Linkin Park Hybrid Theory
Metallica Reload
Metallica ...And Justice for All
Nickelback The Long Road
Oasis Be Here Now
Opeth Burden
Pink Floyd Ummagumma
Porcupine Tree On the Sunday of Life.....
Rage Against the Machine Rage Against the Machine
Snow Patrol A Hundred Million Suns
White Lies To Lose My Life

1.5 very poor
3 Doors Down 3 Doors Down
A Perfect Circle eMOTIVe
AC/DC Blow Up Your Video
Amorphis Privilege of Evil
Amorphis Am Universum
Amorphis Skyforger
Black Sabbath Vol.4
Deep Purple Come Taste the Band
Deep Purple The Battle Rages On...
Editors In This Light and On This Evening
It has been a long time since I heard such a boring album. Where their first two albums were both great, Editors choose a very unwise new approach. Change was necessary, but not like this. They ditched the sweeping guitars, added lots of monotone, boring synths and paired those with equally monotone vocals. If I'm being nice, Papillon is still decent, but I had a hard time looking for strong material here. There is a single word I can summarize this album in: yawn.
Iced Earth The Crucible of Man
Judas Priest Demolition
Judas Priest '98 Live Meltdown
Kaiser Chiefs Off With Their Heads
Linkin Park Meteora
Metallica St. Anger
Nickelback Curb
Pink Floyd A Momentary Lapse of Reason

1 awful
Black Sabbath Seventh Star
Deep Purple Slaves and Masters
Genesis From Genesis to Revelation
Guns N' Roses The Spaghetti Incident?
I'm perfectly fine with the fact that people find this to be an underrated album, but I cannot get around the fact that The Spaghetti Incident? adds nothing to the legacy Guns N' Roses had built up with Appetite and the Use Your Illusion albums. The band is quite talented, and wasting the true line-up's last album on some covers which are well carried-out but nevertheless just not very interesting was not a very good move. This is where Guns N' Roses unfortunately died. If only they had done it in a more satisfying fashion.
Judas Priest Turbo
Keane Perfect Symmetry
Linkin Park Minutes to Midnight
Linkin Park Live In Texas
Nickelback Dark Horse

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