TheHamburgerman
Bob
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Reviews 8
Soundoffs 35
Approval 93%
Site Rank 326

Album Ratings 583
Objectivity 85%

Last Active 10-06-09 2:12 am
Joined 01-20-07

Forum Posts 7
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Band Edits 18

Average Rating: 3.39
Rating Variance: 1.10
Objectivity Score: 85%
(Well Balanced)

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5 classic
Akercocke Choronzon
Akercocke Words That Go Unspoken, Deeds That Go...
Blind Guardian Nightfall in Middle-Earth
If just those interludes.... those useless interludes would be left away... Blind Guardian was at it's peak at this album. Every song is a masterpiece, inventing new bombastic choruses and passages. Those great songs are, however, sadly connect with the use of (stupid) interludes. Where Blind Guardian could have made interesting background story of the concept of the album, we are treated with for example an interlude with nothing but a single line of text. It takes away from the flow, and doesn't work with the bombastic style of Blind Guardian. Luckily they are usually under the 30 seconds, leaving several minutes open to the brilliant songs. Surely a check-out, considering this album has the best Blind Guardian songs all around.
Blind Guardian Somewhere Far Beyond
Deftones White Pony
dredg El Cielo
Enslaved Ruun
Part three of Enslaved intense progressive black metal. Though it's more progressive extreme metal than progressive black metal. Enslaved has dismissed of almost every black metal element. Only the screaming and tremolo picking has remained, that's all. The sound of Enslaved is very space, sometimes upbeat but most of the time expressing vengeance. The addition of a keyboard player was a very good idea. Although you won't hear him playing solo's, the whole sound sounds 100x times fuller. The main thing what made Enslaved be progressive are the song structures. Path of Vanir, for example, features a very Pink Floyd-esque breakdown, and Essence, which goes from a rather slow-paced track to hyperspeed blast beats. Although the tracks clock in at under 7 minutes, this is basically Isa part two, just as good.
Enslaved Isa
Enslaved's eight album, Isa, is one of their biggest suprises yet. Not only with the addition of a keyboard-player, but also a completely new sound Enslaved managed to turn heads of thousands of metalheads. Time signatures, inventive song structures. No question about it, they've become progressive metal. Fine examples of metal's finest songs are Bounded by Allegiance, which features crazy leads at the end, Return to Ygdrassil, Enslaved at it's best, and last but not least the epic song Neogenesis, clocking in at over 11 minutes. Enslaved also experimented with song length, having the 11 minute Neogenesis, but also Violent Dawning, Isa and Secrets of the Flesh, which all three clock in at under 4 minutes. If Enslaved keeps their sound like this album from now on, I'm sure we all can expect huge things to come out.
Grave Digger Rheingold
Hypocrisy Virus
Melodic Death Metal has never been such brutal. Hypocrisy's newest album is probably Hypocrisy's best album to date. The songs, although much of the same, are all killer. Guitar solo's, although scarce, are very good, blast beats are used effectively and Peter's vocals are some of his best yet. From the beginning with XVI, a noisy fading in intro which goes right into War-Path, the best song on the album, until the end, Living to Die, a slow and apocalyptic song. Between those tracks, there are lots of hybrids between melodic death metal and straight f*cking death metal. And except for Craving for Another Killing, they're all killer.
In Flames Colony
Insomnium Since the Day It All Came Down
If a band like Opeth would dismiss of the useless extra minutes of a song and would take lead guitar riffs remicinent of Amorphis and Dark Tranquillity. What if Mikael would only grunt, no more clean singing. Such a band would be named Insomnium. Insomnium's second album, Since the Day It All Came Down, is a pinnacle in the melodic metal history. Energetic leads with a slight classical twist on it rule the album from front to back. With the start of the melancholic and sad Nocturne, a piano tune written in the style of the nocturnes in the classical age, to the final track called Song of the Forlorn Son, a slow epic song dripping with emotion, featuring a astonishing climax. The middle part songs are also fantastic. From the energetic Bereavement to the epic Disengagement. From the grievy Moment of Reckoning to the Closing Words, the only song that isn't filled with sad and melancholic riffs. This is one of the most incredible albums I have ever heard.
Insomnium Above the Weeping World
Insomnium's brilliant discography goes further with their third album: Above the Weeping World. In the vein of Since the Day it All Came Down, but with perfected melodies and acoustic passages. The Gale, where a lonesome piano starts, build up to a momentum notable in the whole metal encyclopedia. Mortal Share finishes it off with a fast lead riff written in 7/8 style. The other songs are just as good, if not better. The Killjoy has more energy in it, like Closing Words from their second album. At the Gates of Sleep and Last Statement are two melodic metal songs where a proper superlative is not yet invented. At the Gates of Sleep features a part where three different leads compliment each other at the same time. Last Statement on the other hand is a hearable monument of emotion. It deals with the dying of a person. The epic song is closed with the most melancholic and sad lead riff ever, after finishing a perfect solo. A must check out for metal fans.
Iron Maiden Seventh Son of a Seventh Son
Judas Priest Painkiller
Kamelot Epica
Kamelot's magnum opus is the first of the 2-cd-long story reveling around good and bad. Epica, power metal's best album to come across features the most subtile power riffs, the cleanest vocals, the most diverse themes throughout the album. And best of all, there is nothing cheesy about it. The lyrics are more of the standard power metal thing, but it's all laid out beautifully with the narrating stories of three different persons. Song highlights include the short but sweet "A Feast for the Vain", the slower but extremely powerful "The Edge of Paradise" and the nostalgic "Center of the Universe".
Kamelot The Black Halo
Part two of Kamelot's twin-CD story. And a funny thing is, this album is just as good as the first part. The main difference between Epica and this is the more and better use of keyboards. No wonder, because at this time a fifth member suprised every fan. Oliver, the keyboard-player, contributes with great keyboards. Beside the new member, nothing has really changed at all. That's not bad. Kamelot invented new ways to use their talent. The older albums were varied enough to stay interesting, this is no difference. When the Lights are Down is fast and euphorious, while Abandoned is emotional and deep. Memento Mori on the other hand is an eight-minute epic which proves that Kamelot can be progressive. Because it's still a part of the story, Kamelot threw again some interludes in it. Unlike most other interludes, these are interesting, though not as interesting as the interludes on Epica. Still, this album is one of metal's finest.
King Crimson In the Court of the Crimson King
Whether it be the Pink Floyd album, or King Crimson's album, I think we all can agree that when it comes to quality, King Crimson outshines almost every other album on the earth. With Fripp's passionate guitar playing, a style that was beyond imagination at that time. Giles his uncontrolable jazz playing and unique drum fills. As Pete Townshend once said: It's an uncanny masterpiece.
Kreator Coma of Souls
Muse Origin of Symmetry
Muse has that certain feeling that makes a song so special. Most songs only feature 3 or 4 different riffs although they clock in at a maximum of 7 minutes. The thing that makes it special is the artistic addition of a whirlwind of a piano, synthesizer and distorted bass. The guitar's main purpose is to strengthen the songs with a spacey lead riff, but is kept to a minimum. The songs itself are just perfect, from the emotional, spacey joyride called Bliss, the energetic rifffest Plug In Baby and the apocalyptical wormhole called Micro Cuts. A pinnacle in the alt rock scene.
Nocturnus The Key
Opeth Blackwater Park
This album is very nice. Not too progressive, not too intellectual. Not obscure or whatever. Opeth basically change a riff once per minute, do it 9 times and call it a song. Still, as long as it works it's good. And damn it works on here. Nice acoustic interludes, some solo's, dissonance, anti-dissonance (sonance?). It's also somewhat more of an easier listen compared to their older releases, which is a plus for me.
Rage The Missing Link
Incredible power metal work here. Aside from the dull Nevermor every song on here is a winner. Sure, Firestorm and The Pit and the Pendulum could've been better, but the perfection of tracks such as Refuge, Who Dares?, Raw Caress and Certain Days makes it all up. Hundreds of totally unique riffs with cool catchiness while staying metal all the way through. The manly voice of Peavy, every instrument playing with style as cool as Barry White. It's comparable to Judas Priest's Painkiller, though more power metal oriented.
The Cure Disintegration
Virgin Steele The Marriage of Heaven and Hell: Part II
Virgin Steele The House of Atreus: Act 1
Virgin Steele Visions Of Eden
Virgin Steele The House of Atreus: Act II
Virgin Steele Invictus

4.5 superb
Aborted Slaughter & Apparatus: A Methodical Overture
Aborted Goremageddon
Alice in Chains Dirt
Amon Amarth With Oden On Our Side
Amorphis Eclipse
Amorphis his newest album is not just a melodic death metal album. It's one of the most simple and straight metal album. There are even doubts if this album is even "metal". Of course there will be some grunting, a lot of distorted guitars and quite poetic lyrics. It's just the feeling and the melodies that make this band quite the original band. For once, The Smoke, one of scandinavian's best songs, has only a handful of riffs which are extremely close related to each other. This, however is put out very well. The same goes for Perkele (the God of Fire), House of Sleep, Same Flesh and Leaves Scar. The top 5 of this album. Note must be made that every track is notable. The only one thing that restrain this album from a 5 is the fact that the music is very linear. Riffs are somewhat similar, yet catchy enough to keep it interesting. Probably the highest 4.5 I've ever given.
Amorphis Silent Waters
Arcturus The Sham Mirrors
Now this is weird metal. Expect a very electronic and spacey atmosphere build around crazy guitar leads, frantic drums and strangely composed vocals. The real highlight however are Sverds keyboards. From the piano intro of Star Crossed, or the evil circus sounds on the epic For To End Yet Again. This man makes what Arcturus on this record is. An evil circus metal band. The band that plays when the Reaper invites you for his cirucs. The only song that somewhat differs from this standard is Radical Cut, which features Ihsahn from Emperor. I would go as far as calling this the pinnacle of Avantgarde music.
At the Drive-In Relationship of Command
This is just awesome. How could I think that this album was worth only a 3. How could I not heard the emotion of the vox, the innovative guitar riffs and great structure. I wasn't into post-hardcore then, those days. But people don't really need to love a genre to love the peak of that certain genre. This is the album, that some people will love regardless of their dislike towards that genre. It's that good. It has got great singles, like Patterns Against User and One Armed Scissor, but their tops lie in Cosmonaut and Invalit Litter Dept. A must check-out for everyone who isn't allergic for electric guitars.
Between The Buried And Me Alaska
Never has a bands sound so bombastic and powerful as Between the Buried and Me. The sound is a perfect hybrid of metalcore and progresssive metal. Perfect examples are Backwards Marathon, starting bombastic, before evolving into a Mars Volta esque acoustic breakdown. Or Selkies, with one of BtBaM best guitar solo's up to date. Filled with crazy (bass) guitar riffs, metal vocals and speedy drums, it's obvious these guys have the talent. Luckily they also have the songwriting talent, going from almost death metal to an exotic soft passage. Almost everything BtBaM has done right is on this record.
Blind Guardian Imaginations from the Other Side
Buckethead Colma
Children Of Bodom Follow the Reaper
Cryptopsy None So Vile
Cynic Focus
Dark Tranquillity Fiction
DT newest album does nothing new in terms of experimentation. In fact, it is just Character number 2, where Charactor left of, Fiction picked it up to go further. This, however, isn't necercerly a bad thing. Sometimes an album doesn't need the uniqueness to be superb. Fiction is like that. The lead guitars and keyboard do excellent riffs until infinity. From the industrial Nothing to No One until the emotional closer The Mundane and the Magic, a song that picks up where Negation left of. Terminus and Blind at Heart are the two highlights, densely followed by Icipher. Those three songs feature the ultimate Dark Tranquillity riffs, the most raspy vocals and the most subtile layout. With the exception of Focus Shift, a decent track, every song is from incredible state. This album is probably the best Dark Tranquillity has ever done. Including The Gallery and Character.
Death Symbolic
Dissection Storm of the Light's Bane
Divine Heresy Bleed The Fifth
dredg Catch Without Arms
Dredg went more mainstream. It's a fact, you can't change anything about it. This, however, is by far not a bad thing. Although not as good as El Cielo, and definitialy better than Leitmotif, this record is excellent. Gavin's voice is an angelvoice. It's beautiful, ranging from high notes to deep tones. The drumming from Dino is incredibly tight, and proves Dino to be an excellent drummer. The guitar and bass make a good combination. More than often the guitar jumps out for a lead riff, while the lack of a rhythm guitar is fixed by the bass. With the good amount of tracks, which differ not often enough, almost everything seems to be perfect. There is the magnum opus Jamais Vu. A song so passionate that the normal Tango bleaks at the sight of it. Bug Eyes, the powerful single. Planting Seeds and Sang Real, two more laidback songs with the usual Dredg amount of emotion. The lack of variety kills the album somewhat but this album still remains to be an excellent record.
Edge Of Sanity Crimson
One song... 40 minutes... millions of riffs... That's what Crimson's explenation would be. Edge of Sanity's magnum opus is an epic song with a length twice of the second longest song on my I-pod. From the beginning until the end, the song approaches the listener with crushing riffs, grunting vocals and pounding drums, but also acoustic interludes, angelish singing and emotional leads. The best thing, however, is the fact that the music feels like reading a story. No wonder, the lyrical concept of this album tells about a tragic tale of a future where no human is able to reproduce. The story goes very deep about it, with gods involving in it, several death's of persons and a suprising end. The music perfectly accompies the lyrics. When the lyrics are sad, the music sounds sad. When the lyrics are hectic, the music is hectic. This masterpiece is fully written by Dan Swano, the lyricist, vocalist, guitarist and mastermind of the band. His grunting vocals are perfectly balanced with variated clean vocals and beautiful lead riffs. A perfect example would be the hectic and beautiful part between 20:31 and 20:56. This epic progressive/melodic death metal song is only recommended for metalheads with patience and ability to see beauty within this kind of music.
Enslaved Below the Lights
Enslaved Frost
Enslaved Blodhemn
Fates Warning The Spectre Within
Fates Warning Awaken The Guardian
Gojira From Mars To Sirius
Gorguts The Erosion of Sanity
Gorguts Obscura
Grave Digger The Last Supper
Grave Digger Tunes of Waken
Hypocrisy The Final Chapter
Iced Earth Horror Show
Immolation Close To A World Below
In Flames A Sense of Purpose
Insomnium In the Halls of Awaiting
Isis Panopticon
Kamelot Karma
Kamelot The Fourth Legacy
Kamelot One Cold Winter Night
Katatonia Tonight's Decision
Keep of Kalessin Kolossus
King Diamond "Them"
Kreator Pleasure to Kill
Kyuss Welcome To Sky Valley
Lost Horizon Awakening The World
Lykathea Aflame Elvenefris
Megadeth Rust In Peace
Mike Oldfield Tubular Bells
Morbid Angel Altars of Madness
Muse Absolution
Muse's third album has a hard time trying to develop from the artistic pinnacle called Origin of Symmetry. It's quite suprising that Muse put it out so well. This album features a more mainstream sound for the easier minds. This however isn't bad; the art and emotion is still there, and as much present as it was on their previous album. Blackout is the follow-up of the song Bliss. The beautiful strings make this song the best of the album. Virtually every song on this album is magnificient, although songs such as Endlessly, Ruled by Secrecy and Falling Away With You drag down somewhat compared to the rest. Still, this album is almost (I repeat, ALMOST) as good as Origin of Symmetry.
Nightwish Wishmaster
Nocturnal Rites Grand Illusion
Nocturnal Rites Shadowland
Obituary Cause Of Death
Opeth Still Life
Opeth Ghost Reveries
Opeth Damnation
Overkill Taking Over
Paradise Lost Draconian Times
Pendulum Hold Your Colour
Possessed Seven Churches
Rage XIII
Running Wild Death or Glory
Running Wild Blazon Stone
Running Wild Pile of Skulls
Rush Power Windows
Savatage Edge Of Thorns
Say Anything ...Is A Real Boy
Sentenced The Cold White Light
Shadows Fall The Art of Balance
Sigh Hangman's Hymn
Sigur Ros Takk
Sodom Tapping The Vein
Stolen Babies There Be Squabbles Ahead
Stratovarius Visions
Stratovarius Dreamspace
Summoning Let Mortal Heroes Sing Your Fame
The Cure The Head on the Door
The Cure Pornography
Tool Lateralus
Vader Impressions In Blood
Vader Litany
Vader De Profundis
Vader The Art of War
Virgin Steele Age of Consent
Virgin Steele The Marriage of Heaven & Hell: Part I
Voivod Angel Rat
After the album "Nothingface", which was considered Voivod's magnus opus, it was very hard for Voivod to deliver the same quality. Angel Rat did not only deliver very good quality, it was even better than Nothingface. The melodies are intertwining with each other, all very simple yet delicious. And although these guys are classified as metal, it bears the same heaviness as the average alt. rock band. There are no blast beats, no harsh vocals, no overly distorted guitars. Only the slightly melancholic and subtle way to please the ears and to make and enjoyable listen.
Windir Arntor
Does anyone said epic? Does anyone said black metal? Well, this is more epic than it is black metal. Confused? Windir is a crossover from black metal to folk metal. This band however has almost nothing in common with other black metal bands. Although the production is far from perfect, the main purpose from these songs is to enjoy the listener with some of the most full and epic songs ever. Svartesmeden Og Lundamyrstrollet and Saknet are two lengthy songs, but the different speeds, riffs and dynamics make them interesting as hell (no pun intended). The other songs are all very different, Arntor Ein Windir being the standout from those songs. Kampen is a more slow upbeat song compared of what black metal normally brings. We also have an intro-song and an ending-song, both clocking over 3 minutes. With the high keyboard and guitar parts, sufficient blast beats and one of the most enjoyable black metal vocals, I think this album is very close at being a classic.
Wolves in the Throne Room Two Hunters

4 excellent
30 Seconds to Mars 30 Seconds to Mars
Agalloch Ashes Against the Grain
Agalloch Pale Folklore
Aghora Formless
Akercocke Antichrist
Akercocke The Goat of Mendes
Alice in Chains Jar of Flies
Amon Amarth Versus the world
Amon Amarth Twilight of the Thunder God
Amorphis Tales From the Thousand Lakes
Amorphis Skyforger
Anata Under a Stone With No Inscription
Anthrax Among the Living
Arcturus La Masquerade Infernale
Arsis A Celebration of Guilt
At the Gates Slaughter of the Soul
At the Gates Terminal Spirit Disease
Bal-Sagoth The Power Cosmic
Black Sabbath TYR
Black Sabbath Headless Cross
Blind Guardian A Night at the Opera
Blind Guardian Tales from the Twilight World
Blind Guardian A Twist in the Myth
Bloodbath Nightmares Made Flesh
Candlemass King of the Grey Islands
Candlemass Nightfall
Cannibal Corpse The Bleeding
Children Of Bodom Hatebreeder
Cryptopsy Blasphemy Made Flesh
Dark Angel Darkness Descends
Dark Funeral Attero Totus Sanctus
Dark Tranquillity Character
Dark Tranquillity The Gallery
Death The Sound of Perseverance
Death Human
Deftones Saturday Night Wrist
Deftones Deftones
Destruction The Antichrist
Dimmu Borgir Enthrone Darkness Triumphant
Dimmu Borgir Stormblåst MMV
Disturbed Believe
Dragonland Holy War
Dragonland Starfall
Dragonland Astronomy
Dream Theater Images and Words
Drudkh Blood In Our Wells
Emperor Anthems to the Welkin at Dusk
Ensiferum Victory Songs
Enslaved Monumension
This psychedelic piece of art is weird. It's weird how Enslaved makes use of dissonance, scales and harmonizing. Songs are usually slower than old Enslaved, but less epic than newer Enslaved. This is basically what sets this album apart of every other album of theirs. The Sleeping: Floating Diversity for example makes heavy use of keyboards and clean vocals, and is all set on a calm, but haunting tempo. There are some throwbacks in to older stuff, like Enemy I and Smirr. These are rare though, and mostly the songs are Pink Floyd meets black metal style.
Enslaved Vikingligr Veldi
Enslaved Vertebrae
Enslaved Eld
Exodus Bonded by Blood
Fates Warning Inside Out
Gamma Ray Land of the Free
Gamma Ray Majestic
Godspeed You! Black Emperor F# A# ∞
Gordian Knot Emergent
Gorillaz Demon Days
Grave Digger Excalibur
Grave Digger Knights of the Cross
Hate Eternal King of All Kings
Hate Eternal I, Monarch
Helloween Walls of Jericho
Helloween Gambling With The Devil
Hypocrisy The Arrival
Hypocrisy Hypocrisy
Hypocrisy Abducted
Hypocrisy 10 Years of Chaos and Confusion
Immolation Harnessing Ruin
Immolation Failures For Gods
Immortal Pure Holocaust
Immortal Diabolical Fullmoon Mysticism
Immortal Battles in the North
In Flames Soundtrack to Your Escape
In Flames sure did sell out. After the, compared to In Flames other releases, atrocious album, with the lack of sufficient melodies we get a more industrial sounding record. A great load of electric drums, keyboards and a rather weird vocal style sums this album up pretty well. It's however not, that the riffs have abandonded all the melodies. By far it's not. My Sweet Shadow and Evil in a Closet are two of In Flames best songs to date. Both switching of between heavy and soft, added with keyboard and guitar leads. Other songs are appealing too. Touch of Red, Discover me like Emptiness and Superhero of the computer rage are very good, even though there is a slight lack of melodies. Of course not everything is brought out well. The opener F(r)iend is very average and lacks constitency. Dial 595-Escape has a cool name, but just like Bottled it feels recycled and old. Still, this album is very good for a sold out album, and certainly not worth the hate it gets.
In Flames Clayman
In Flames The Jester Race
In Flames Whoracle
Incubus Morning View
Insomnium Across the Dark
Iron Maiden Brave New World
Iron Maiden A Matter of Life and Death
Iron Maiden Rock In Rio
Iron Maiden The Number of the Beast
Iron Maiden Iron Maiden
Iron Savior Dark Assault
Judas Priest Sad Wings of Destiny
Kalmah The Black Waltz
Kamelot Ghost Opera
Kamelot Siege Perilous
Kamelot Expedition(Live)
Katatonia Last Fair Deal Gone Down
Killswitch Engage As Daylight Dies
King Crimson Red
Kreator Endless Pain
Kreator Violent Revolution
Kreator Endorama
Kreator Extreme Aggression
Krisiun AssasiNation
One of the top death metal albums for sure. Krisiun's newest album is heavier than heavy, faster than fast, sicker than sick, and is constructed with only three twisted brasilians. From the beginning, the listener gets assaulted with brutal melodies, insane fast blast beats and rhythms that only the brasilians can make. Sure, the tempo does slow down at times, and there are even some interludes between the metal assault, but for most of the time, this album is made to let all ears bleed. Beware, for this is heavy, like it has never been before.
Lost Horizon A Flame To The Ground Beneath
Machine Head Elegies
Manticora Hyperion
Manticora 8 Deadly Sins
Marduk Rom 5:12
Metallica Kill Em All
MGMT Oracular Spectacular
Moonsorrow Kivenkantaja
Morbid Angel Domination
Mudvayne L.D. 50
Muse Black Holes and Revelations
My Dying Bride The Dreadful Hours
Naildown Dreamcrusher
Nightwish Once
Nightwish Oceanborn
Nightwish Century Child
Nocturnal Rites New World Messiah
Nocturnal Rites Tales of Mystery and Imagination
Nocturnal Rites In a Time of Blood and Fire
Nocturnal Rites Afterlife
Nocturnus Ethereal Tomb
Nocturnus Thresholds
Novembre Materia
Obituary Slowly We Rot
Paradise Lost Gothic
Pink Floyd Dark Side of the Moon
Running Wild Port Royal
Running Wild The Rivalry
Rush Gold
Rush Moving Pictures
Sadus Illusions/Chemical Exposure
Sentenced The Funeral Album
Sentenced Amok
Sepultura Beneath the Remains
Shadows Fall Of One Blood
Shadows Fall The War Within
Skyfire Mind Revolution
Slayer Seasons in the Abyss
Sodom M-16
Sodom Agent Orange
Stratovarius Infinite
Swallow The Sun The Morning Never Came
The Cure Greatest Hits
The Eyes Of A Traitor A Clear Perception
The Fall Of Troy Manipulator
The Fall Of Troy Doppelganger
The Mars Volta De-Loused in the Comatorium
Tool 10,000 Days
Tool Aenima
Tool Salival
U2 The Joshua Tree
Unexpect _We, Invaders
Unexpect In a Flesh Aquarium
Vader Black to the Blind
Voivod The Outer Limits
Watchtower Energetic Disassembly

3.5 great
1349 Hellfire
30 Seconds to Mars A Beautiful Lie
A Perfect Circle Thirteenth Step
Aeon Bleeding the False
Agalloch The Mantle
Alexisonfire Alexisonfire
Alexisonfire Watch Out!
Alexisonfire Crisis
Amorphis Far From The Sun
Amorphis Elegy
Arch Enemy Wages of Sin
Arsis A Diamond for Disease
Atheist Unquestionable Presence
Behemoth Demigod
Bjork Vespertine
Blind Guardian Follow the Blind
Blind Guardian Battalions of Fear
Cannibal Corpse The Wretched Spawn
Cardinale 13:31
Children Of Bodom Something Wild
Coheed and Cambria Good Apollo, I'm Burning Star IV...
Cradle of Filth Nymphetamine
Cradle of Filth Midian
Cryptopsy Whisper Supremacy
Dark Tranquillity Damage Done
Deftones Around The Fur
Dragonland The Battle of the Ivory Plains
dredg Leitmotif
Edge Of Sanity Crimson II
Eminem Curtain Call: The Hits
Emperor In the Nightside Eclipse
Ensiferum Iron
Enslaved Mardraum - Beyond the Within
Fates Warning Night On Bröcken
Fates Warning No Exit
Gorguts Considered Dead
Grave Digger Tunes of War
Helloween Keeper of the Seven Keys Pt. 1
Helloween Keeper of the Seven Keys Pt. 2
Hypocrisy Catch 22
Iced Earth Burnt Offerings
Ill Nino One Nation Underground
In Flames Come Clarity
Insomnium Demo '99
Iron Maiden Powerslave
Iron Maiden Dance of Death
Jethro Tull Thick as a Brick
Job for a Cowboy Doom EP
Kamelot Dominion
Killswitch Engage The End of Heartache
King Crimson In the Wake of Poseidon
Korn Untouchables
Lamb of God Sacrament
Liquid Tension Experiment Liquid Tension Experiment 2
Machine Head Through the Ashes of Empires
Machine Head Burn My Eyes
Martyr Warp Zone
A fantastic album, but something is missing. The guitar riffs are usually quite great, both melodic and heavy. The drums are innovative, not relying too much on blast beats. The vocals on the other hand are quite awful, and downgrades the album more than it should have. Although the quality on tracks as Carpe Diem and Virtual Emotions really shine, songs as Speechless and Retry, Abort, Ignore feel like they suddenly ran out of time and wrote their stuff within hours. Also, Realms of Reverie is probably the most emotional technical death song ever made.
Moby Play
Mogwai Happy Songs For Happy people
Mors Principium Est Inhumanity
Decent melodeath, nothing too special. This is one of those melodeath albums that drown in the sea of coppycats it's created within. It's quite good, the title track is a real topper, but it digs its own grave with its generic-ness. It's nothing bad overall, but there are many bands that do it better. For a similar type of band, with just as much experience, I would recommend Naildown. Also normal melodeath, but it brings quite an original sound. Something this album also needed.
Muse Hullabullo Soundtrack
Negativa Negativa
Nelly Furtado Folklore
Neurosis Enemy of the Sun
Nile In Their Darkened Shrines
Agression... Blast beats... Egyptian themes... yep, the standard Nile work here. Nile, one of worlds most brutal bands has developed a style what they call "egyptian brutal (technical) death metal", and brutal it is. When we are not blasted away by ferious blast beats, or deep throaty vocals, we get to enjoy a wide range of egyptian sounds. Nile has put much work to differ all the different themes from each other, and it has worked. From the beginning of the album, "The Blessed Dead", we get adrenalined with a haunting but overpowering synth, symbolizing egyptian warfare. "Unas the Slayer of Gods", on the other hand, starts with quiet guitars, before developing into a death metal epic clocking in at over 11 minutes. Suggested also is to listen to the last 4 tracks, all belonging together as one track, the title track. Brutal, Technical, but very refined, this album is.
Nile Ithyphallic
Obituary Frozen in Time
Opeth My Arms, Your Hearse
Opeth Deliverance
Opeth Morningrise
Paradise Lost Paradise Lost
Pelican The Fire in Our Throats Will Beckon...
Persuader Album Name
Queens Of The Stone Age Rated R
Rage Speak of the Dead
Rhapsody of Fire Power of the Dragonflame
Rosetta The Galilean Satellites
Running Wild Branded and Exiled
Sepultura Dante XXI
Shadows Fall Fallout From The War
Skyfire Timeless Departure
Slough Feg Traveller
Sonata Arctica Ecliptica
Sonata Arctica Winterheart's Guild
Stratovarius Episode
Stratovarius Fourth Dimension
Textures Drawing Circles
The Red Shore Unconsecrated
Tool Opiate
Unexpect Utopia
Vader Revelations
Vader Sothis
Vader The Ultimate Incantation
Virgin Steele Virgin Steele
Virgin Steele Noble Savage
Virgin Steele Life Among the Ruins
Wintersun Wintersun

3 good
A Perfect Circle Mer de Noms
Aborted The Purity of Perversion
Aeon Rise To Dominate
Akercocke Rape of The Bastard Nazerene
Arch Enemy Burning Bridges
Arch Enemy Doomsday Machine
At the Gates The Red in the Sky is Ours
Behemoth The Apostasy
Between The Buried And Me Colors
Billy Talent Billy Talent II
Catamenia Winternight Tragedies
Chimaira Impossiblity of Reason
Cock and Ball Torture Album Name
Dark Tranquillity Haven
Dark Tranquillity Projector
Deftones Adrenaline
Demons and Wizards Touched by the Crimson King
Dimmu Borgir Stormbl�st
Eternal Tears of Sorrow Before the Bleeding Sun
Fear Factory Obsolete
Ill Nino Confession
Incubus Make Yourself
Into Eternity Buried In Oblivion
Kamelot Eternity
Kataklysm In The Arms Of Devastation
Linkin Park Hybrid Theory EP
Linkin Park Reanimation
Marillion Misplaced Childhood
Mortem Slow Death
Naglfar Diabolical
Nevermore Dreaming Neon Black
Nightwish Angels Fall First
Nile Annihilation of the Wicked
Nocturnal Rites The 8th Sin
Obituary Back from the Dead
Opeth Orchid
Primal Fear New Religion
Running Wild The Brotherhood
Scar Symmetry Pitch Black Progress
Skyfire Spectral
Slayer Reign in Blood
Slipknot Vol. 3: (The Subliminal Verses)
Sodom 'Til Death Do Us Unite
Soilwork Natural Born Chaos
Soilwork The Chainheart Machine
Sonata Arctica Silence
Stratovarius Destiny
Stratovarius Fright Night
Symphony X V: The New Mythology Suite
System of a Down Toxicity
Tool Undertow
Twilightning Delerium Veil
Ulver Blood Inside
Vader The Beast
Virgin Steele Guardians of the Flame

2.5 average
After Forever Reimagine
Arch Enemy Anthems of Rebellion
Arcturus Sideshow Symphonies
Avenged Sevenfold City of Evil
blink-182 blink-182
Cannibal Corpse Tomb of the Mutilated
Cannibal Corpse Kill
Children Of Bodom Are You Dead Yet?
Children Of Bodom Hate Crew Deathroll
Cryptopsy And Then You'll Beg
Dimmu Borgir Puritanical Euphoric Misanthropia
Dimmu Borgir Spiritual Black Dimensions
Dream Theater Metropolis Part 2: Scenes From a Memory
Elvenking The Winter Wake
Enter Shikari Take To The Skies
Falconer Northwind
Hypocrisy The Fourth Dimension
In Flames Reroute to Remain
Isis In the Absence of Truth
Isis The Mosquito Control EP
Kreator Renewal
Linkin Park Hybrid Theory
Linkin Park Meteora
Mastodon Crack the Skye
Metallica Master of Puppets
Morbid Angel Blessed Are the Sick
Mudvayne The End of All Things to Come
Necrophagist Epitaph
Opeth Watershed
Pig Destroyer 38 Counts Of Battery
Psycroptic Symbols of Failure
UURAAGHH, ULRGH ULRGH OOOUUARGGGHHLL. That's basically how Symbols of Failure sounds like. An vocalist a-la Lord Worm screaming undecipherable words of hate. Unlike Cryptopsy's vocalist, this man screams every second. There are almost no instrumental parts in it. This makes the album quite boring, considering it's always the same UURAAGHH ULRGH. Also given that every song starts the same way the previous one stopped, but without changing anything, this can quite be the borefest of technical death metal.
Rammstein Mutter
Sepultura Chaos A.D.
Slipknot Disasterpieces
Slipknot Slipknot
Sonata Arctica Reckoning Night
Spawn of Possession Noctambulant
Beware of the beast of technicallity. Forget None So Vile, Epitaph or Erosion of Sanity, this album is the new black technical. Time signatures are switched almost randomly, every second is different from the last and the speed is menacing. I think we could say we're speaking of an underrated technical album. Well, although the technique is present, the songwriting may lack sometimes. The only consistent song on the album is Lash by Lash. Others feel forced and overly technical, though some of them still are enjoyable to listen to. Just not every song is the new black.
Strapping Young Lad Alien
Stratovarius Elements Part 2
Symphony X The Divine Wings of Tragedy
System of a Down Steal This Album!
System of a Down Hypnotize
System of a Down Mezmerize
The Beatles Sgt. Peppers Lonely Hearts Club Band
The Rasmus Dead Letters
Windir 1184
Within Temptation Mother Earth

2 poor
Alestorm Captain Morgan's Revenge
Arch Enemy Black Earth
Avenged Sevenfold Waking the Fallen
Bring Me The Horizon Count Your Blessings
Cellador Enter Deception
Dimmu Borgir Death Cult Armageddon
DragonForce Inhuman Rampage
One of the most talented bands ever. No kidding. When seen on a very rough standard, these six guys seem very gifted. Sadly, it is easy to notice that this band is probably the most one-trick-pony band ever. The drummer, has a suffficient speed, but he is doing nothing but standard patterns. The bassist and keyboard are not present enough. The vocalist is always singing the same melody, in every song. It becomes rather tiring. These four guys however, are not the pinnacle of the band. The main purpose of this band is to have two guitarists doing fast solo's. Herman Li and Sam Totman are incredibly speedy, but it becomes rather tiring when they play the exact same melodies over 8 songs. Doing the same tricks over and over again, the album is full with it. Dragonfcore failed to create a good album.
DragonForce Ultra Beatdown
Dream Theater Train of Thought
Dream Theater Black Clouds and Silver Linings
Dream Theater Systematic Chaos
Dying Fetus Killing on Adrenaline
Eminem Encore
Emperor Prometheus: The Discipline of Fire...
Fear Factory Archetype
Green Day Dookie
Green Day International Superhits
Green Day Insomniac
Helloween Chameleon
Ill Nino Revolution/Revolucion
Into Eternity The Incurable Tragedy
Iron Maiden Virtual XI
Kalmah Swampsong
Korn See You on the Other Side
Korn Follow The Leader
Lamb of God Ashes of the Wake
Machine Head The Burning Red
Machine Head The Blackening
Mastodon Blood Mountain
Meshuggah I
Meshuggah Catch Thirty-Three
Metallica ...And Justice for All
Mnemic The Audio Injected Soul
Mudvayne The Beginning of All Things To End
Mudvayne Lost and Found
Necrophagist Onset of Putrefaction
Nile Amongst the Catacombs of Nephren-Ka
Rammstein Sehnsucht
Satyricon Now, Diabolical
Boring rock n' black this is. How Satyricon, one of Black Metal's greatest bands, managed to go this low is unknown to me. Now, Diabolical is a atrocious attempt to create black metal that could be listened by the mainstream person. Result is that all the drums (done by Frost, one of black metal fastest drummers) are beyond simplicity, the riffs are as epic as a Shakira song and the variation is zero times zero. There are sometimes riffs that lean towards anything metal, those are the best parts. But basically, this album is nothing special. And to conclude on a nice black metal way: "This album F*CKING SUCKS, this is not br00tal Kvlt or Tr00".
Sigh Gallows Gallery
Slipknot Iowa
Soilwork Stabbing the Drama
Sonata Arctica The Days of Grays
Spawn of Possession Cabinet
Stratovarius Elements Part 1
Stratovarius Stratovarius
Symphony X The Odyssey
System of a Down System of a Down
The Mars Volta Frances the Mute
Trivium The Crusade
Yes, I know, a 2 is much higher than a 1 which it "obviously" deserves. But truth is, this is Trivium's best album up to date. The content may be bordering on plagiarism, but the overall sound improved a lot. Gone are the atrocious vocals which Matt used to have. Gone are the "300 picks per minute" riffs. What we get in return are some nice songs which vary somewhat of each other. Detonation's second part is arguably the best part of the album. To the Rats is, despite the bad lyrics, another highlight and All the World can't Tear us Apart is, although more cheesy than a collaboration of Sonata Arctica and 10 pounds of old cottage cheese, still one of the best on the album. It's sad however that the solo's went from boring to wankery worse than anything John Petrucci has ever put out. A lesson Trivium (or rather: Matt Heafy) still needs to learn, a song can be enjoyable without being overly complex.

1.5 very poor
3 Inches of Blood Advance and Vanquish
3 Inches of Blood Battlecry Under a Winter Sun
Adema Unstable
Adema Adema
Brain Drill Apocalyptic Feasting
DevilDriver The Fury of Our Maker's Hand
Fear Factory Transgression
Gamma Ray Sigh No More
Graveworm (N)utopia
Green Day American Idiot
Green Day Warning
Green Day Nimrod
James Blunt Back To Bedlam
Korn Korn
Korn Life Is Peachy
Limp Bizkit Chocolate Starfish...
Limp Bizkit Significant Other
Limp Bizkit Greatest Hitz
Linkin Park Live In Texas
P.O.D. Satellite
Six Feet Under 13
Slayer Undisputed Attitude
Slipknot Mate. Feed. Kill. Repeat.
Soilwork Figure Number Five
Sonata Arctica Unia
Suicide Silence The Cleansing
Sunn O))) Black One
DRRRRRRRRRRRROOOOOOOOOOOOOOOONNNNNNNNNNNNNNNNNNNNNNNNNNNIIIIIIIIIIIIIIIIIIIIIIIIIIIINNNNNNNNNNNNNNNNNNNNNNNNNNGGGGGGGGGGGGGGGGGGGGGGG. Sad though, if the songs ended minutes shorter, it would actually be enjoyable. What we get though, are songs (or whatever you call them) with minutes of monotone droning. Bands like Boris, who are in the same genre, have more changes in one songs than this album in whole has. The two shortest songs are the most enjoyable. Sin Nanna is a 3 minute piece of atmospheric art, and It Took the Night to Believe is fairly enjoyable with it's waving structure. The other songs, all over 10 minutes are boring, drawn out and just not enjoyable. Save yourself, don't listen to this.
The Black Dahlia Murder Miasma
Trivium Ascendancy

1 awful
50 Cent The Massacre
50 Cent Get Rich or Die Tryin'
Adema Planets
Annihilator Metal
Belphegor Blutsabbath
Beneath the Massacre Mechanics of Dysfunction
Bowling for Soup Drunk Enough To Dance
Bowling for Soup A Hangover You Don't Deserve
Cryptopsy The Unspoken King
Darkthrone F.O.A.D.
Devourment Butcher The Weak
Green Day Shenanigans
Hawthorne Heights If Only You Were Lonely
Hawthorne Heights The Silence In Black And White
Iwrestledabearonce Iwrestledabearonce EP
Khanate Things Viral
Krypteria In Medias Res
Linkin Park/Jay Z Collision Course (The Ulitmate Mash-Up)
Metallica St. Anger
P.O.D. Testify
Sepultura Roots
Soilwork Sworn to a Great Divide
The Dillinger Escape Plan Ire Works
Trivium Ember to Inferno
Trivium Demo
Waking The Cadaver Perverse Recollections of a Necromangler

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