Almost Home blends the worst aspects of pop-punk with the most generic from metalcore and post-hardcore to create a series of songs that are awkward, show no sense of originality, and are simply incapable of holding my interest. Scathing pop-punk choruses litter the album and the vocals, at time, are insufferable. Breakdowns rarely, if ever, deviate from 4/4 time, and they're repetitive and slow. These hindrances plague an already monotonous, generic release.
Catchy choruses throughout the album, with once again top-notch clean vocals accompanied with the sharp screaming. Some songs hit harder than others. Highlight tracks are "Almost Home (111)", "Mario Speedwagon", and "Failure to Operate".