Big Audio Dynamite
This Is Big Audio Dynamite


3.0
good

Review

by tom79 USER (76 Reviews)
June 15th, 2006 | 9 replies | 2,945 views


Release Date: 1985 | Tracklist


3 of 3 thought this review was well written

From the outside, it seemed like all was well for The Clash just after releasing their new album Combat Rock in the spring of 1982. They had officially and successfully cracked the American market and were really experiencing global commercial success for the first time, with popular singles Should I Stay or Should I Go and Rock The Casbah on the charts. And the album itself was greeted with strong enough reviews. The Clash were now a mainstream band, whether they liked it or not. But all was not well for The Clash. Drummer Topper Headon was kicked out of the band because of a growing drug addiction and had to be replaced before the upcoming tour and inner tensions were beginning to start between guitarist Mick Jones and lead vocalist/guitarist Joe Strummer leaving the band to recruit former drummer Terry Chimes to play. Chimes would play some dates but would leave largely due to not being able to deal with the growing conflicts within the group. Things still seemed well outside, with Combat Rock reaching gold status; the first of any record of theirs, but still wasn't well for the band. On top of that, fans on both sides of the Atlantic for the first time were eagerly awaiting a new album, and nothing was planned. By September of '83, Mick Jones would be kicked out of The Clash by Joe Strummer and Paul Simonon citing his problematic behaviors as well as drifting apart or in a different direction from the original idea from The Clash. Whether or not these were facts about Jones, The Clash everyone knew and loved was done.

So Mick Jones took that "different direction" to form a new project called Big Audio Dynamite in 1984 (after briefly being a member of the band General Public with members of The English Beat, The Specials and Dexy's Midnight Runners). Mick hooked up with Don Letts, video and film director who did some of The Clash's videos such as London Calling as well as the short film Clash On Broadway which appears on the documentry Westway to the World. Letts would play keyboard and provide backing vocals, while Mick would sing lead vocals and play guitar. Mick and Don also enrolled bassist Leo Williams and drummer Greg Roberts to complete the original band lineup. BAD toured first, opening for bigger bands such as U2 before being signed to CBS record, to record their debut album. The album was released in 1985, coincidentally the same year that The Clash would release their last studio album, Cut The Crap. The record consisted of a mere 8 songs, but still clocking in at a reasonable duration of just less than forty five minutes with the average song averaging between four to six minutes. Those at the time that were expecting another Clash record were in for something quite different, as the only thing really similar to Mick's old band, other than the odd part here and there, was his voice.

This Is Big Audio Dynamite is an album of a number of musical styles and genres, something that wasn't unusual for Mick. But the obvious influences here are the pop/dance ones, which are clearly portrayed in almost every song. It has often been said that Jones was the "pop" sense in The Clash, so this would make sense. Another key part of the music is the insertion of strange audio clips, adding a certain touch to each song. The album opener, Medicine Show, gives off a perfect example of this, as within the first few seconds a poor recorded and misunderstood voice mumbles a few words before the song actually takes its effect. Also in the song is a sample of the classic Clint Eastwood Western film The Good, The Bad, And the Ugly, the sound just before a shootout, which adds a very cool effect to the song. In fact, the clips make for an unusual plus in the majority of the songs, but may turn off a few at first. As previously stated, there is a diverse range of styles here and Sudden Impact! has debatably the most dance/techno feel to it. The frequent use of synthesizers and keyboards, along with Mick's clean vocals being echoed makes for a very cool song. Sony is another song similar sounding to Sudden Impact, but the major difference being Jones' voice. He sings this one with an experimental tone, hitting notes he can't make, but doing them anyway.

E=MC2 was the biggest single off the album and is a good representation of what early BAD sounds like. It encompasses all the key factors of the band including the audio samples, a mix of rock and dance music, Mick's vocals reminiscent of his Clash work, and a smooth, mid-tempo feel to it. Although this album features little to no "rock" in it compared to later work from the group, there is still hints of Mick's rock roots, though very faint. The Bottom Line, like E=MC2, incorporates a rock feel along with the signature techno beat. The Bottom Line also displays Jones vocal talent at his best, making it a better one of the eight tracks here. Almost no record of any Clash member could go without some sort of reggae influences and this album is no exception. A Party is the most reggae sounding song here as well as the longest song at almost seven minutes. A Party is pretty basic in terms of instruments, as it is basically a typical beat over Mick's voice of changing tempos from a normal tone to high pitched at times. And this one again, doesn't go without some random audio samples.

There are no real bad tracks here, but some average and indeed some stand out ones, for the better or worse. Medicine Show is my pick for the best on the album. Mick's vocals carry this one, and the overall mellow feel to the song compliments his voice more. If you are familiar with the song Inoculated City from Combat Rock, you can get a basic feel of the album because it is the most of any Clash song that showcase BAD's work best. The album finale, Bad, is another funky number filled with cool effects, but the main thing that separates this one from the rest is the dueling vocals between Mick and Don, which makes for an interesting contrast. Mick and Don also wrote the lyrics for the album and did a respectable job. Some would say Mick was missing his pal Joe Strummer to help him write, but Mick does fine enough with Don. Mick is also credited for writing The Bottom Line entirely. The lyrics, while not as politically charged or world aware as The Clash's were, as that part belonged to Strummer, had indications of it, namely Stone Thames and A Party, but focuses more on surrealistic imagery or stories shown on tracks like Sudden Impact and E=MC2. Some of the most well written lyrics fall in Sony, which is about an experience in Japan and its increasing technology.

The first post-Clash group managed to put out a solid debut album showing more of Mick's styles. While the music may not appeal to the average listener of rock or punk, I'd say its worth checking out, especially if you are a fan of The Clash or curious just to see what Mick did afterwards. BAD would continue releasing albums throughout the late eighties and into the nineties, and this one remains one of the best. A reason I think BAD never really picked up fame until later is because perhaps people were still expecting Clash Mick Jones. Point being, although he will not be remembered for BAD, it's worth a listen. A good album, but maybe a little quirky for some at first.

Recommended Tracks
Medicine Show
E=MC2
The Bottom Line



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Comments:Add a Comment 
Zebra
Moderator
June 15th 2006



2647 Comments


This sounds promising, I'll investigate and possibly download some songs later. Nice work on the review, I enjoyed the brief history lesson that the first paragraph provided.

tom79
June 15th 2006



3347 Comments

Album Rating: 3.0

Yeah, its pretty interesting. And yeah, I felt the history was needed here. Thanks about the review too
Sorry if I often compared to The Clash or mentioned them too much, it was hard not to.
hmm, this isn't getting much interest. With time maybe. This Message Edited On 06.15.06

Digging: Bent Outta Shape - Stray Dog Town

JohnXDoesn't
June 15th 2006



1247 Comments

Album Rating: 3.0

Wow tom, you must of been reading my e-mind, as I swear I was just going to get to this. This is an interesting listen. Their was a time when I was obsessed with it. Medicine Show is great. Bottom Line. Sudden Impact, Bad. I wouldn't say it's a great album, but given the sputnik rating system, it's certainly more then good. I would say it's very good. A bit odd this album, but well worth checking out. Nice review.

smokersdieyounger
June 16th 2006



672 Comments


My nieghbour used to know this band well, I havent given them enough time or thought yet though.

Two-Headed Boy
June 16th 2006



4527 Comments


Jeez....Woah. Awesome job.

I have to hear this band. You say it's like Combat Rock era Clash? Then I'll probably enjoy this.

tom79
June 16th 2006



3347 Comments

Album Rating: 3.0

It resembles that era of The Clash more than any others, but still different. With some of their later work, they would have more of a "rock" sound. Hear the song Rush, if you can.

Green_Clash
July 1st 2006



26 Comments


i bought planet bad awhile back and loved it. rush, bottom line, e=mc2, all awesome. im gonna review that album soon. great job with this.

JohnXDoesn't
July 1st 2006



1247 Comments

Album Rating: 3.0

WHEN YOU REACH THE BOTTOM LINE THE ONLY THING TO DO IS CLIMB LIFT YOURSELF UP OFF THE FLOOR DON'T KNOW WHAT YOU'RE WAITING FOR....

Yeah! Are those great hooks, or what. I like The Globe. Good album. And the song, as well, with it's Baba 'O Riley sample. The Best Of BAD is good listen, too. I have this, and a few others on vinyl. Good deal.... This Message Edited On 07.01.06

tom79
July 1st 2006



3347 Comments

Album Rating: 3.0

I wasn't expecting this to get bumped . Yeah, the sample of Baba O'Riley was cool in Rush. That is a great song, with one of the oddest middles to a song ever.This Message Edited On 12.16.06



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