Review Summary: A fantastic stepping stone.14 of 14 thought this review was well written
There seems to be a growing number of people who consider the 1990 album Spiritual Healing to be Death's worst record, even deeming it clunky and unfocused. Personally, I still stand by my opinion that Scream Bloody Gore was the most lackluster offering by the band; it sounded more like a foreshadowing of future greatness than a great album itself. While follow-up Leprosy did its best to raise the stakes, Spiritual Healing still seems to improve things much further and hit almost all of the right notes. While it may not be the very best album of the Death canon, it is often overlooked and definitely deserves more praise than it gets.
So what do we get? Between eight tracks and forty-two minutes of non-stop death metal, the record flies by pretty quickly. Chuck Schuldiner's songwriting is still the main focus here, but plenty of new elements after predecessor Leprosy help this album succeed the way it does. First things first, the music is way more technical and intricate; many of the speed metal sections of Leprosy and Scream Bloody Gore, while still present, are toned down and usually replaced with rapid tempo shifts and frequent time signature changes. That, and the rhythms are usually quite unorthodox; the riff during the verse of the title track still throws me off now and again. More specifically, though, everything has tightened. The production sounds cleaner, the songwriting is actually more focused than people give it credit for, and Schuldiner was finally starting to ditch the gory lyrics in favor of more social and philosophical issues.
With that said, how are the songs? They follow the typical Death "verse/pre-chorus/chorus/solo/verse/pre-chorus/chorus/sudden stop" formula fans have come to expect by this point, but with the sort of forward-thinking attitude that makes this a great predecessor to Human. Schuldiner and co. were interested in progressing the band's sound, and it shows. It's probably best to start with the opening number "Living Monstrosity" because it's the first impression. As the mid-tempo riff starts up, you may realize the aforementioned tightness in the sound compared to Leprosy. One other thing to note is that Chuck's vocals are a touch odd, and are my main issue with the album. While they're not bad, there's an unsettling echo effect used on his voice that sounds pretty off-kilter compared to how organic the rest of the music is. However, going back to the song, it's an exceptionally strong opener, combining thrashy riffs, an emotional chorus that repeats the beginning motif to great effect, and an emotionally poignant solo that leads to Schuldiner's climactic lyric, "Some say she's naive; she's a stupid bitch." Blunt, but effective.
The other tracks are of a similar nature to "Living Monstrosity," but all have certain moments that set them apart from each other. For instance, after a rather complex riff pattern in "Low Life," a solo battle between Schuldiner and other guitarist James Murphy comes out of the blue. They both let their playing styles clash as a galloping thrash riff illustrates the background behind the two leads. Also worthy of noting is the doom-laden intro to "Altering the Future"; while the rest of the song is Death doing business as usual, the beginning sets a completely different tone, one of despair and a loss of hope. Even when the mid-tempo riff for the verse appears, the atmosphere set by the first thirty seconds continues to loom over the music long after it has concluded. Finally, there's the title track. Good God, the song is great. After a very Halloween-esque (seriously, it sounds eerily close to something out of the main theme from the Halloween movies) intro, the rest of the song is absolutely jam-packed with those "certain moments" I mentioned, the ones that set it apart from other songs on the album. How about the unorthodox riff that manages to be in 4/4 time, and yet has some of the most off-kilter drum work in Death's discography? How about the constant tempo-switches during the speed metal portions? How about the chilling chorus with rapid guitar runs and Schuldiner screaming the song's title? Great moments are littered throughout the song, making the whole thing an absolute highlight.
There's not much else more to say, really. Spiritual Healing is a delightful slice of death metal, as well as a great illustration of how Death were progressing as a group and an entity. While later albums like The Sound of Perseverance and Individual Thought Patterns would come to surpass it, the album has aged very well and remains an early technical death metal classic even after twenty-three years.
P.S.: What the hell is up with that silly album cover?