Flux Pavilion
Blow The Roof


2.0
poor

Review

by Will Robinson STAFF
January 31st, 2013 | 10 replies


Release Date: 01/25/2013 | Tracklist

Review Summary: Apologies to Mr. Steele

It hurts to write this, but I have to say it: Flux Pavilion's new EP is bad. There's no way around it. It's especially difficult to say it because I'm a longtime fan of Flux. His Lines In Wax EP was one of the first full releases I could call my own - as a member of the influx of electronic music fans in the so-called "EDM revolution" in America, Flux Pavilion was one of the first producers I discovered. Though my previous experience in electronic music had consisted almost entirely of Skrillex, The Crystal Method's Vegas, and Pendulum's Immersion, Flux Pavilion (a.k.a. Joshua Steele) was willing to show me the proverbial way. He introduced me to a world full of great music about which I never would have dreamed before. Lines In Wax was one of the first stepping stones on my admittedly short path into electronic music, and for that I feel a great sense of obligation to Flux Pavilion. After all, though in retrospect Lines In Wax was decent at best, the joy I felt listening to it the first few times was incredible, and I greedily tore into the rest of the electronic music out there afterwards. Plus, I respect Steele as a person - through the two AMAs (interview-type forum threads) on Reddit he's done since he made it big, he's garnered my admiration as a humble man who works hard on every endeavor he undertakes.

Due to my feelings about Flux Pavilion, it's painful for me to say that Blow The Roof is a bad release. I can't deny that it is, though - it's trashy, it's repetitive in all the wrong ways, and most importantly it's simply not interesting. The nasally synths Steele used with such success on his previous material are starting to get annoying, and the fact that he employs them on every single track on the EP doesn't help anything. When having any sort of discernible melody at all is lauded as a huge step forward, as in "Starlight", it's not a good thing. Praised by many for actually having legitimate chords, it's unsurprisingly a highlight of a dismal EP - Flux Pavilion is actually doing something different for once, though to be fair the results are mixed in this particular case. The problem with the song (and much of the release) is it feels like a poorly-thought-out attempt at "anthemic," and the uneasy feeling that everything here was made specifically for the arena doesn't help its quality.

The main problem, though, is the trashiness of everything here. While distortion can often be a good thing, the degree to which Steele uses distortion and wobbles is obnoxious. "Blow The Roof" is a prime example of this, as an aggravating vocal sample falls over some of the worst song construction I've heard in a long time. It sounds like all Flux did was compress the s**t out of a power chord and add in some terrible sound effects on top. Unfortunately, this is the story of the EP for the most part - "Blow The Roof," instead of being a single bump in the road, is part of a whole cache of tracks like it. "I Still Can't Stop" (a VIP of his massive "I Can't Stop), "Double Edge," and "Do Or Die" (which also suffers from an abysmal rap from Childish Gambino) all involve both the same trashiness as "Blow The Roof" and the same "anthemic" qualities as "Starlight," and this doesn't bode well for the success of Blow The Roof.

Sure, there are some decent songs here as well. "I Feel It" is nice in that it's somewhat of a departure from the "stereotypical EDM" of the rest of the release, and it's more of a nice, distorted house tune than the omnipresent "trashy" wobbles that make up most of the other songs. Unfortunately, though, songs like this don't make up for the missteps on Blow The Roof. As a Flux Pavilion fan, I hate to say this, but this release marks a breaking off of my blind, previously undying support for Steele. The anthemic, nasally goodness of his previous releases is starting to grate, but until he realizes this he'll be nothing more than a figure for people to lambast and cite as a source of where electronic music goes wrong.



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user ratings (16)
Chart.
2.4
average

Comments:Add a Comment 
Brostep
Staff Reviewer
January 31st 2013


3545 Comments

Album Rating: 2.0

Originally posted at www.muzikdizcovery.com

Figured I'd live up to my name and actually review some brostep for the first time in a while. I still stand by my claim that Meathead is a great song, though

Digging: Nicki Minaj - The Pinkprint

Sanders
January 31st 2013


2361 Comments


His new stuff bugs me, not a fan. This is my favourite of his work:

http://vimeo.com/23647740

and good review, pos'd

truekebabpower
January 31st 2013


639 Comments


Lines in the wax was brostep done right, but his recent stuff is really bad

good review though

Brostep
Staff Reviewer
January 31st 2013


3545 Comments

Album Rating: 2.0

Good brostep by Flux: http://www.youtube.com/watch?v=_0_NutqNk40

Thanks for the positive feedback as well

Acanthus
February 1st 2013


9545 Comments


Still love the controversy over him stealing some hardcore tracks from a Uk duo and publishing them as his own.

Won't look into this.

Digging: MO - No Mythologies To Follow

Aids
Contributing Reviewer
February 1st 2013


24098 Comments


but you're the brostep guy!!!

Digging: Mitski - bury me at makeout creek

Jacquibim
Contributing Reviewer
February 1st 2013


15215 Comments


Brostep exists in 2013?

Digging: Blaspherian - Upon The Throne of Eternal Blasphemous Death

Aids
Contributing Reviewer
February 1st 2013


24098 Comments


uh.....

Brostep
Staff Reviewer
February 1st 2013


3545 Comments

Album Rating: 2.0

I know, and I'm probably one of the only Flux Pavilion fans on the site. Unfortunately, this is just not good.

mindleviticus
August 28th 2013


8331 Comments


flux poopvilion yuk yuk



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