Devin Townsend
Ocean Machine: Biomech



by Kyle Banick USER (30 Reviews)
January 18th, 2006 | 1444 replies

Release Date: 1997 | Tracklist

See you on the other side�

Singer/Songwriter/Instrumentalist extraordinaire Devin Townsend�s massive, earth-shattering trademark record finds the man behind the furious Strapping Young Lad, among other creations, at his most fresh, inventive and innovative in his whole career. The album that spawned the most creative and interesting project he�d ever come to be involved in, Ocean Machine is an incredible display of compositional mastery and an excellent ear for ambience.

First off, this album is very, very aptly titled for a number of reasons. Comparisons to the ocean are inevitable. What comes out of the speakers when this album is played are literally waves of sound that flow around you like ocean water. And some people may find the wall-of-sound approach to this recording slightly overdone, or even claustrophobic at points, but once you allow yourself to float in the endless mass of this music, you will find that Devin�s sense of space and atmosphere is absolutely incredible and unmatched in anything else that�s ever been recorded or likely will. The heaviness that Devin is known for is present here�but it�s as if Devin stepped back and viewed his musical approach from a far broader spectrum than he ever had with Strapping Young Lad�he finds a new understanding of his Hevy� sound from a completely different perspective. The heaviness is neither brutal nor bludgeoning; it does not attack or scorch; it envelops you like thick, beautiful drapery.

But, arguably more importantly, this album (and every song herein) virtually creates its own ecological society of sound�an unbelievable amount of layers and reverberations all come together to play their role in the life of the music. This is not excessive�without each of these many entities fusing together, the music could not survive. Beautifully subtle layers of keyboards and synth sounds create a palette for flushes of lush, crashing guitar sounds as vocals soar above the mix, not with volume, but perfect intonation. Harmonies bounce around, above, underneath, inside; sound bites crawl from underneath the torrential storm. Such a daunting jigsaw puzzle of an album, put in the hands of someone less capable than Devin, would fall to pieces before the end of the first song, and the ocean created would merely drown the listener in the burdensome waves, rather than encompassing him. It amazes me that all the elements that simultaneously come together work, but, believe me when I say they do. Not only that, but they create a flourishing tapestry of sound that is unlike anything I�ve heard before.

Now, before you rush out to buy this album, a caveat for the uninitiated: The density and tone of this album can be quite intimidating at first listen. It is, for the most part, a haunting and dark piece of music. Lacking the catchy hooks to really take off as a mainstream, Billboard release, the songs here must be allowed time to slowly reveal themselves, layer by layer, to the listener before they can be fully appreciated. If you�re willing to dedicate the time and effort to listen to this, it will grow on you like a tide slowly rising to engulf the beach. And then you�ll be in the middle of its vastness, with nothing around but seascapes of sound.

The album starts with an odd, robotic voice reciting a mysterious monologue and then you are immediately thrust into the middle of the ocean with a low, down tuned guitar riff that is soon joined by rising waves of textural keyboard sounds and plodding, slow drum beats. Seventh Wave is a pretty good indicator of what the album will sound like�thick guitars echo through the speakers as their keyboard counterparts reverberate around your head, bouncing back and forth for a total encompassment in the sound. You are enraptured but not trapped; engulfed but not suffocated. Devin�s amazing gift for melodies shines in the soaring chorus. The song moves in and out of many sections, working its way through the ambience and heaviness with a very obviously progressive approach to the songwriting. Never have you heard anything that can be simultaneously heavy and ambient and pull it off so well.

The next song, Life is slightly more upbeat, and is also the only song on the album that is truly catchy and more of a pop song than a piece of music. It�s also one of the few breaks from the dark, evocative atmosphere that makes up the majority of the album. It is, nevertheless, a great song.

That should get you started on the album. Each song is similar in approach, admittedly, but the album never spirals into the decadence of repetition. The song structures, tones, textures and melodies are far too varied and ingeniously structured to keep the listener from drifting into lethargy. To describe each track would be futile�but one of the reasons I think this is one of the most brilliant albums of the nineties is simply because of the way it is structured. It kicks off by introducing you to the album�s general direction, and from there, it allows you to swim around, exploring sentiments and emotions with moments of tidal force and halcyon tranquility. The washes of ambiance and acoustic guitar on Sister shower the listener in a trance-inducing pool of sadness before a crash of lightning introduces 3 a.m., a subtle, yet extremely moving phantom of a song that provokes forlorn dreaming only possible at the Hour of the Wolf. It then launches straight into Voices in the Fan, a haunting epic that ends with a beautiful ghostlike cathedral choir, like the chorus of fallen angels rising from underneath the ocean floor. Perhaps one of the best half hours of music I�ve ever had the pleasure of experiencing comes in the last three tracks. Funeral, Bastard and The Death of Music come together to form the epic cornerstone of the album and one of the most brilliantly evocative stretches of dreamlike imagination ever committed to tape. The former starts things off with the entry into the lost underwater city that the album has always been hinting at but is only now revealing. With a subtle grandiose, it builds into the epic, huge bombast of Bastard. With an absolutely amazing, crushing riff and vast amounts of ambience, it is one of my favorite musical pieces of all time. Devin�s overcast, yet uplifting vocals cry out from underneath the stretching towers of guitars, creating one of the most captivating melodic sections of the album. The latter is a lesson in atmosphere. With a very eerie mood and very few vocals, starting off very sparse, but building into a largely epic piece, it ends the album perfectly.

There�s no doubt that this album is one of the most unique pieces of music I�ve heard. It will have you captivated in its waterscapes, a sea of emotion and delicate fragility underneath a rock-solid surface of heaviness. If this is a metal album, it certainly transcends most of its competition. It really feels like you�ve ventured, transcended someplace beyond the realm of possibly when it is finished. And, as Devin sings, I hope to see you on the other side.

�It�s like death becomes musical

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user ratings (866)
other reviews of this album
crazyaga (5)
One of my all time favorites....

Victor (5)
Few albums are truly as heavy as this. Be prepared to drift in the ocean, enveloped by the music her...

Comments:Add a Comment 
January 18th 2006


Your review was well written and creative so props to you.

However I didn't really like the style of your review, it didn't keep my attention and the 7th paragraph was huge, those were the only problems I found.

I don't have much knowledge of Devin Townsend, but my dad adores him. This Message Edited On 01.18.06

January 18th 2006


Album Rating: 4.0

Thanks for the comments, guys.

In regards to Terria, this album is...well, most people would say it is heavier. But, really, it's just as ambient. I don't know, the main difference for me is that they both have very different atmospheres and progressions as albums. The songwriting is quite consistent, though.

Also, on a side note, this review was one of the unfortunate ones that got deleted in the site crash, so if you had previously voted and commented on it, I'd appreciate it if you did so again.

January 22nd 2006


Album Rating: 5.0




February 4th 2006


Album Rating: 5.0

Yes, this album is a classic. Your review was very good, interesting and cleverly written. I think Devin Townsend is one of my top 5 favourite artists ever.

April 7th 2006


Album Rating: 5.0

I love Strapping Young Lad, and I have no doubt that this will not dissapoint. By the way, this is a lot softer than SYL, isn't it??

April 7th 2006


Oh hell yeah.
If Life was any better of a song, we'd all have to just give up playing music right now and go live in the woods or something.
Fuck this is a great album.

April 7th 2006


Album Rating: 5.0

Great, I'm actually going to BUY this album tomorrow, but the shops are closed now. Can't wait.

April 15th 2006


Album Rating: 5.0


April 20th 2006


OK, so every track I've heard from this is awesome. I like.

May 23rd 2006


If you don't like this album, you don't like music.

Seriously, it's just that good. I've never heard another album like it (Terria is close). "Life" has the most uplifting chorus ever. However "Voices in the fan" is my favourite, the atmosphere is so unsettling. Hell even the bonus track "Things beyond things" is amazing.

I will note that this album took a long time to grow on me in parts.... and I also find the lyrics kinda shabby at times.

June 19th 2006


Album Rating: 4.5

Great review, I really like some of the songs on this album,

my fave would have to be "Seventh wave" its just a great song really rockin!

February 11th 2007


Album Rating: 4.5

I just now started listening to this, after 2 months of owning it. I feel like beating myself for not listening earlier. This is the greatest thing ever.

May 14th 2007


This is my personal favorite Devin Townsend album, and also one of my favorite albums of all time. The production is outstanding as well.

June 26th 2007


Album Rating: 3.0

I seriously need to listen to this album

and...indeed...great reviewThis Message Edited On 06.26.07

September 18th 2007


Album Rating: 4.5

Yes. Regulator is a crushing song and so is The Death of Music in a different sort of way. Great review.

October 25th 2007


Holy jesus how have i never heard this before?

This shit is amazing

November 2nd 2007


Album Rating: 4.0

There's some good tracks here but the album feels a little overblown to me.

November 19th 2007


Album Rating: 5.0


December 22nd 2007


Album Rating: 5.0

Very well written and informed review. If someone would ask me for an album to listen to, when they were first getting into Metal, this would be my reccommendation. One of my all-time best of.

March 31st 2008


Album Rating: 5.0

Never saw the greatness of this album until today. I guess i was looking to hard for a masterpiece but when you turn this on and just kind of let it play you truly realize how amazing this is.

I still don't think it's a classic but it's definately an amazing album.

The Death of Music is one of the most powerful songs i have ever heard.This Message Edited On 03.31.08

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