Ellen Allien
Sool


3.5
great

Review

by Kevin K USER (58 Reviews)
June 1st, 2011 | 12 replies


Release Date: 2008 | Tracklist

Review Summary: A skeleton of a dance album but far from a bad one

What’s the difference between darkness and emptiness? There may not be much. After all, they are fundamentally similar. For one thing, darkness is empty: empty of light, empty of hue, and just empty in general. When you picture emptiness in your head, typically you either picture absolute white or absolute black, though the latter is more fitting: white is a light made up of every color in the spectrum, with black being the exact opposite. It has nothing. When people close their eyes, the state of seeing nothing is generally described as black. Kids fear the dark because they fear what they can’t see: the unknown. It’s as if darkness contains nothing.

Ellen Allien is an electronic dance artist from West Berlin, Germany. Minimalism has always been her style, using the scarcity of her computer samples to make relatively subtle music. With her fifth studio album (that’s including her collaboration with Apparat, Orchestra of Bubbles), she now uses the scarcity of her computer samples to make really subtle music, expanding on emptiness and subsequently darkness as well. Sool is dark because it’s empty and empty because it’s dark, using silence as a tool to craft an effectively ethereal release.

Sool is still an Ellen Allien album at its core. She does sing alongside her electronic ambience, but she’s far from Bjork in terms of prominence. Vocals are used sparingly and, save for “Frieda”, play more the role of another instrument, another sample in her arsenal, with instrumentation taking the forefront. Besides having faint presence, her electronic sounds are overall quite dark. Not a melancholic or gloomy type of dark, more like The Knife’s Silent Shout, only less melodic. Actually, Silent Shout is relatable to a couple of Sool’s traits. First off, the sound is very processed and robotic, as in The Knife’s “We Share Our Mother’s Health” or “One Hit”. This motif mixes dark samples, like the ones found on “Bim”, with the album’s minimalism to create something bizarre and spooky through its vagueness. Vague, sure, but Sool is definitely “there”. The sound here is quite breezy, especially if you can accept the moments of silence and nothingness as a positive thing. Back to The Knife, Sool’s strange and occult appearance is occasionally quirky, creepy but never hostile. Some lighter moments leak through the cracks, heard on the shiny melody from “Ondu” or from the sweet and refreshing “Frieda”, though the darker pieces like “Caress” and “MM” contribute more to what makes Sool so different.

The thing about Sool is that it’s quite easy to overlook it as something soulless. With the noticeably less-human atmosphere, who can blame you? The album’s emptier feel isn’t quite for everybody, and you might even need a bit of a trained ear to find some of Sool’s rewards. Sitting all the way through might reveal some synthetic flaws, as tracks like “Ondu” and ”Out” are quite bland in context with the rest of the album. The collective flow is a bit lagging, and though some songs do tend to build themselves up over time, nothing really “blossoms”, and you’ll notice the basic formula of a song just sticks around until the end. The only song that really shows any heart is the simple love tune “Frieda”, which puts the spotlight on Allien’s whispery vocals for a change. Some of the more danceable songs have a little bit more life, and in the case of “Elphine”, are a bit more whimsical too. “Sprung” is an example of the opposite, sounding quite ethereal, formless and empty. You’ll go through ups and downs on the humanity spectrum, though some songs are so bare you might not even notice.

One thing you can’t miss though, is that Sool is quite a different electronic album. For how minimalistic it may seem, it can get pretty danceable, and like The Knife, is charmingly dark. Allien is definitely experimenting this time around, and nothing comes across as ambitious or pretentions. It’s actually pretty modest for what it is. Ellen Allien shows us that “dark” and “empty” aren’t necessarily the same thing, but a team. The bareness of the album does get a bit creepy at times, and likewise, the desolate, slightly jaded moments do make you feel pretty empty inside. It’s all rather passive to the average listener mind you, but it’s pretty easy to recommend Sool to anyone looking for a sound that’s avant-garde and kind of shy.



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user ratings (12)
Chart.
3.3
great

Comments:Add a Comment 
WashboardSuds
June 1st 2011


5025 Comments

Album Rating: 3.0

here you go, enjoy

comments/criticism?

scissorlocked
June 1st 2011


3511 Comments


Washboardsuds on philosophic journeys through first paragraphs!

as always review's very well written man!!

Digging: Traumprinz - All The Things

WashboardSuds
June 1st 2011


5025 Comments

Album Rating: 3.0

hey thanks, good to hear from you as always man.

I wasn't sure about the metaphor I used here, last time I used a metaphor it turned out terrible lol

scissorlocked
June 1st 2011


3511 Comments


yeah I know, I also used one in a review and it turned out to be some kind of pretentious failure!

yours' is good though,even if it's not so necessary imo

WashboardSuds
June 1st 2011


5025 Comments

Album Rating: 3.0

yeah I'm not that skilled with metaphors
oh well :]

you hear anything from this girl yet scissor?

scissorlocked
June 1st 2011


3511 Comments


nope, you just introduced me to her

I'll download this but it will take some time to listen cause I've been digging some folk stuff these days

WashboardSuds
June 1st 2011


5025 Comments

Album Rating: 3.0

I wouldn't start with this album if you're just starting with her though

I'd either start with her Berlinette album, or her collab. album Orchestra of Bubbles. this is somewhat of a tougher listen

and folk? do you listen to Bibio at all?

scissorlocked
June 1st 2011


3511 Comments


I meant some older sufjan stuff and the latest Fleet Foxes one

I've never heard of Bibio, but I'm curious now that I checked it. Folk+electronic???

I'll have in mind Berlinette,thanks man!!!

WashboardSuds
June 1st 2011


5025 Comments

Album Rating: 3.0

I've been hearing good things about the new Fleet Foxes

yeah sounds like a paradox, don't it? lol he's put out some pretty solid albums

and no problem man

scissorlocked
June 1st 2011


3511 Comments


Ambivalence Avenue is on the line! I'll inform you when I'll check it

Bassist540
June 2nd 2011


373 Comments


Pretty cool review. I don't think I'll get this. Pos

Typhoner
May 25th 2013


881 Comments

Album Rating: 3.5

album's pretty enjoyable (and quite consistent)

Digging: Shinichi Atobe - Butterfly Effect



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