Esperanza Spalding
Chamber Music Society


2.0
poor

Review

by natey USER (46 Reviews)
March 14th, 2011 | 8 replies | 5,492 views


Release Date: 2010 | Tracklist

Review Summary: ESPERANZA SPALDING

3 of 4 thought this review was well written

Good musicianship is about presence, individuality, and skill, or something like that. Good musicians and composers are clever and engaging. Esperanza Spalding is beautiful, but she really wants you to notice that her “music is together like any other man.” Critics and publicists have taken the bait, lauding her “the hope for the future of jazz and instrumental music” after Esperanza debuted in 2008.

Chamber Music Society is an exquisite study in Esperanza Spalding. Her softly plucked bass begins the album, before her focused and demonstrative voice enters; it carries a wide dynamic and intonational range without diminishing the traceable qualities that give her voice confidence. Too often virtuosos go the path of assimilation and robotically lose themselves in the sounds of their peers or predecessors. The talent shooting out of her brain is fresh and awesome, and she is very lovable.

This album, however, is a bit of bore. I could never deny the tight musicianship demonstrated across these eleven tracks, but I will deny its power.

Close your eyes. Listen to what I describe. Wait, open your eyes, but take an imaginary aural gander at this:

Rim clicks on every 8th note in an up-tempo six/eight, sharp violin attacks matching the clicks, the tonality is some bizzare mutation of a minor sound, fade into a loose, fragmented percussion solo...

That is the introduction to my favorite moment on the record: “Touch me.... love me, say you do,” Esperanza croons in “Wild is the Wind.” The chords are suddenly powerful and my ears are singing along. Unfortunately, I have to wish the previous song didn't drown in understated, awkward, and aimless developments.

That's the story of Chamber Music Society: Spalding's group displays exceptional dynamic restraint, but too gentle rhythms, burdernsome melodies, rubato sections, and indirect hooks undercut the talent of everyone involved. Tracks like “Apple Blossom” are disjointed and grating. “What A Friend” plays with your ears, but foreign tonalities and oppressive melodies make it hard to fall in love with. There are moments where solid grooves will you have your body pulsating, but don't hold your breath for them.

This “next big thing in jazz” has garnered such attention by her live talent, an attitude unwilling to “water down” her music, and her early success story (Berklee faculty at age 20). Radio Music Society is already in the works, aiming at an audience of everyone. Expect a blending of Top 40 rock and hip-hop with funk and jazz. Spalding is hard-working and as usual is not looking to repeat on her past successes. It will be interesting to hear how she shapes her songs in the future. Will she continue to avoid hooks and conventional energy or will she embrace pop culture (she claims to want to belong beside Beyonce on the rack) and craft ballads and catchier songs?



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Comments:Add a Comment 
Voivod
Staff Reviewer
March 14th 2011



5985 Comments


well written, have a pos.

regardless of the genre, apt musicians are in no way a guarantee for good music.

Digging: Lisa Gerrard - Twilight Kingdom

AlexTM510
March 14th 2011



1399 Comments


you must be a justin biebs fan or something...

kidding, nice review. i'll probably check this out one day regardless

Digging: Sadistik - Ultraviolet

letsgofishing
March 14th 2011



900 Comments


Not quite sure the "close your eyes" section works as well as you envisioned, but the rest of this review is wonderful.

mostly because I completely share your sentiments. take a POS.

natey
March 14th 2011



4170 Comments

Album Rating: 2.0

thanks thanks thanks

It was the first and only way I thought of to let someone who hasn't heard any of this hear the sound
that grates me on this. But I'll be thinking about a better way the rest of today

thebhoy
Emeritus
March 14th 2011



4459 Comments


“What A Friend” plays with your ears, but foreign tonalities and oppressive melodies make it hard to fall in love with.


Not sure how foreign tonalities works as a criticism, and "oppressive" doesn't seem like a very apt work choice here. Also I fail to see how rubato is a necessarily a negative thing; musicians have used it often to great effect.

Also your last paragraph (particularly the first two sentences) seem unfinished or you don't seem to be conveying what I think you're trying to convey.

Sorry natey, I've seen you write better, this review doesn't convince me at all.

natey
March 15th 2011



4170 Comments

Album Rating: 2.0

In my mind foreign meant notes drawn up on paper instead of by her ears, and you could almost hear her thinking "watch me hit these notes" (I'm not actually assuming that, it's just an association I have with her sound) instead of "yeahhhhhhhh" or "this is beautiful." I felt "oppressed" when I used the word oppressive, but I can see it being an odd case.

Yeah, I think the second sentence of the last paragraph is especially raw. I feel like I'm writing confidently in this review but my communication is floundering. Thanks for the input, I'd be interested if you'd dig this album or not.

thebhoy
Emeritus
March 15th 2011



4459 Comments


I've heard some of her stuff and I liked it, but I still need the album. To be honest I feel like this could be a really good review if you flesh some of your ideas out a little more.

Parallels
August 3rd 2011



6641 Comments


dat albym cover, da-um. Afro city



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