National Sunday Law
The Fifth Ape


4.0
excellent

Review

by Sevhead USER (4 Reviews)
September 22nd, 2010 | 6 replies


Release Date: 2010 | Tracklist

Review Summary: Man's choice of tool versus claw (and the heavy-handed implications of this when things get carried away) is a theme that carries The Fifth Ape above most.

“...we don't develop technology because we are under the naive impression that we're improving life or making people happier. We develop technology out of a compulsion to develop technology, and we use technology because of a similar compulsion."
- David Gelernter

Dualities make for some great writing material. Mankind as a collective body is the single biggest ***-up in the history of the planet, as far as we can tell (which is kinda anthropocentric in and of itself). But as individuals, humans often have no idea of the role they play in the degradation of the planet. He has developed a food surplus that allows him to consume enough glucose to have to struggle with excess body mass, and then fight between gaining and losing weight. He has sexual intercourse (which nature designed to enable reproduction), but clothes himself with latex to prevent conception because he is afraid and (more often then not) unprepared to care for an infant. Man is still rooted in flesh, but his hyperdeveloped brain allows for metacognition and sapience, both of which are part of what make him a “person”. National Sunday Law is based around dualities. First there's the obvious, the band has two members, a guitarist/vocalist and a drummer/vocalist. On a deeper level though, the entirety of their sound is based around dynamics loud and quiet, heavy and light, an audial stampede and and ethereal caress.

The Fifth Ape instrumentally begins with simplistic but solidly flowing arpeggios with a very clean bass note/synth underlining. It could go anywhere and be anything it chooses. It holds a chord, and tension develops as dissonant chord shapes dripping with distortion hang in the background. The now distorted arpeggios return, and then pounding drums join the track. Vocals (alternating between hardcore and death metal) sear over the mix, never impeding on the instrumentation but existing only where appropriate.

And then we're quiet once again. Soft chords with reverb (or perhaps synth), reminiscent of Radiohead's “How to Disappear Completely”, are held high above like a shimmering ceiling for the entirety of the track as an electronically manipulated sample takes the focus. “Before we devised artificial lights...and atmosphereic pollution...and modern forms of nocturnal entertainment...we watched the stars...” Soft bells twinkle here and there as another sample joins the mix, what could be Mandarin Chinese spoken with a woman's voice. Everything fades but the vibrating warmth of the electric ceiling.

Suddenly we are assaulted with doomy but powerful powerchords, and Intronaut immediately springs to mind. The drums, which are floor-tom and bass heavy, incorporate tasteful fills, helping to cover ground typically held over by a bassist. About halfway through, dissonant chords much higher in pitch are struck relentlessly with high and loud yelling; were it not for the prog-metal-esque drums, this section could be mistaken for hardcore. This lasts only momentarily, and we return to aggression. Soon enough, things begin to mellow. Clean vocals are layered in the vein of A Capella, with an inevitable (and smooth) transition into sludgy aggression.

The Fifth Ape is quite possibly 2010's best use of tension. It flows and ebbs, bringing the listener into a place that's difficult to forget. The vocals are powerful and mixed very well, never being pushed on the listener too harshly. Often, the guitarist uses a rhythm pattern that quickly alternates between two parts, a distorted chord shape once for a fraction of a beat, and a few well-placed chugs. On paper, this sounds like it would amount to Meshuggah, but the effect is much more original. The heavy moments on The Fifth Ape are well written and do everything they're supposed to, but they aren't fully what they strive to be; the lack of a bassist is a minor problem that the other instrumentalists do pretty well to cover with downtuned guitar riffage and drum fills. The Fifth Ape isn't able to get by on heaviness alone, but that's not the band National Sunday Law is trying to be, anyway. This is much more holistically inclined, with the transitions and mellow sections being much more memorable.


user ratings (3)
Chart.
3.5
great

Comments:Add a Comment 
Sevhead
September 22nd 2010


569 Comments

Album Rating: 3.0

"The Last Flight Of The Dodo Bird" features some sicknasty fretless bass by Joe Lester of Intronaut.

DoubtGin
September 22nd 2010


6752 Comments


sounds pretty cool

too bad they are on an indefinite hiatus

Sevhead
September 22nd 2010


569 Comments

Album Rating: 3.0

can't believe i forgot to link:
http://nationalsundaylaw.bandcamp.com/
album is free.

Sevhead
September 22nd 2010


569 Comments

Album Rating: 3.0

their 2009 album, La Storia Di Cannibali, is pretty sweet as well, guest vocals by Sacha Dunable of
Intronaut.

Irving
Staff Reviewer
September 22nd 2010


7282 Comments


Pos. And thanks for the link - will check them out for sure! =)

Digging: U2 - Songs of Innocence

pedro70512
April 19th 2011


2709 Comments

Album Rating: 3.5

Darin says they're working on new material now that Graviton's new album is finished. Should be something to look out for.

Digging: EPISTASIS - Light Through Dead Glass



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