Joanna Newsom
The Milk-Eyed Mender


1.5
very poor

Review

by Michael Jordan (GoAT) USER (6 Reviews)
May 23rd, 2010 | 165 replies


Release Date: 2004 | Tracklist

Review Summary: Vocally – a demented she-gnome or the half-idiot sister of a Laura Ingalls frontier family. Instrumentally – the harp is a total gimmick. Lyrically – a "sluttish hullabaloo of words and phrases." On every level a failure.

Popular music has known its share of unusual voices. From Bob Dylan to Billy Corgan, singers whose voices might have initially aggravated the average listener have been able to achieve success. Some have not even always managed to sing in key, like Ian Curtis of Joy Division, who compensated for this deficiency by the exceptional strength and timbre of his voice. Regardless, the general consensus on those that have succeeded is usually that their voice somehow “fit” the music that they were singing. However vague and impressionistic this judgment might seem, it must be admitted on an intuitive level that there is some truth to it. This does not prevent these singers’ voices, of course, from occasionally slipping into the intolerable. Even in the space of a single album filled with hits, Corgan, for example, has attempted to sing on tracks for which his strange, nasally voice was clearly not appropriate. Mellon Collie and the Infinite Sadness comes to mind. But the hope is that such vocalists hit the mark more often than they miss.

Then there is the Joanna Newsom of The Milk-Eyed Mender. Though it must perhaps be noted that her voice has shown considerable improvement since her horrendous 2004 debut, the fact remains that here – on Newsom’s first full-length release – the vocals are inexcusably terrible. Yet in spite of this seemingly obvious truth, there are numerous fans of the California native’s work who defend this album as her finest work. To some, Newsom’s subsequent releases have betrayed the ideal established by this early record by going more mainstream in their vocal approach. They make the bizarre claim that the nauseating voice she adopts on The Milk-Eyed Mender holds some sort of charm in its blissful naïveté, strangely endearing in its idiosyncrasy. In introducing the album to the uninitiated, they usually provide the disclaimer that once one gets past her initially off-putting vocals they will recognize its brilliance. The listener must not be deceived by this anticipation, however; those who make such claims are liars.

Most descriptions of Newsom’s voice on The Milk-Eyed Mender fail to capture the true depths of its horror. They settle for the standard – by now hackneyed – characterization of the vocals as “childlike.” At times, this may suffice. But at others, Newsom’s voice on the record is more reminiscent of a demented she-gnome or the deaf, half-idiot sister of some Laura Ingalls frontier family. Somewhere around the two minute mark of the song “Sadie,” Newsom launches into one of the most obnoxious vocal lines in recorded history. Even in parts that are relatively more whimsical, like “Sprout and the Bean,” her voice is incredibly irritating. It single-handedly ruins one of the few actually impressive harp performances on the album. As if this was not horrible enough, on “Peach, Plum, and Pear,” Newsom’s singing reaches new heights of insufferability. I defy the listener to sit through the repetition of the line “Nah nah nah-nah nah-nah” without clawing out his eyes. Her yodeling throughout the track, moreover, is plainly intolerable.

Still, while defenders of The Milk-Eyed Mender might be willing to allow that some are simply not “sophisticated” or “open-minded” enough to accept Newsom’s vocals, they often point to the use of the harp on the record as unimpeachable proof of its musical merit. They maintain that this cannot be contested, even by the staunchest critic. This only showcases the extent of their own ignorance, however. Most of the harp parts on The Milk-Eyed Mender are exceedingly simplistic. To be generous, they are perhaps comparable to Debussy’s harp orchestration of Erik Satie’s Trois Gymnopédies, which would be more of a compliment if it were not one of the former’s most notorious blunders. Newsom exploits the harp’s naturally dreamy quality, covering over the sickly mushroom-nightmare that lies beneath. All too often, the harp is used to play extremely conventional folk chord progressions. Every time the harpsichord sounds in “Peach, Plum, Pear,” it's easy to imagine Mozart walking up to her and slapping her across the face with the sheet music to one of his minuets. Of course, Newsom’s admirers here applaud her for showing such courageous “ingenuity,” for not feeling shackled by the rules of traditional folk instrumentation. What they fail to recognize is that this is all part of Newsom’s gimmick, just another aspect of her calculated eccentricity. Perhaps one should give her credit, though. After all, enough hipster bastards have been tricked by it to earn her an audience.

The last line of defense that is commonly trotted out in support of The Milk-Eyed Mender rests on Newsom’s celebrated reputation as a lyricist. Luckily, short work can be made of this claim. Nearly all of her so-called lyrical wit consists in the pseudo-clever combination of unexpected or unlikely words with one another. It results in what the Russian critic Vissarion Belinskii called, with reference to his friend Gogol's 1847 published correspondence, a “sluttish hullabaloo of words and phrases.” “I killed my dinner with karate/kick ’em in the face, taste the body.” This, along with a somber vocal line, is enough to make Newsom either seem cute or uncannily poetic. Other times, Newsom tries to give the impression of possessing some sort of sagely insight. This is most often accomplished by referencing huge concepts (like the nature of capitalism) in a sort of offhand, indirect manner, filled with knowing familiarity. Another way she achieves this effect is by waxing aphoristic, handing out negative axioms (“Never get so attached to a poem/you forget truth that lacks lyricism”) like she was reading directly out of Poor Richard's Almanack. In this way does Newsom appear to tap into some hidden reserve of folksy, homespun wisdom.

Thus, on a vocal, instrumental, and lyrical level, Newsom’s The Milk-Eyed Mender proves an utter failure. Though her last few releases have shown signs of improvement, her first record stands as an eternal testament to the deluded tendency of hipsters to latch onto anything that seems to exhibit quaint eccentricity and call it brilliant, no matter how wretched the piece of music may be.

1.5/5



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user ratings (273)
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other reviews of this album
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Joanna Newsom's proves with The Milk Eyed Mender that she is a singer/songwriter to be reckoned with...

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...


Comments:Add a Comment 
SeaAnemone
May 23rd 2010


20953 Comments


looks like a daunting read... oh well let's give it a go... good to have ya back MJ

Digging: Viet Cong - Viet Cong

Foxhound
May 23rd 2010


4570 Comments


You need to review and NBA soundtrack broseph =)

SeaAnemone
May 23rd 2010


20953 Comments


demented she-gnome or the deaf, half-idiot sister of some Laura Ingalls frontier family

absolute gold, I like this review... and haha, I'm surprised it took you this long to incorporate MArx into a review though! A little lengthy, but it all feels very necessary to strengthen your point, pos

Bulldog
May 23rd 2010


3796 Comments


EMM JAY!!!! :D

pos'd

half-idiot sister of some Laura Ingalls frontier family.

fuckin lol.

plane
Staff Reviewer
May 23rd 2010


6100 Comments

Album Rating: 5.0

You nailed it, bro. If there were ever a definitive negative Newsom review, this is it. I happen to find her very charming and having worked backwards from Ys I was especially taken by its modesty, which she pretty much ditched for the better. I fucking love "Peach, Plum, Pear" so there you are.

WatchItExplode
May 23rd 2010


3314 Comments


Peace Out Sputnik...fag...neg

Bulldog
May 23rd 2010


3796 Comments


No, fuck you MJ, fuck your "I'm retiring bullshit." Ya did that in 93 to play baseball. BASEBALL for chrissakes, but ya came back the year after. and then ya did that in 99, and came back in 2001 and played for the Wizards. i know you too well.

ziroth
May 23rd 2010


1252 Comments


I honestly do not understand the appeal of this girl, even in her newer works, where her voice is tolerable. This, judging from the songs I've heard, can't be over a 2. Anyways, good review..pos

WatchItExplode
May 23rd 2010


3314 Comments


after reading this is probably your most coherent and relevant review...

Knott-
Emeritus
May 23rd 2010


10198 Comments


Review is fucking awesome. Huge pos.

DoubtGin
May 23rd 2010


6754 Comments

Album Rating: 3.0

ima not too keen on this either but I gotta disagree with this as I felt this at least enjoyable in some parts.. its definitely her worst effort

but gotta admit the review is well-written, thus pos'd

AliW1993
Contributing Reviewer
May 23rd 2010


7426 Comments


Brilliant review, pos'd. Im not a fan either.

NeutralThunder12
May 23rd 2010


8742 Comments

Album Rating: 3.0

I like you bro, but do you like ANYONE that isn't related to classical or electronic music?

Mordecai.
May 23rd 2010


8282 Comments


MJ, pleeease do a Space Jam 2!

AtavanHalen
May 23rd 2010


17927 Comments

Album Rating: 4.0

Wank? In my MJ review?

Mordecai.
May 23rd 2010


8282 Comments


lol

jeremologyy
May 23rd 2010


274 Comments

Album Rating: 4.5 | Sound Off

well thought out review, but i do entirely disagree. "sadie" is one of my favorites. i think all her harp is impressive and beautiful. and i HAVE gotten over her voice to recognize brilliance, a long long time ago, and it didn't take very long either. so i am not a liar.
also, her lyrics are wordy, but she's intelligent and does use them correctly. if you watch or read an interview with her, she talks that way most of the time.

porch
May 23rd 2010


8460 Comments


Wb MJ, definitely a good decision to keep reviewing


Newsom’s voice on the record is more reminiscent of a demented she-gnome or the deaf, half-idiot
sister of some Laura Ingalls frontier family


win

Enotron
May 23rd 2010


7695 Comments


Oh god, those lyrical examples were so awful.

Did she honestly think she was being fucking witty in that reference to capitalism? Mind you, I adore her work on Ys and Have
One On Me, lyrically and musically, but that shit about karate is plain silly.

Ponton
Emeritus
May 23rd 2010


5819 Comments


I read this a while ago, but forget to comment for some reason. This is a great review, as is the MJ norm now. The way you go up against the praisers of this is pretty dangerous imo, but you definitely pull it off well. pos. And thanks by the way!

Digging: Gates - Bloom and Breathe



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