 | Tracklist: 1. "Steal Your Words"
2. "This War Is Noise"
3. "The Sea of Lights"
4. "Traffic Haze"
5. "Midsummer Classic"
6. "My Boatless Booze Cruise"
7. "Your Self Portrait"
8. "Jackson Underground"
9. "Endless Miles"
10. "Cold White North"
11. "One Hundred Resolutions"
12. "Audio Geography"
| Ranking: #30 for 2007 | |
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On 19 Lists
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| Summary: Well crafted acoustic punk that has some surprising hidden depths. |
5 of 10 thought this review was well written
Chris McCaughan is best known for his frontline role in the widely respected, brilliantly anthemic punk band, The Lawrence Arms. Throughout their career – one that has spanned more than ten years and is still thriving - McCaughan has played an integral role in the song writing process of the band, gradually honing his craft along the way. Perhaps inevitably he began, over the years, to amass a group of songs which wouldn’t fit easily into The Lawrence Arms repertoire and, in-between touring and recording duties, he quietly unleashed these upon the public in a series of one off coffee shop/bar shows. Positive responses to these solo acoustic performances, along with a confidence in the cohesiveness of his own work, drove McCaughan to the logical conclusion of a solo record, and so Sundowner was born.
On first listen Four One Five Two contains few surprises. Most songs are based around briskly strummed open or barre chords and a solid, if slightly vague and unadventurous lyrical content delivered in McCaughan’s pleasantly earthy voice. So far, so acoustic punk. On closer inspection, though, it becomes clear that the record is laced with remarkably subtle details which add a breadth to the music; an added texture not all that common within the genre. At regular points throughout the album there are warm, almost inaudible undercurrents hovering below the sound of the guitar and voice, and it’s only when they spread a little and rise to the surface that it becomes clearly recognisable as a cello. And occasionally, delicate piano melodies bloom and fade, like the quiet tinkling which keeps up with the chorus in ‘Steal Your Words’ – an ephemeral and brilliantly effective detail that remains low in the mix, showing a restraint that would be noteworthy in any genre, let alone one based around a notorious tendency for simplicity.
Lyrically, Four One Five Two breaks no new boundaries, but it's fit to burst with simple yet evocative imagery and metaphor; an aspect that oddly becomes one of the record’s greatest attractions, while also being its foremost drawback. The lyrics have a down-to-earth poeticism, but their consistent abstractness gives the impression that something is being held back, as if McCaughan is uncomfortable sharing the real grit of his life in the way that, say, Frank Turner seems to revel in. What this more generalised style of writing does benefit from, though, is a universality which makes it easy for the listener to identify with the themes of the songs, even if the character of the singer remains a little blurry. Four One Five Two might not be a perfect record, then, but compared to many of its kind it displays a remarkable finesse that is as endearing as it is surprising. So, if you’re a fan of melodic punk, and you’ve got the time to listen, you’ll probably find that Sundowner have got something worthwhile to say. And it’s something they say very well.
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Any particular resaon why you think it was poorly written?
| | | Nope it was probably a ghost negger. Your review is spot on as usual but again something I'll probably
write off, no offense of course =)
| | | Yeah, no worries, dude. I'm working on a couple of metalcore ones you might dig, though.
| | | Album Rating: 4
Nice review, my thoughts pretty much. Excellent album.
Digging: Koalacaust - Smiles Shine Like Broken Glass Digging: Koalacaust - Smiles Shine Like Broken Glass | | | Cheers, man. Yeah, it's quality - been listening to it a lot recently.
| | | Album Rating: 4.5
I was considering reviewing this; good job man.
I saw Chris play his first show under the Sundowner moniker and it was one of the best times ever. I met him before the show and he's seriously one of the most genuinely nice musicians I've met to date. He hung out with everyone afterwards and him and Neil (TLA's drummer) DESTROYED me and my then-girlfriend in foosball.
Digging: The Dopamines - Vices Digging: The Dopamines - Vices | | | Thanks, diude. I'd love to see this guy play live, hopefully he'll get over to the UK at some point.
| | | Album Rating: 4.5
such an amazing album.
Digging: Sharks - No Gods | | | Yeah, definately one of the best acoustic punk albums ever, I reckon.
| | | Album Rating: 4.5
Have you heard the new split Brendan Kelly did with Joe McMahon of Smoke or Fire?
| | | No, man - I'll check it out.
| | | Hey, the neg disappeared. wtf?
| | | sounds like a band that speaks my language
Digging: Mount Eerie - Clear Moon Digging: Mount Eerie - Clear Moon
| | | HAYOO
| | | Yeah, it's ace, man. Keeps growing on me more and more.
| | | Album Rating: 3.5
i'll probably love this. getting.
Digging: Animal Collective - Honeycomb/Gotham Digging: Animal Collective - Honeycomb/Gotham | | | Album Rating: 4.5
Yeah, do it. His new album is really good, too.
| | | Album Rating: 3.5
hits the spot
| | | was gonna make a downer joke but downer already did
Digging: -
| | | Album Rating: 3.5
Average rating is ridiculously high. I have a feeling that no one would give a shit about this album if the songwriter wasn't the vocalist of the The Lawrence Arms. I enjoy the album, but it really isn't anything special.
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