The Police
Outlandos d'Amour


3.5
great

Review

by BigHans USER (108 Reviews)
January 28th, 2010 | 42 replies | 11,721 views


Release Date: 1978 | Tracklist

Review Summary: Although unfocused at times, an overall solid, memorable debut. Oh yeah, "ROXXXXXXXXXXXXXANNNNNNNNNNNE!"

4 of 4 thought this review was well written

The Police Discography
Part 1: Outlandos d'Amour - The Landmark Debut

The Police are a rare band in the annals of rock, and in particular the era in which they excelled. Like many of their brethren from the New Wave era, the Police wrote enormously catchy songs, sold truckloads of records, and were staples of MTV and modern rock radio. Although the works of many of their musical contemporaries are still enjoyed today, it is often achieved in a mocking, ironic, or nostalgic fashion. The Police, despite existing in an era of one or two hit wonders, have always generated a heightened sense of credibility, and there is little doubt their works are highly revered inside the genre. Aside from the presence of a gregarious, superstar frontman and enhanced songwriting chops, the driving force behind the Police’s enhanced credibility is their above average, if not stellar musicianship. All highly trained classical jazz musicians, The Police infused complex layers of punk, reggae, and jazz that legitimized the backbone of their poppy New Wave delivery, capped by the masterful drumming of Stewart Copeland, the atmospheric fret work of Andy Summers, and the steadfast foundation of Sting’s bass playing. Over the course of their career, the band would evolve exponentially from a musical standpoint, adding layers of complexity, enhanced experimentation, heightened melodic sensibilities, and perhaps most famously, an undeniable advent of pretentiousness.

Their career was auspicious yet short, but the musical foundations encapsulating their debut, “Outlandos d'Amour” would prove The Police needed little practice to reach the height of musical legitimacy. “Outlandos d’Amour” is notably the group’s most basic, straightforward album, yet it contains varying elements of experimentation, brandishing a beautiful collision of punk, jazz, and reggae that fared well when combined with melodic hooks and memorable choruses. The overall tone of the album feels complex and purposefully restrained at the same time. There exists both a raw earnestness and advanced musical IQ on the record, or more abruptly, you can tell from listening that each musician has advanced capabilities, albeit somewhat leashed, a fortunate aspect in “Outlandos d’Amour” is at its best when the songs are delivered at a more narrow scope.

Although The Police had the capability of achieving epic atmospheres, and would accomplish this on later albums, the standouts from their debut are centered towards the more aggressive, straight forward numbers. The chugging, punkish catchiness that permeates “Next to You” is far more effective than the pretentiously performed “Masoko Tanga,” a track that while containing an impressive bass performance cannot stand tall amid its misguided structure. When the memorable, reggae laced “So Lonely” rides a gargantuan hook into its chorus, the listener is far more pleased than when “Be My Girl Sally” showcases spoken lyrics about a blow up doll over an exceedingly lame jazz backdrop. “Hole in My Life” features a forceful, layered synth that invokes the feeling of walking around alone in a big city at night, but its length and repetitiveness fall far short of the infectiously strong punk undertones of “Peanuts,” a track where Copeland simply dominates with formidable drum work. The nostalgic “Born in the 50’s” is another attempt at being epic, right down to its Roger Daltry aping vocals and “we’re trying really hard to sound like The Who” atmosphere, but falls far short of the driving, energetic anthem “Truth Hits Everybody,” an underrated classic of their catalog.

The overwhelming notion that The Police are far more effective at keeping things simple, at least on this album, is further driven home by the existence of its two most memorable moments, the uber single “Roxanne” and lyrically dark, striking “Can’t Stand Losing You.” Both tracks are built on reggae undertones, and at times are mirror images in song structure, complete with jumpy verses and driving, repetitive choruses. “Roxanne” is an effective study in the foundation of the Police; experimental flavors of music meet focused, anthemic songwriting. Although it is peculiar that a self described master of Tantra like Sting would ever need to check out prostitutes in a red light district, the bursting, energetic flavor of “Roxanne” would prove to be the album’s highlight, and the ultimate force that launched them into the limelight.

On the whole, “Outlandos d’Amour” is a solid, at times exceptional debut. Although the last quarter of the record is devoid of any redeeming factor and contains one of the worst songs ever written in “Be My Girl Sally,” the majority is packed with memorable, energetic songs that merely prescribed what The Police were capable of. Sting’s ego would grow exponentially along with his songwriting chops on later albums, but the overall lasting impressions from “Outlandos d’Amour” are a young band with above average talent capturing a raw innocence. Although it is not their most impactful or lasting recording, “Outlandos d’Amour” stands today as one of the era’s standouts, and would provide a substantial stepping stone for a band on the cusp of greatness.

Recommended Tracks:

Roxanne
So Lonely
Can’t Stand Losing You
Truth Hits Everybody
Peanuts
Next To You



Recent reviews by this author
The Hold Steady Teeth DreamsPaw Dragline
Drive-by Truckers English OceansRanger Knights of Darkness
Grim Reaper Rock You To HellMachine Head Machine Fucking Head Live
user ratings (236)
Chart.
3.9
excellent

Comments:Add a Comment 
cinaedus
January 28th 2010



26195 Comments


Good review, I like The Police, never listened to one of their albums all the way through, I know 'em by the singles.

BigHans
January 28th 2010



26455 Comments

Album Rating: 3.5

Thanks. No shame in that, they had some impressive singles. My goal in doing this discog is to unearth some hidden gems.

BigHans
January 28th 2010



26455 Comments

Album Rating: 3.5

Also, Nag, please accept my apologies for ripping off the summary format of your Rainbow reviews. I couldn't resist with 'Roxanne."

MUNGOLOID
January 28th 2010



4267 Comments

Album Rating: 4.0

great review man. the police is one of my favorite pop bands and their music is so much fun to play in rock band.

Nagrarok
January 28th 2010



7956 Comments


Very nice work on the review, one of your best yet.

Police discography, a journey into the mind and vast ego of Gordon Sumner, Part 1


From what user could you POSSIBLY have stolen that idea?

I would change into something better-looking and more catchy though. Let me, as experienced discography writer, help with that.

The Police: Sting and his Creative Ego

Part I: Outlandos d'Amour


shindip
January 28th 2010



3536 Comments

Album Rating: 3.0

This has nothing on synchronicity but is still good

BigHans
January 28th 2010



26455 Comments

Album Rating: 3.5

From what user could you POSSIBLY have stolen that idea?

^ no doubt about it. Imitation is the sincerest form of flattery Nag.

Merkaba33
January 28th 2010



702 Comments

Album Rating: 3.5

bout time someone reviewed this. good job

RobotFrank
January 29th 2010



344 Comments


Good work on this one. Was never a fan, but they have a few songs I can't argue with.

BigHans
January 29th 2010



26455 Comments

Album Rating: 3.5

This has nothing on synchronicity but is still good

^very true, Synch is without a doubt their masterwork, I'm looking forward to reviewing that one.

Huntthequattro
December 4th 2010



66 Comments


Am I not the only one who bought this album simply for the sake of playing the Roxanne drinking game?

xfearbefore
July 19th 2011



1192 Comments

Album Rating: 5.0

This is totally their best album IMO. "So Lonely" is possibly the best song they ever wrote as well. That or "Can't Stand Losing You", whole album rules though.

Sting's falsetto rules on this album. Too bad he y'know...is awful now.

Digging: Ultravox - Vienna

clercqie
Contributing Reviewer
August 14th 2011



6248 Comments

Album Rating: 4.0

Working my way through your Police discography reviews, they're amazing Hans.

This will always be my favorite Police album

Digging: Amatorski - From Clay To Figures

xfearbefore
October 15th 2011



1192 Comments

Album Rating: 5.0

The video for So Lonely is so cheesy and awesome.

http://www.youtube.com/watch?v=SaNt9-QkiHI

Damn man, the fuck happened to Sting and Copeland? They were amazing when they started.

Spec
December 8th 2012



26833 Comments


Best Police album I'd say.

menawati
Contributing Reviewer
December 8th 2012



14491 Comments

Album Rating: 3.5

yea probably

Digging: Ian Anderson - Homo Erraticus

omnipanzer
February 22nd 2013



21391 Comments

Album Rating: 4.5

This is such a great fucking album.

Digging: Dead Combo - A bunch of meninos

someguest
February 24th 2013



18859 Comments


Don't want to hear about the drugs you're taking
Don't want to read about the love you're making
Don't want to hear about the lives you're faking
Don't want to read about the muck they're raking


Poor Rod Stewart.

Digging: BABYMETAL - Babymetal

YoYoMancuso
March 28th 2013



10108 Comments

Album Rating: 4.0

So Lonely is amazing

Chortles
March 28th 2013



17509 Comments


Rules

Digging: Chico Buarque - Construo



You have to be logged in to post a comment. Login | Create a Profile





FAQ // STAFF & CONTRIBUTORS // SITE FORUM // CONTACT US

Bands: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z


Site Copyright 2005-2013 Sputnikmusic.com
All Album Reviews Displayed With Permission of Authors | Privacy Policy