KISS
Killers


2.0
poor

Review

by Pedro B. USER (303 Reviews)
January 5th, 2010 | 8 replies | 2,935 views


Release Date: 1982 | Tracklist

Review Summary: Poor presentation and unfathomable track-selection criteria drag down this already cash-grabbing compilation.

1 of 1 thought this review was well written

In 1982, KISS were in a tight spot. The dawn of the new decade had not been kind to them, with albums like Dynasty and Unmasked being considered too poppy and key members finally calling it quits. Adding insult to injury was Music From The Elder, the band’s attempt at a prog-rock opera and, to this day, probably the worst rock record ever made. So, in this conjuncture, what could Simmons and Stanley do to keep their band from sinking?

Answer: make a fast buck out of the “classic” songs, of course.

Hence Killers an Europe-only compilation devised by the recording company, which then talked KISS into recording four new songs, so as to give fans and completists a reason to buy the same old stuff all over again.

Killers served two quite clear purposes: first, to get KISS over in Europe, a continent where the group hadn’t quite reached the level of fame they enjoyed in the States; and two, obviously, to make money. However, both these objectives – well, the first one, at least – are partially hindered by the bootlegish presentation of this record, as well as by its abysmal track selection.

Seriously: what were they thinking!? Making a KISS Greatest Hits is not hard, and somehow whoever made this record still managed to screw it up. Sure, it’s nice to see Shout It Out Loud and Sure Know Somethin’ given a bit of airtime, but the absence of some essential KISS classics is nothing if not baffling. Where are Deuce, Strutter, I Stole Your Love, Christine Sixteen, Hard Luck Woman? Where’s friggin’ Beth, for chrissakes!? I feel like Jack Black in School Of Rock: “what do they teach you at this school!?”

There was probably a reason for Hard Luck Woman and Beth not to be on the tracklist – Peter Criss had left quite bitterly, after all – but the absence of the other songs is unforgivable. Instead, what do we get? Shout It Out Loud, a nice surprise, but not a hit by any stretch of the imagination; Sure Know Somethin’ and Cold Gin, ditto; the ever-unbearable I Was Made For Lovin’ You; a random live insert for Rock’n’Roll All Night; and some real hits in the form of Detroit Rock City, Love Gun and God Of Thunder. Add the fact that Shout It Out Loud is billed as a “remix”, the random live track and the god-awful artwork, and Killers starts to give off a distinctively bootlegish aura.

Among the familiar songs, Detroit Rock City continues to stand out as probably the best song in KISS’s early career, with Love Gun confortably taking the second-banana position with its irresistibly inane lyrics and catchy beat. But the main focus of interest here are the new songs, and, much like Unmasked had started to do before that other abomination came along, they take KISS down a distinctively pop-metal path. As much as I hate that particular term, there’s really no other way to describe I’m A Legend Tonight, Get On Your Knees, Nowhere To Run and Partners In Crime. They all couple heavy guitar riffs with mellow vocals and a dash of keyboards, with the end result sounding exactly like Swiss AC/DC impersonators Krokus. I doubt AC/DC had even heard of Krokus, and the influence was probably the other way round, but the resemblance is uncanny.

Of the four tracks, two are fair, one is very good and one is, predictably, awful. The best of the bunch is Get On Your Knees, which starts with a drum beat distinctively copycatting Rock’n’Roll All Night, but then acquires a personality of its own, eventually becoming a nice little rock’n’roll track. Second in line is I’m A Legend Tonight, where the nice riff and even nicer guitar solo are offset by a little too much cheese, a problem which also affects the unremarkable Partners In Crime. Bringing up the rear is the awful Nowhere To Run, which features no motives of interest whatsoever.

So what we’re left with at the end of the day is a few hits, a couple of decent new tracks, hilariously bad artwork and a tracklist that is a gigantic casting error. As an introduction to KISS, this fails miserably; as a cash-grabbing gimmick, it may have succeeded, but if I saw this album in the clearance rack at the supermarket, I’d pass it up as just another cheapo comp. Just get Destroyer, Dressed to Kill and Love Gun – or, alternatively, Alive II - and leave this one alone.

As a final note, how ironic is it that Eric Carr appears on the cover when the bulk of the drumming on here was done by either Peter Criss or Anton Fig?

Recommended Tracks
Get On Your Knees
Love Gun
Detroit Rock City
Rock’n’Roll All Night



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Comments:Add a Comment 
EverythingEvil2113
January 5th 2010



1279 Comments

Album Rating: 3.5

Fun fact, Bob Kulick, not Ace, played lead guitar on the four new songs here. Bob is the brother of who would be the future guitarist of Kiss, Bruce Kulick. Nice review once again, I think I only bought this for I'm a Legend Tonight.

dylantheairplane
January 5th 2010



2164 Comments


man all your Kiss reviews rule

ReturnToRock
January 5th 2010



3448 Comments

Album Rating: 2.0

I knew that fact, just didn't mention it because I wasn't 100% sure.

Yay Creatures next!!

ReturnToRock
January 5th 2010



3448 Comments

Album Rating: 2.0

Correction, I thought Bruce had played here, not Bob. Fun fact: in 1973, Ace broke into the KISS audition that got him hired just as the group were discussing the last few details with...Bob Kulick.

Ire
January 5th 2010



41746 Comments


good review man, fun read.


facupm
March 11th 2012



7099 Comments

Album Rating: 3.5

Two things: The song is called "Down on your Knees" not "Get on Your Knees"
and Nowhere to Run is an awesome song, the best of the four.

Digging: Marillion - Misplaced Childhood

danielcardoso
April 19th 2014



1501 Comments


Gene's hairstyle in this cover is priceless.

facupm
April 19th 2014



7099 Comments

Album Rating: 3.5

lol



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