Porcupine Tree
The Incident


2.5
average

Review

by Nosferatwo USER (43 Reviews)
September 15th, 2009 | 15 replies


Release Date: 2009 | Tracklist

Review Summary: For the first time, Porcupine Tree tread water.

Steven Wilson is not a man without ambition. Love him or hate him, he is one of the most prolific men currently working, and constantly gaining listeners. While Blackfield, No Man, his work as a producer for bands such as Opeth, and his solo career may all fly under the radar, his main gig makes up for it. Porcupine Tree is a rare success in the world of progressive music, constantly changing their approach, yet growing their audience. With The Incident, their ninth album, the band is trying to take yet another step towards fame, with their most challenging work yet.

Wilson is a man of many influences, turning out music as indebted to 90's britpop as 70's prog, as much percussive metal as psychedelic noise. While he has played with all these sounds on previous Porcupine Tree records, never before has it all been intertwined in a massive conceptual piece. The first disc of the album is the fifty-five minute title track, divided into sections for less invested listeners. The second disc is composed of four stand-alone compositions, added in for reasons that have not been made clear.

The concept piece opens with a slow, foreboding opening, full of clashing chords and drama. What is missing, evident from the transition into the very first full song of the cycle, is a lack of cohesion. The track is supposedly one song, but feels like a dozen stitched together to feel more important. Themes don't recur, the soundscape changes on a dime, and the overall mood wavers as each song passes by. The interludes are particularly frustrating, for multiple reasons. Most are useless pieces, offering very little in the way of melody or context, serving to bloat the running time instead of advance the album. Others, like "Great Expectations", sound like unfinished sketches of a possibly great song.

With the actual songs on the album, Porcupine Tree is not trying to reinvent themselves, merely bring back some of the elements that they have lost along the way. "The Blind House" is a laid-back song that almost sounds like a rewrite of Deadwing, and several other sections sound as though they came from the recording sessions for that album. The eponymous section is chief among these, with a riff reminiscent of "Open Car". Wilson brings back some of the trippy, 70's influences, dotting songs with ambiance and electronic flourishes. These do little to add to the character of the songs.

The album works best when it is reflective, as the acoustic "Time Flies" and closer "I Drive The Hearse" are stunningly brilliant compositions. "Time Flies" is the heart and soul of the record, an eleven minute journey through stuttering acoustic guitars, a pulsing riff, and a typical Wilson melody. "I Drive The Hearse" will get less attention, but is the most accomplished song Wilson has written in years. A somber piece, the song's acoustic underpinnings support the tender yet gorgeous melody. Not since "Trains", the band's calling card, has Wilson written a song with this level of immediacy. That it closes the album is fitting, as no other song found here can dare follow it.

Unfortunately, there is still a second disc to go, with four songs unrelated to the concept. "Flicker" is typical PT song, while "Bonnie The Cat" is complete filler. "Black Dahlia" is filled with strings, a slide guitar solo, and a nice melody from Wilson. "Remember Me Lover" is another strong composition, feeling like an update of "Halo". What this second disc does is drive home the point that when the band is writing songs, they can create very good music, but when they lose themselves in the excess of progressiveness, they struggle mightily.

The Incident is trying to be something above and beyond the rest of the Porcupine Tree discography, but the attempt falls hollow. It has aspects of every record the band has made, but never fuses them together into an identity of its own. Bits and pieces are wonderful, but the whole struggles. This is no Deadwing or In Absentia, and while it will bring in even more new fans, it will never be the reason the band is remembered.



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user ratings (1363)
Chart.
3.6
great
other reviews of this album
1 of
  • Nick Mongiardo CONTRIBUTOR (3.5)
    The Incident is another solid entry into the Porcupine Tree discography despite some lackl...

    Cragorio (3.5)
    Not the best, not the worst. A very good Porcupine Tree album....

    YoYoMancuso (2)
    "The Incident" is just 76 minutes of ambitious songwriting that feels more like a demo tha...

    Mike Allen (3)
    Porcupine Tree attempts to continue their trend of outstanding concept albums, but trip ov...

  • Benjamin Bland (4.5)
    A culmination of fifteen years as the world's most relevant progressive rock band....

    Jorn van Schaïk (3.5)
    Porcupine Tree's new album is extremely competent, emotionally harrowing, but ultimately l...

    Rob Heald (4)
    Extremely talented and absolutely professional, Porcupine Tree releases another strong alb...


Comments:Add a Comment 
fireaboveicebelow
September 15th 2009


6837 Comments

Album Rating: 4.0

"I Drive The Hearse" will get less attention, but is the most accomplished song Wilson has written in years.
I agree with this

The review was good but the conclusion kinda ruins the point to me because it's as if you compared it the whole time

Altmer
September 15th 2009


5652 Comments

Album Rating: 3.5 | Sound Off

I Drive the Hearse is great

PuddlesPuddles
September 15th 2009


4784 Comments

Album Rating: 3.5

I can't see this average in any respect. Yes, it's nowhere near their best but its a very solid effort.

TheGreatD17
September 15th 2009


1141 Comments

Album Rating: 2.5

This is a good review, just fix "bitpop" in the second paragraph. I would call this average because if I'm ever in the mood to listen to Porcupine Tree, this would pretty much never be the album I choose.

Altmer
September 15th 2009


5652 Comments

Album Rating: 3.5 | Sound Off

this is a grower

Lucid
Contributing Reviewer
September 15th 2009


7026 Comments


I got bored of this within a few days, and I don't feel like giving it another chance.

EVedder27
September 15th 2009


6088 Comments


In no way is this a 2.5. I however, agree that "I Drive the Hearse" doesn't get enough attention. It is probably the album's second best.

fireaboveicebelow
September 15th 2009


6837 Comments

Album Rating: 4.0

I could listen to that outro all day

BallsToTheWall
September 15th 2009


44634 Comments

Album Rating: 1.0

Yeah, id totally listen to that outro all day. I got to say...it...lacks zazz.

Digging: Mare Cognitum - Phobos Monolith

shindip
September 15th 2009


3536 Comments

Album Rating: 2.5 | Sound Off

I agree completely with this review.

Erratic
September 15th 2009


1120 Comments


Holy god the title track is long

Coalesce87
September 18th 2009


3 Comments

Album Rating: 2.5

Flicker is so boring

feav233
September 19th 2009


1411 Comments


meh, wasn't a big fan

ThePalestMexican
December 21st 2009


2816 Comments

Album Rating: 3.0

BALLSY review, but yeah I feel this was a larger step down from Fear of a Blank Planet.

RagingStorm
December 21st 2009


509 Comments

Album Rating: 2.5

nice review, but the album's pretty great tbh



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