Metallica
Death Magnetic


3.5
great

Review

by Dr Dave De Sylvia STAFF
September 13th, 2008 | 1718 replies | 126,205 views


Release Date: 2008 | Tracklist

Review Summary: A fine album from a heavy metal juggernaut that might just be kicking back into gear.

Five years ago, music critics raved about an album called St. Anger, a record many hailed as a return to the harsh and carefree malevolence of Metallica’s ‘80s heyday. Pushing the group well outside their comfort zone, St. Anger was in some ways everything it was held up to be: it was still vocal-centric, but a renewed sense of vigour had crept into Jaymz Hetfield’s voice, and the relatively simplistic song structures of the ‘90s had been jettisoned in favour of more technically demanding passages. Yet St. Anger didn’t resonate; worse, it was considered by many fans to be the final nail in Metallica’s coffin. The reasons were obvious: in terms of resistance to change and unwillingness to embrace new ideas, old school metal fans generally rank somewhere between Noel Gallagher and the Unabomber, and anything less than a faithful retread of old tracks was bound to be met with hostility, and even then…

On a more basic level, though, St. Anger highlighted a basic difference of perspective between fans and critics: critics tend to swoon over distinctiveness and complexity, while the casual listener tends to be a bit more savvy to the bigger picture. For instance, how many people can honestly say they still listen to that one Sufjan Stevens record? If Stevens ever does get around to delivering the next instalment in his “50 States” series, he’ll never achieve the notoriety to which he was vaulted by Illinois’ disproportionate status among tastemakers; his music didn’t have that much mass appeal to begin with. And so it was with St. Anger: critics proclaimed “Metallica are back!” and the public responded, “are you sure?” For all the band’s efforts to update their sound and re-incorporate some of the progressive instincts of old, the album’s flagstone tracks, ‘St. Anger’ and ‘Frantic,’ were transparent attempts to hammer three-minute pop songs into six-minute suites, and the deceit was not lost on the band’s long-term fans.

Half a decade later, music journalism isn’t what it used to be, and with leaks fans have the chance to make their own first impressions on the band’s ninth studio album, Death Magnetic. Buoyed by the band members’ pre-game hype, during which the album was variously described as a mix between The Black Album and any one of Master Of Puppets, Ride The Lightning and …And Justice For All, Metallica’s profile is as high as ever, and with “new” bassist Robert Trujillo (Infectious Grooves, Ozzy Osbourne) in tow, expectations were high that Metallica could finally make an album to please the old-school fans as well as the newer recruits. Trujillo, a fingerstyle player like original bassist Cliff Burton, brings a subtle element of funk to the Metallica sound that’s particularly evident in the head-bobbing main riffs of ‘Broken, Beaten & Scarred’ and ‘End Of The Line,’ and quite rightly draws comparison to thrash disciples Pantera.

On the whole, however, Death Magnetic doesn’t bring an awful lot that’s new to the table, but neither is it an honest return to former glories. Instead, Death Magnetic can best be described as the Metallica of 2008 emulating the Metallica of 1984, as the overall vibe invokes the current band’s live performances of Ride The Lightning and …And Justice For All tracks. Aside from the sublime Puppets throwback ‘All Nightmare Long’ (more on that later), the band never thrash quite as hard as they did in the ‘80s. And when they do try, as they do with the frenetic galloping riff that kicks opener ‘That Was Just Your Life’ into life, they betray their age more than ever. For all the obvious merits of of ‘That Was Just Your Life’ (it’s the most exciting and arresting Metallica opener since ‘Fight Fire With Fire’), it self-consciously apes the sound and structure of ‘One,’ while lead single ‘The Day That Never Comes’ could easily be confused with a modern-day live performance of ‘Fade To Black’ (provided the listener had an active imagination).

Self-plagiarism aside, Death Magnetic’s positives far outweigh its negatives. Unlike St. Anger, there’s a definite structure and direction to all of the tracks, but unlike Load and Reload they still manage to incorporate the rapid interchange of riffs and instrumental sections that was such a hallmark of their sound during the 1980s. With an average track-length of about seven-and-a-half minutes, a couple of the tracks could well do with a little paring down- particularly the lead single, which still managed to chart well despite its almost-eight minute length- but aside from the monotonous Arabian-inspired hard rocker ‘Cyanide,’ Death Magnetic steers well clear of the tedious and aimless noodling that was epidemic on St. Anger and even …And Justice For All. ‘The Judas Kiss’ even flirts with a rarity in Metallica’s catalogue, a (GASP!) upbeat melody, and the reward is one of the record’s finest moments, as Kirk Hammett’s half-speed drill-like effects clash tantalizingly with Hetfield and Trujillo’s galloping thrash rhythms.

One area of concern which hasn’t been addressed is the poverty of Jaymz and Lars’ lyrics which, for the most part, appear to have devolved into a search for the shittiest pun known to man. St. Anger brought us gems like “I’m madly in anger with you” and “my lifestyle determines my deathstyle.” Death Magnetic raises the stakes even further with the corker, “we’ll hunt you down without mercy, hunt you down all nightmare long,” a sore spot on what is otherwise the most badass track Metallica have put their name to since ‘One,’ 20 years ago. Granted, ‘For Whom The Bell Tolls’’ eponymous chorus never made a great deal of sense, but it at least conveyed a sense of hopelessness and despair that characterized the track. Who knows what emotion Jaymz intended to convey when he penned the gem, “suicide, I’ve already died; you’re just the funeral I’ve been waiting for”? There’s a worrying air of desperation running through the band’s lyrical choices that thankfully doesn’t spill over into the music, but it is nonetheless a frequent distraction on an otherwise fine album from a heavy metal juggernaut that might just be kicking back into gear.



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user ratings (3859)
Chart.
3.2
good
other reviews of this album
1 of
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    An album that never strives to go anywhere and feels too mixed...

    mark sammut (2.5)
    Not the final nail in the band's coffin...That comes later...

    Dishpan (4.5)
    They are well and truly back....

    Alec Martin (3)
    The band's best album ever since ...And Justice For All....

  • Michael B. (3.5)
    Rumours of Metallica's demise have been greatly exaggerated....

    Tom Gellatly (4.5)
    Whilst often heralded as Metallica's return to form, Death Magnetic is a fantastic album i...

    BassPlaya008 (3)
    Metallica is back. Somewhat....

    MetallicaRTL7214 (3.5)
    ...

  • Zipzop5565 (5)
    The year is 1983. One man, a bitter, broken, beat, scarred, shamed, lifeless shell of what...

    David Driver (4)
    After being largely irrelevant for the past decade, Metallica returns with their best orig...

    Pedro B. (3.5)
    Better than anyone dared to expect, but by no means a classic....

    kabster (4)
    ...

  • Mark (4)
    What took the Metal Gods so long??...

    SeanOnFire (4)
    Metallica definately deliver the goods with a triumphant near return to old glory...

    Jorn van Schaïk (2)
    Metallica have improved from the last record. Instead of excruciatingly terrible, they are...

    pogostick1 (3)
    There is life in the old dogs yet. But how much is yet to be determined......

  • HollywoodConstantine (3)
    Metallica is back to their roots. The record sounds like a combination of "...And Justice...

    gingerfish (3.5)
    Metallica isn't back just yet, but they're on their way....

    Daniel Smith (3)
    A successful rebound effort from a band seemingly doomed to dwell forever in the realm of ...

    BadgerX (3.5)
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Comments:Add a Comment 
sadmafioso
September 13th 2008



318 Comments


soar spot


sore?

otherwise sexy

TNY
September 13th 2008



571 Comments


Sweet review.

Curse.
Contributing Reviewer
September 13th 2008



7970 Comments

Album Rating: 2.5

Great review, pretty much everything I would have said.


why on earth can't James and Lars write any quality lyrics anymore? It is awful.

Jim
September 13th 2008



5110 Comments

Album Rating: 4.0 | Sound Off

very good record. i knew they had it in 'em tbh

marksellsuswallets
September 13th 2008



4848 Comments

Album Rating: 2.5

One area of concern which hasn’t been addressed is the poverty of Jaymz and Lars’ lyrics


Am I missing something there or is that really how his name is spelled...? hahaThis Message Edited On 09.13.08

AtavanHalen
September 13th 2008



17927 Comments

Album Rating: 3.5 | Sound Off

REVIEW GOOD
ALBUM GOOD
NAPSTER BAD

TNY
September 13th 2008



571 Comments


why on earth can't James and Lars write any quality lyrics anymore? It is awful.


I don't get this misconception. Metallica have never had good lyrics.

BATTERY!


They never have. And who cares?This Message Edited On 09.13.08

TNY
September 13th 2008



571 Comments


Also. Spat.

The chorus to All Nightmare Long is the best thing they've done in almost 20 years.

Poop on you.

Altmer
September 13th 2008



5652 Comments

Album Rating: 2.0 | Sound Off

This review proves that Spat and I shall never agree on the rating of any one record!

TNY
September 13th 2008



571 Comments


A lot of people complain about the lack of bass that is audible on this album.

But the bass line at the beginning of Cyanide is teh sex.

Meatplow
September 13th 2008



5524 Comments


Fantastic review, my exact sentiments.

No other reviews are necessary IMO, surely it can't be argued this is less then a 3 or above 4 without introducing some kind of subjective bias.

Photon
September 13th 2008



1292 Comments

Album Rating: 2.5

3.5 is a fair rating for this album

TNY
September 13th 2008



571 Comments


I teetered on a 3.5 or 4.

Pebster49
September 13th 2008



2991 Comments

Album Rating: 3.0

very good review, maybe a bit too much history, but overall it was worth while to read. I really think this album draged too much, and "My Apocalypse" was not the best of choice of a closer or a song to put on this record. Overall better than Load and Reload, tons better than that frisbee St. Anger, but not quite as good as anything before that.


badtaste
September 13th 2008



824 Comments


Sweet review. I wants to steal your writing powers. Methinks it could have used a concluding paragraph to tie all the points together though.


Iai
Emeritus
September 13th 2008



3553 Comments

Album Rating: 3.5

Fantastic review, my exact sentiments.

No other reviews are necessary IMO, surely it can't be argued this is less then a 3 or above 4 without introducing some kind of subjective bias.

Yeah, basically. I was going to review this but I'd just be repeating what this review says for the most part.

Iai
Emeritus
September 13th 2008



3553 Comments

Album Rating: 3.5

Also it's nice to see that not a single person has given this a 5 yet.

millencolinariast
September 13th 2008



20 Comments


bought this today, its not too bad
Anyone else think that "That was just your life" sounds like Dream Theater's "Constant Motion"

ConorMichaelJoseph
September 13th 2008



1870 Comments


"Its nice to see nobody has given this a 5 yet"

The fanboys will be here soon,enjoy the fair ratings whilst you still can!

ASberg
September 13th 2008



2161 Comments

Album Rating: 4.0

I havent listened enough to rate it yet but im impressed.
There are alot of fucking stuff to take in.



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