Gatsby's American Dream
Volcano


4.5
superb

Review

by marsvolta USER (2 Reviews)
April 28th, 2005 | 35 replies


Release Date: 2005 | Tracklist


Bobby Darling: guitar
Kirk Huffman: bass/vocals
Rudy Gajadhar: drums
Nic Newsham: vocals

Gatsbys American Dream hailing from the proverbial Mecca of indie music, Washington, offer up their major label debut, with the impressive Volcano. It is fair to say that GAD has gone relatively unnoticed, despite their incredible musicianship and overall talent as a band—and I don’t toss that term around as an empty compliment, these guys can write a song with enough time signature changes to make The Dilliger Escape plan raise their brows. Although their lineup has changed slightly, a guitarist left to finish school, Gatsbys American Dream has matured beyond the acclaimed Ribbons and Sugar, and built on In the Land of Lost Monsters[EP]. I firmly believe that this album will finally get GAD their acclaim and some much deserved respect as it showcases a band that knows what they’re doing, and doing it extremely well.

Volcano is an incredibly deep and complex album, both musically and lyrically. The song composition is mesmerizing, and the guitar and bass interplay is just stellar. Bobby Darling plays the guitar with an incredible precision and passion that creates some creative and beautiful arrangements. Kirk Huffman rips on the bass, and knows what a bass player is supposed to sound like in rock. Rudy Gajadhar is one of the best in the business with an incredible style that reminds me of some of the tamed flair many of the contemporary jazz drummers hold. As for vocals, Nick Newshams’ unique but beautiful voice is stellar on Volcano and his lyrics are just as perfect a match.

Volcano works so well because the songs play off of one another, creating a cohesive body of art. The overall story, is the motif of a volcano, yeah who would’ve guessed?. Nick makes many references to the mind of a human being the metaphorical volcano, ready to explode when under too much duress. Not only does Nick write extremely good poetry for lyrics, but he incorporates so many forms of diction that it is astounding. Reference to past albums, contemporary literature, and even past songs on the album all add to the feeling of cohesion and unity within Volcano.

Now for the song by song breakdown, which will not be as long as my usual, simply because each song has so much to write about:

Theatre – An amazing opener with a funky bassline/guitar feel and great lyrics/vocal melodies. If the word melancholy doesn’t get stuck in your head, you’re not listening.

Pompeii – The obvious reference to the disastrous volcano, this song is one of my favorites on the album. Lyrically, the metaphors and personification are just top notch. Rudy does some great drum work, and Bobby really stands out with some riffs reminiscent of the Why We Fight days. Oh yeah, the song changes time signatures enough to give me motion sickness.

The Guilt Engine – Again, Nick opens the song with a great line, “My shame is cold like a grave, but my lust is hot like an engine…" And so the metaphor begins. Slow starter that builds to a masterpiece. Beautiful, check out the remix if you’re lucky enough to get the bonus disk with your purchase.

A Mind of Metal and Wheels – This is why I love Rudy and think so highly of him. Latin influenced drums with some guitar to match. I’ll say this is my second favorite, but that’s only cause I can’t dance well enough to truly appreciate this song.

Fable – Well, I hope you read Lord Of The Flies in High School, cause Nick obviously did. A more laid back song, reminiscent of the Strokes, only GAD show them how they should be doing their thing.

The Giant’s Drink – First of two Ender’s Game references. I love this book, so they could be banging sticks together and it would’ve rocked. Luckily GAD is above that, and they bring it to the table. Slightly more structured than we’re used to but it works, and works well.

Shhhhhh! I’m Listening to Reason – WOW. First off, this is my favorite song. The opening guitar riff is absolutely golden, and somehow Bobby keeps up the energy he brings the entire song. Bass and Drums? Top notch. Time signatures? HA! The song goes from straight up rock, to ballad-esque break down, to some form of a drunken pub sing along! I LOVE this track, definitely a stand out, and to top it off, Nick’s lyrics are probably the best on the disc. What GAD is all about all in one track.

Meet Me At the Tower in Bowerstone – A short interlude type track with some great drums. Since it’s so short I often long to hear an elongated version, because of some serious potential.

Your Only Escape – Another more structured song, but one of my favorites, the ending refrain is good stuff.

The Hunter – One of my favorite tracks, that shows GAD at their finest. So many strong points, I’d rather not just say killer drums, guitar, bass, and vox. So, just trust me when I say it’s an amazing song.

Speaker of the Dead – Apparently Nick likes Ender’s Game and its morals. The final Ender reference, with a beautiful piano introduction and very strong vocals. Read Ender’s Game and try to tell me this song wants you to read it again.

Badlands – The acoustic version of this song was on the In the Land of Lost Monsters[EP], though structured differently. Again, a stand out track, where Bobby shows off some guitar skills.

The Loosing of the Shadow – The perfect closer, with riffs reminiscent of Why We Fight only with more maturity, showing how the band has come full circle in its song writing. You won’t want to skip this.

I highly recommend this band, mainly because I’ve met them and they are extremely nice guys that are genuinely talented and true to themselves, the fans, and the music. This is what rock should be, end of story.


user ratings (187)
Chart.
3.9
excellent
other reviews of this album
Tyler Cross (4.5)
How a band so unknown can be this good is beyond me...

SnackaryBinx (4.5)
...

alright (4.5)
Gatsbys American dream is a band that many people have hear of or seen live, but have never listened...


Comments:Add a Comment 
marsvolta
April 28th 2005


64 Comments


well, yes i liked my own review...*chorus of crickets chime in*

freetheunfreeworld
April 29th 2005


8 Comments


Cool review just checking them out cuz ive never heard them before. There pretty good. The Guilt Engine and A Mind of Metal and Wheels are great.

incubus62086
July 12th 2005


147 Comments

Album Rating: 4.5

great album, Theater is a great opener that only hints at the rest of the album. My fav is Guilt Engine and Loosing of the Shadow, but the whole album is spectacular.

masada
July 12th 2005


2733 Comments


I read something about them in GuitarWorld, and from that and your review, they seem like they would make for an interesting listen.

Nice review.

204409
Emeritus
July 12th 2005


3996 Comments

Album Rating: 4.0

Really good album but not up to the level of Ribbons and Sugar. They've started to repeat too many chord progressions and techniques from that CD. They need to innovate again if they want another 4.5 from me.

Riley12988
July 13th 2005


109 Comments

Album Rating: 4.5

Indeed, sir. That falling progression of chords and the use of the dominant 7th are getting kinda old. But I'm pretty sure they will find how to spice it up after they get out of their sophomore slump.

fatallyyours84
September 15th 2005


27 Comments

Album Rating: 4.0

This album is incredible. the guitar makes me happy, the lyrics are cool, and i really dig his voice. A Mind Of Metal And Wheels is my favorite by far tho, the drums just makes u want to dance

CushMG15
October 9th 2005


1803 Comments

Album Rating: 4.5

Loosing of the Shadown is definitely my favorite. This is an extremely solid album that leaves little to be desired for me. I have yet to hear Ribbons and Sugar, which I'm told is solid as well.

CushMG15
October 18th 2005


1803 Comments

Album Rating: 4.5

I just heard from a friend who's played a couple shows with these guys that they're record company hated "Volcano". Apparently they're response was "Where the fuck are the choruses?" I hate corporate america.

kolzig33189
October 18th 2005


335 Comments


interesting cd but gets kind of old after awhile

204409
Emeritus
October 19th 2005


3996 Comments

Album Rating: 4.0

[quote=riley]Indeed, sir. That falling progression of chords and the use of the dominant 7th are getting kinda old. But I'm pretty sure they will find how to spice it up after they get out of their sophomore slump.[/quote]

You mean their junior slump. They had Why We Fight as the freshmen.

STFDood84
January 30th 2006


179 Comments

Album Rating: 4.0

Great album and great band. The musicianship is stunning for a (basically) pop-punk band and it's just as catchy as anything on the radio, just far more subtly. Badlands, Shh!, Theatre, Pompeii, and Loosing are my true favorites, but the whole album is unquestionably worth buying if you want a little more thought in your dance rock. 4/5

I definitely posted here before... so where are my older comments?

altrockdude
February 24th 2006


150 Comments


Wow good review. I've only heard Theater and its great.I'm gonna pick this up.

Pyramidman
February 27th 2006


1340 Comments

Album Rating: 3.5

good review, great band

and i think the other guitarist left because he wanted to go to some christian school type thing (lol something like that)

santi3hg
May 7th 2006


440 Comments

Album Rating: 4.0

This album is real good and so is the band. So different from the rest of the stuff out there.

La Revolucion
June 24th 2006


1060 Comments


I just found out Pompeii erupted on my birthday. Not the same year, of course, but the same day. Anywho, I like this album.

ninjaXcore
March 4th 2007


23 Comments

Album Rating: 4.5

Great review. Great album.

kalkal50
March 27th 2008


2386 Comments

Album Rating: 4.0

Is it me or are the Lord of the Flies allusions not just restrained to those on "Fable"?

I love this album.

KritikalMotion
October 5th 2008


2262 Comments

Album Rating: 4.0

probably my favourite pop punk band, so enjoyable

MeatSalad
May 3rd 2010


15029 Comments

Album Rating: 4.5

One of the best albums pop punk has to offer.



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