Fugazi
The Argument


4.5
superb

Review

by Ben Jimenez USER (36 Reviews)
September 29th, 2007 | 487 replies | 42,327 views


Release Date: 2001 | Tracklist

Review Summary: Fugazi sits your mind down in a chair for 45 minutes, opens your eyes, and provides a musical consistency that conveys their message of immediacy and concern with poignancy.

21 of 21 thought this review was well written

The two extended arms on the cover of Fugazi’s The Argument appear to be historic representations of justice or enlightenment, but their orientations are puzzling. It would seem that the outstretched torch-bearing arm would be in a position to pass this flaming symbol on to the next eager hand, though they are pictured anti-parallel. Upon further examination of the album jacket, its silver plated doors open, releasing a booklet from within, and revealing the image of a name and a date printed on the ground. The name belongs to Sandra Scheuer, and the date is of her death on May 4th, 1970. She was a student at Kent State, shot in the throat on her way to class during Vietnam protests, an innocent victim of misguided authority. The theme of questionable practices in government procedures is recurrent throughout The Argument, a politically charged work of art. Fugazi doesn’t just tell stories with names or point fingers and expect you to react. They sit your mind down in a chair for 45 minutes, open your eyes, and provide a musical consistency that conveys their message of immediacy and concern with poignancy.

Ian MacKaye is a titan who helped develop the punk universe. Working out of Dischord House (where Dischord Records has been running strong for 27 years), MacKaye created a hub for music in Washington D.C., practicing the DIY and “flex your head” ethic he preached every step of the way toward organizing the minds of followers. His work in Minor Threat is still highly regarded and imitated, and when Minor Threat disassembled in 1983, MacKaye moved on to other short-lived projects. MacKaye recruited musicians for Fugazi in 1987, and after several lineup changes the band settled on D.C. native and former Rites of Spring guitarist Guy Picciotto to front the act.

Fugazi have a very balanced sound rounded out by bassist Joe Lally and ex-Rites of Spring drummer Brendan Canty. Throughout The Argument, it is evident that the creativity devoted to the vibration of each string or intensity of each beat is concentrated on blending the sound rather than having a single instrument stand out. The sheer talent of each musician is amplified as a result of this cohesiveness. Developing such a focused sound isn’t particularly remarkable on any track. Rather, the entire album is very fluid. The album begins with the “Untitled” introduction, a song that sounds and acts very much like a transition from an external mood to the mood of the album. This works tremendously well to hold The Argument together and lays an eerie foundation for its duration.

The rest of The Argument contains impressive interplay between guitarists MacKaye and Picciotto. MacKaye usually lays the grinding, deep riffs on songs like “Epic Problem” or “Strangelight,” while Picciotto works up and down the fretboard to shape dynamics of hits like “Full Disclosure” or “Ex-Spectator.” They complement each other so well that it emphasizes bassist Joe Lally’s work in the band. Picciotto and MacKaye rock steadily on Lally’s bass lines, which emphasize the chemistry on the powerful “Cashout” and exceptionally subtle “Life and Limb,” among the rest of the songs. “Life and Limb” takes the album in a new direction musically as it breaks down the pace the album begins with, as Lally and drummer Canty produce a throbbing pulse, reverberating under Picciotto’s chants of “Viva viva viva life and limb.” Until “Oh,” the album doesn’t leave its disturbingly relaxed pace. It leaves a dramatic impression upon the listener, avoiding intermittent awkwardness that plagues sophisticated attempts at punk albums while maintaining a striking atmosphere.

MacKaye and Picciotto alternate singing duties, where MacKaye soothes from a throat worn by years of screaming into the microphone, and Picciotto uses a distinct tone wired from his own warped vocal chords. The lyrics recall Fugazi’s most innovative moments as heard on previous hits “Smallpox Champion” or “Suggestion,” with blisteringly chilling inquiries of society. Picciotto’s line during Strangelight, “I lay my head in it / a hundred plans to fortify beige concrete foes on for miles / hiding cities under it / fill my mouth with non-mouth spit / there was a light at the window there was light under the door but it's not there anymore,” furthers the intensity of a piano-laced song that interprets production and urbanization.

Someone once told me that Fugazi is an institution, not a band. Their lyrics, ethic, and musical talent create a force that tears slits through the veil of popular culture, allowing a brilliant light to emerge through the ignorance. The Argument is probably Fugazi’s last album, as it has been roughly five years since they had any musical activity. MacKaye still has projects, as well as other Fugazi members, but it seems that their movement has halted, leaving only the ripples of their work to affect future generations. The music community can only wait for the brilliance to shine through once again.



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Comments:Add a Comment 
chimera908
September 29th 2007



713 Comments


Nice review I really need some Fugazi.

JAD
September 29th 2007



200 Comments


I really need this album. Great review.

KritikalMotion
September 29th 2007



2261 Comments

Album Rating: 3.5

This is a very well written review.

I might just get this.

Iluvatar
Staff Reviewer
September 30th 2007



16083 Comments

Album Rating: 5.0

Best Fugazi album. Truly great.

The Jungler
September 30th 2007



4827 Comments

Album Rating: 4.5

I really need this album. Great review.
this.
I listen to 13 Songs too much

Aficionado
September 30th 2007



1027 Comments

Album Rating: 4.0

Another stellar review Descendents! Well done.

chris1
September 30th 2007



7 Comments


Great review, just listening to the album now, its never grabbed me as much as 13 Songs. Still a fantastic band with so much talent.

DWittisarockstar
September 30th 2007



1501 Comments

Album Rating: 2.5

Great review. Convinced me to look this band up.

descendents1
September 30th 2007



702 Comments

Album Rating: 4.5

Thanks a lot for the comments everyone. From 13 songs to The Argument, Fugazi changed significantly yet stayed so damn riveting.
And for those of you who are visual learners, here is a live music video from the album: http://www.youtube.com/watch?v=3uBEwRYS6ww&mode=related&search=

kidcannes
October 1st 2007



5 Comments


Fugazi has surprised me with every song they have recorded. Your take on their musicianship is interesting. I wish they would come out of their movement limbo, as it were.

Fort23
October 2nd 2007



2475 Comments


wow album. excellent review.

Doppelganger
October 3rd 2007



3124 Comments

Album Rating: 4.5

Thanks for the review. Convinced me to get this. I'm loving it. Cashout, The Kill, Strangelight, Epic Problem, Life And Limb... hell, I can't find a bad song.

Iluvatar
Staff Reviewer
October 3rd 2007



16083 Comments

Album Rating: 5.0

Oh and Cashout are the best songs here, although its pretty close.This Message Edited On 10.03.07

BringHomeTheBacon
October 3rd 2007



248 Comments

Album Rating: 4.5

Definitely the best Fugazi album and somewhere in my all time top 20. Strangelight is my favorite Fugazi song.

NortherlyNanook
October 4th 2007



1285 Comments


[quote="Iluvatar"]Oh and Cashout are the best songs here, although its pretty close.[/quote]

Agreed, but I'd also put in Epic Problem with those two.

Great review and a fantastic album.

humanExperience
October 4th 2007



2 Comments

Album Rating: 5.0

great review - great album

Doppelganger
October 10th 2007



3124 Comments

Album Rating: 4.5

Oh sounds almost like it came right out of Double Nickels On The Dime. Except not 45 seconds long.

descendents1
October 11th 2007



702 Comments

Album Rating: 4.5

The guitars are similar but the bass is far from Watt's formula. I don't think the drums are close, and the second half of the song really differs from anything the Minutemen did.
As far as best song on the album, Cashout, Full Disclosure, and Epic Problem are almost equal. Oh is really, really cool but I don't think it's as good as the others.

PhoenixRising
October 11th 2007



277 Comments

Album Rating: 4.0

Great album. Not sure if I hear the Minutemen in there as you did, but still probably my favorite CD of theirs and unexpected when it came out!

Doppelganger
November 25th 2007



3124 Comments

Album Rating: 4.5

Epic Problem is the best song on the album. The second half is EPIC LOL.



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