Deerhunter
Cryptograms


4.5
superb

Review

by Ryan Flatley EMERITUS
August 22nd, 2007 | 66 replies | 15,917 views


Release Date: 2007 | Tracklist

Review Summary: Quite possibly the most overlooked album of 2007, Deerhunter’s latest release, Cryptograms, is a dissonant and yet infectiously catchy release.

Standing there with a frail framed body, in all of his (at the time her, with a lovely Sunday dress) glory, the awkwardly placed vocalist began to mesmerize the crowd. Meanwhile, the bassist decided to pull one out of the “how to be cool” textbook by smoking a cigarette during the performance while putting out wonderfully smooth riffs. As the guitars began strumming an ambient noise, the sound translated into a harmonic masterpiece that infiltrated the air while the drumming was the heartbeat of it all. This was my first encounter with Deerhunter. Regardless of how strange it looked on stage (lead singer, Bradford Cox's outfit, mainly) the sound was something else, something more, and something I finally understood after listening to their latest full-length album, Cryptograms.

Their album contains hazy dissonant tracks like, Intro, Red Ink, White Ink, and Providence, that swirls into a daze similar to a Sonic Youth noise track. In addition, a daze that you may not get out of, that is of course if you do not listen to the latter songs. After each mystifying track that is primarily noise (tracks one, three, five, seven), there shines a beautiful sound to come. Starting with the track Cryptograms, one of the many catchy songs that are smooth and relaxed, yet laced with a strong bass line. In fact, for the majority of the album, it is a completely relaxed mood, followed by bursts of energy with each chorus sung. With each verse or chorus that passes, eerie vocal work hovers over every note. This can go hand and hand with the first half of the album that tends to be a bit on the slower side as far as pacing. A main reason is primarily the dissonant and yet subtly melodic tracks butting in between songs; yet it still maintains its composure. In spite of everything, it is hard to miss tracks like Lake Somerset and Octet anyway. After all, both songs contain gorgeous, clean guitar riffs that intertwine the pulsating beats and smooth bass lines that create a moving atmosphere. That same atmosphere flows into Red Ink, which has a fantastic ending, which is the prelude for the album to build momentum.

After which, the truly accessible tracks are embedded at the end of the album, starting with Spring Hall Convert and Strange Lights, which push the likes of indie pop at times with their upbeat manner and catchy riffs. More so, the sound of Strange Lights reminds me of a tiny band named Of Montreal with its pop attitude. The dazzling clean vocal work and lively instrumental work creates a saga of a continual ending when the volume stays the same until it finally, and abruptly fades out. In addition, the difference in sound from the first half infers a question of whether the mood within the band changed or they simply stored away a well-kept secret of their musical endeavors. Hazel St. and Heatherwood are no different in their agenda of ripe enjoyment with the use simplistic and effective guitar work. It is hard to believe the unparallel sound between the two halves of the album, it is reminiscent of a fog leaving a bay that is usually streaming with liveliness.

To be perfectly honest, this album was tough to get through at first listen. It was not until my undivided attention was given that everything came together into a collection of hidden beauty. Cryptogram’s contains songs with an unreal accessibility when compared to the noise-oriented tracks that bleakly began the album. However, that is a good thing. After all, as of late too many albums cannot maintain their stamina throughout an entire time span when Deerhunter manages to build something stronger as the minutes elapse. On a final note, the album ends with lyrics muttering, ‘…was not seen again,’ which could be fitting if Cryptograms does not catch on soon to the music community. I hope that phrase turns to irony when it is seen again, and again, for a long time to come.


Rating: weak 4.5

Spring Hall Convert, Heatherwood, and Cryptograms can be found at:
http://www.myspace.com/deerhunter



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user ratings (307)
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Alex Robertson STAFF (4.5)
Was not seen again....


Comments:Add a Comment 
blackmilk
August 22nd 2007



584 Comments


Quite possibly the most overlooked album of 2007


No.

Kaleid
August 22nd 2007



704 Comments


Very interesting; I especially like the guitars on Heatherwood; very evocative

IsItLuck?
Emeritus
August 22nd 2007



4906 Comments

Album Rating: 4.5

No.


That's on the basis of this community, which I haven't heard anything all year. Thanks for playing.

blackmilk
August 22nd 2007



584 Comments


Maybe I should write a review and make a bold statement on the basis of progarchives!

La Revolucion
August 22nd 2007



1060 Comments


The ambient songs aren't dissonant at all. They're extremely melodic.

Also re-read your review. There's a bunch of weird sentences and grammatical errors.This Message Edited On 08.22.07

IsItLuck?
Emeritus
August 22nd 2007



4906 Comments

Album Rating: 4.5

yeah I kind of butchered that up upon further review, but there is still a good amount of it within those songs. so...yeah. With the awkward sentences, I don't know how I didn't pick up on them the first couple reads, but yeah. Grammar? I can't find anything, but ok.This Message Edited On 08.22.07

Apocalyptic Raids
August 23rd 2007



810 Comments


I've only heard Flourescent Grey by this band. It's alright, I haven't really listened to it that much though. Might check this out.

br3ad_man
Emeritus
August 23rd 2007



2124 Comments


I still haven't heard this, but I definitely plan to.

YourBiggestFan
August 24th 2007



22 Comments

Album Rating: 3.5

Yeah. . . this band gets crazy ammounts of press from Pitchfork. I like some of the songs, but I'm still not a believer in all the hype.

cometuesday
September 23rd 2007



959 Comments

Album Rating: 4.0

I really, really liked this on my first listen.

cbmartinez
January 20th 2008



2523 Comments


listening to this now for the first time, it fucking rules

sgrevs
February 23rd 2008



698 Comments

Album Rating: 4.5

Nice review, really like this album. It has been very overlooked on this site, surprisingly so.

jontheatheist
April 1st 2008



79 Comments

Album Rating: 4.5

Spring Hall Convert may be one the greatest songs of the decade. It's fucking perfect.

plane
Staff Reviewer
November 21st 2008



5836 Comments


octet is the shit

jontheatheist
November 23rd 2008



79 Comments

Album Rating: 4.5

Better than Microcastle

slan
February 10th 2009



50 Comments

Album Rating: 4.0

Different than Microcastle, possibly better, idk.

NotMrBlonde
May 25th 2009



395 Comments

Album Rating: 4.5

This and Microcastle are like the only I've been listening to in the past month, I fucking love it.

xNintendoCorex
May 25th 2009



1272 Comments

Album Rating: 4.5

im very slowly seeing the importance of this album.

Kashmir09
July 26th 2009



772 Comments

Album Rating: 4.0

Don't see too many albums structured in such an odd format, tasty stuff

Zorg
August 25th 2009



65 Comments

Album Rating: 2.5

Eh, there are moments where this band achieves great things, like on Lake Somerset, but they're way to far and in between. Just meh.



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