Aphex Twin
Come To Daddy


3.0
good

Review

by Fort23 USER (29 Reviews)
July 28th, 2007 | 6 replies | 1,981 views


Release Date: 1997 | Tracklist

Review Summary: An uneven, yet enjoyable record that showcases both the undeniable beauty, and some of his harshest constructions.

2 of 2 thought this review was well written

Aphex Twin-Come To Daddy

Aphex Twin is a rather eerie folk, as most electronic artists are. He's a genius, and all genius's are mad. Screaming, and complex terror is often at the brink of his genius, and right along side it is a beautiful, yet still scary horizon. When they work together, they can eat you up and zone you out into a distorted, and ambient harmony. When they don't work together, they can eat you up and spit you out feeling confused, and maybe a little pleased with the ride. Never more certain is the later statement, than on his Ep, Come To Daddy.

Come to Daddy shows Richard D. James cutting his work into two sides; one side is a very textural side that uses steady but not overtly complicated beats and various drum, and piano loops. The other side, however, shows James going deep into the lake of insanity, and surfacing with some creepy, yet often enjoyable results. The first Come to Daddy song, the Pappy Mix, is possibly his heaviest song with an underlining drum beat, and a very distorted rhythm. The vocals come through just as distorted as the vocals do. Hardcore Techno influences are apparent throught the song, but with a larger hint of experimentation. The experimentation of the song does not overshadow the horrifying and Industrial mood of the song, but the experience is interesting enough to take a listen or two, if you're in the heroic mood. The second Come to Daddy mix, Lord Faulteroy, is led by a very simple drum beat, and an eerie vocal that sings "ooh you dirty, dirty boy, dirty dirty boy". It's not as funny as it is creepy, but it still shows a bit of non-seriousness, in contrast to most of Aphex Twin's dark ambient work.

But the distorted experimentation is not found everywhere on the record. The most brilliant song is probably Flim, a track orchestrated by a beautiful Piano loop and a distorted, yet fitting drum beat. It's ambient, but not overly ambient, and manages to keep that bit of focus alive. Another beauty is the longest track, Bucephalus Bouncing Ball. It features a few time changes but sticks to the overall lush textures. He continues to brink that beautiful, yet focused sense alive on the fragile melodies that ensues beautifully on the closer, IZ-US. The beats are interesting, and the ambient piano tracks keep the song alive, and touching.

While the album is eccentric and pretty varied, it still is slightly bland. The major reason is that the album is uneven, there are no tracks that connect the opposing sides of the record. The distorted and often scary tracks bump right into the melodic and pretty tracks. It makes the listening experience somewhat of a roller coaster, and not always in a good way.



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Comments:Add a Comment 
Fort23
July 28th 2007



2474 Comments


It's pretty short, but I couldn't think of a whole lot to say. Hope it's good.


Comment.This Message Edited On 07.28.07

Monticello
July 28th 2007



805 Comments


Pretty cool review, not bad.

The video for 'Come To Daddy' (pappy mix I think) is just plain freaky.

Fort23
July 28th 2007



2474 Comments


especially when the monster just pulls out on the old lady. Crazy stuff...
thanks for commenting!

sgrevs
July 28th 2007



698 Comments

Album Rating: 3.5

I dig this EP, it's real good and very scary. Film is an awesome awesome song, I think it's my favourite. Its a good addition to a collection if you're an Aphex Twin fan, if not, I wouldn't suggest starting with it.

Great review too.

LifeInABox
July 30th 2007



3708 Comments


You're seriously 12, dude?

Fort23
July 30th 2007



2474 Comments


Funny Little Man is scaring the crap out of me...
Yea I'm twelve. Does it show?



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