Porcupine Tree
Deadwing


4.5
superb

Review

by Jeremy Price USER (33 Reviews)
May 8th, 2007 | 6 replies | 3,448 views


Release Date: 2005 | Tracklist

Review Summary: Deadwing proves to be the Porcupine Tree's most accessible release to date, yet still can be considered one of the many gems of the band's discography.

3 of 3 thought this review was well written

About six months ago, I realized something which changed the way I look at music forever. I was about nine minutes into “Meccamputechture” a Mars Volta “epic”. The saxophone was blairing a frighteningly off-key melody, there were random whistle blows occurring in the background, and reversed cymbal crashes and electronic pulsing accompanied a flurry of random string plucking. It was about this time when I realized that technicality means absolutely nothing unless what you’re doing actually sounds good.

Perhaps that what makes Deadwing such a special record for me. Porcupine Tree have built a small but loyal following off consistent, catchy, technical prog rock, and still managed to stay near unclassifiable due to the many elements of metal, acoustic rock, and psycadelic rock they incorporate into their distinct sound. Deadwing showcases each of these elements perfectly, yet still remains a cohesive effort.

What’s impressive from the start is how quickly the band manages to change it’s sound. We move from dirty, hard hitting metal riffs in Shallow, to the poignant and beautiful piano work in Lazarus, to a creepy, oddly absent bass-driven religious statement with Halo. Often, the band changes styles right in the middle of a song (Open Car switches between chunky riffs and ethereal chords many times, yet never loses its direction) The band plays around with both their heavier, metal driven side, and their lighter, more progressive side, and both come off beautifully.

Steven Wilson, the band’s primary songwriter, vocalist, and guitarist, has definitely come forwards with Deadwing, especially in terms of his vocals. His distinct smooth tone has always been great, but he really shows what he’s capable of on the CD. The vocal highlight of the album would have to be Mellotron Scratch, which has some of the most perfect vocal layering imaginable, especially on the choruses and hair-raising outro. Looking over the entire, no member under-performs. The bass is always doing something interesting, the drums are strong and keep a firm sense of control on the rest of the music, the guitars have plenty of nifty hooks and riffs to keep you interested, and the keyboards are either providing great soundscapes or highlighting all of the other fantastic aspects of a song.

What’s best about Deadwing is just the way it makes you feel. This album feels epic in scope. The best indicator of the true scope of Deadwing is the album’s central focus piece, Arriving Somewhere… But Not Here. Spanning twelve minutes, and going from spacey and ethereal keyboards to heavy chugging metal riffs within seconds, the song sums up what is a near perfectly crafted album. What's even more amazing is that it never gets tired. Nowadays' it is rare to find a band who uses their time effectively in long songs, and so many end up either overcrowded or repetitive. Arriving Somewhere is neither of these, and is a clear standout.

There are so many reasons to recommend Deadwing. It’s catchy, it’s technical, it’s heavy, it’s spacey, it’s soothing, it’s huge, and most importantly, it just sounds great. If it weren't for the somewhat lackluster ending piece Glass Arm Shattering, this might well be a perfect album. The album doesn’t let itself get cluttered with over-pretentiousness, and instead simply brings us a musical experience that can be listened to, no matter you mood.

Recommended Tracks:
Deadwing
Shallow
Lazarus
Arriving Somewhere… But Not Here
Mellotron Scratch



Recent reviews by this author
FACT burundangaThe Dear Hunter The Color Spectrum (Complete Collection)
Cancer Bats Bears, Mayors, Scraps & BonesPain of Salvation Road Salt One
Circa Survive Blue Sky NoiseChildren of Nova The Complexity of Light
user ratings (2063)
Chart.
4.1
excellent
other reviews of this album
1 of

Comments:Add a Comment 
Acre
May 9th 2007



847 Comments

Album Rating: 4.5

Bit short, maybe. Too bad.

THis CD's been on my playlist for several months now, and I just had to review it. I would have done Fear Of A Blank Planet, but frankly, there's been enough praise of the album already, and I couldn't add anything new.

Altmer
May 9th 2007



5652 Comments

Album Rating: 4.0

this album is inferior to in absentia and fear of a blank planet, good review though.

arriving somewhere but not here is pt's best song ever though.

Confessed2005
May 9th 2007



3314 Comments

Album Rating: 4.5

^^^ I don't think it is inferior to either of those albums. I think it matches them both in terms of quality.

Great review for an excellent album.

jrowa001
May 9th 2007



8750 Comments

Album Rating: 5.0

^^^ i agree. this album, in abstentia, and foabp have all been excellent quality albums. but this album is my fav of the 3. great review

Acre
May 9th 2007



847 Comments

Album Rating: 4.5

Ya, In Absentia doesn't grab me as hard as this and FOABP do, but it's still great, too. I still consider this just a bit above FOABP, but both are excellent.

I haven't heard anything from their old stuff, but I've heard it's pretty good, so I might download some of it to see.

Cravinov13
May 9th 2007



3854 Comments

Album Rating: 4.0

In Absentia owns this album, but this is still a good CD. My favs are Deadwing, Lazarus, and Shes Moved On.



You have to be logged in to post a comment. Login | Create a Profile





FAQ // STAFF & CONTRIBUTORS // SITE FORUM // CONTACT US

Bands: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z


Site Copyright 2005-2013 Sputnikmusic.com
All Album Reviews Displayed With Permission of Authors | Privacy Policy