Pennywise
Full Circle


4.5
superb

Review

by RandyfromPennywise USER (34 Reviews)
April 17th, 2007 | 13 replies | 11,632 views


Release Date: 1997 | Tracklist

Review Summary: Q: What is assertive, cacophonous, no-nonsense, uncompromising Punk Rock? A: Full Circle by Pennywise.

6 of 6 thought this review was well written

Pennywise get a lot of crap. "All their albums sound the same"; "They can’t do anything new" etc. etc. etc… Here’s something for nothing: Full Circle is one of the best Punk albums of the '90s. This is 40 minutes of harsh, abrasive, inspiring and brilliant Punk Rock. Full Circle is probably Pennywise’s best album.

Full Circle was released a year after the suicide of Pennywise founding-member Jason Thirsk. The band contemplated breaking up, but decided to finish the album that was underway at the time of Thirsk’s death. Randy Bradbury stepped in to become the permanent bassist and Pennywise-post-Jason was born. Tragedy can inspire and unite like few other things.

For a band lambasted as much as the Hermosa Beach foursome, Pennywise have a surprisingly large and loyal fan base. Many wonder why. This album is why. This is how Punk should be. Fast, aggressive, forceful and honest. Fletcher Dragge’s guitar work is blistering throughout the entire album. He leads from the front and combines with Jim Lindberg’s vocals sublimely. Bradbury and Byron McMackin form a remarkably solid and dexterous rhythm section, as McMackin confirms his reputation as one of the best drummers in Punk. Lindberg’s lyrics are inspirational, commanding and uncompromising, while the delivery is unwavering in its tenacity. The combination is as fast, powerful and compelling Punk Rock as you’ll hear.

The album begins with the authoritative call-to-arms Fight Till You Die. The scorching main guitar/bass riff is the driving force of the song as it flies through at a million miles an hour, adeptly supported by McMackin’s dynamic and express drumming. The message couldn’t be more straightforward: Never give up - Fight Till You Die. Going straight back in to the verse following the sudden pause after the second chorus only enhances the energy building towards the final chorus - and the roars of the song title. Hardly having time to take a breath, Date With Destiny rolls on and keeps the blistering pace going. This has a certain About Time feel to it. Dragge’s guitar glides over the drums and bass in the intro, and Lindberg’s lyrics continue the positive yet forceful message so pivotal to this album and its success.

Get A Life offers up possibly Bradbury’s best bass line on a Pennywise song. The riffs are as blistering as the opener and the pace is as frantic as any PW track. Like so many tracks on here, there is no break from the relentless pace and power. I remember one of my best mates - who doesn’t like/listen to Punk - was really in awe when he heard this album. "How can you drum like that? It’s ridiculous." Take that as a positive or a negative, whatever, but it only confirms that this is some of the fastest and most powerful Punk, certainly of Pennywise’s catalogue. And so we come to the only song to be released as a 'single' from the album - Society. The lead riff is instantly recognisable as Pennywise, and the formula has been used before and since many, many times. But it works here as well as any PW song. The lyrics are non-specific, the vocals can get monotonous and there is little variation in the guitar and bass work. But put it all together and you have one of the iconic Pennywise songs and a genuine Surf- and Skate-Punk classic. The highlight is probably the mesmeric bass guitar intro over the tribalistic drum beat.

If you asked me to suggest one song that I define as "Punk Rock", there are a few that come to mind. The Decline is probably the one. But then again, NOFX are Punk Rock. But Broken by Pennywise would be up there. Fast, relentless, a scorching guitar solo and a lyrical message. The message is yet again maintaining a positive outlook when faced with adversity, and the chorus is as catchy a song as any on here: "I’ve been used, I’ve been bruised, I’ve been broken, And I’m backed up against the wall. But my will to survive can’t be stolen. And you can’t make me fall."

An undoubted feature of the album is the coalescence of the drums of McMackin and the bass of Bradbury. The break on Go Away sounds as if the pair have been playing together for 10 years. It was almost a statement of intent from Bradbury - "I’m Pennywise’s new bassist, and I’m good". The little bass fills and licks are spread throughout the album, making this without doubt the bass guitar highlight of the Pennywise discography. But McMackin’s performance arguably outstrips all others. His rapid-fire drumming gives Full Circle a tangible musical dimension not found on many other Punk albums. His fills, speed and general beats are truly something for the untrained ear to behold. To me - certainly not a drummer - it just sounds amazing. On almost all of the tracks the drumming can hold your attention like no other Pennywise album.

For me, this album is Californian Surf-Punk. This is probably best described by the intro to Every Time. Maybe it’s because I heard this song on a surf video a number of years ago, but that intro just says Surf-Punk to me. And these intros are certainly a feature of the album, but it is here where monotony needs to be mentioned. In an album that is unwavering in its pace, unrelenting in its energy and untiring in its forcefulness, there is little room for variety. This intro to Every Time could easily be mistaken for the intro to Broken, and likewise Final Day has marked similarities with What If I. Even so, the latter is one of the highlights of the album. Lindberg’s meandering vocals walk us through the verses before the assertive pre-chorus “Hey! Die! You want an alibi?” leads deftly in to the rolling chorus. What If I certainly rehashes the scent of About Time without detracting from Full Circle’s own distinctive flavour.

Bro Hymn. It had to be. The song Jason wrote. A song about brotherhood, friendship, and the poignant line "Life is the most precious thing you can lose". Bro Hymn Tribute is probably the best version of the song the band has done. Not because it’s played flawlessly (it's sloppy and not everyone's in sync at various points) or the recording was brilliant, but because the feeling in the song is unmatched. When Justin Thirsk (Jason’s brother) gets on the mic, you can hear the emotion being stuffed down the microphone and out of our speakers. He is half-screaming half-crying when he roars “Jason, my brother, this one’s for you…”. And of course there had to be an encore. Then another one. Dragging on for five minutes, it’s a legendary Punk song and certainly the most recognisable Pennywise song ever. It’s the perfect ending to an album that is in many ways a tribute album to Jason.

Ah, but it doesn’t quite end with Bro Hymn Tribute. Give it a minute. Wait… Ah there it is. That famous piano part we know from Unknown Road and the start of Live @ The Key Club. On those recordings, we get about 30 seconds of the piano. Here, we get the full 14 minutes of one of the most emotional pieces of music heard on a Punk record. Kind of out of nowhere comes this pensive, depressing and yet at times uplifting piano piece that truly caps of the album. You won’t hear this blaring from the stereos of Pennywise fans' cars, but if the album is left playing and this comes on, well it’s quite the surprise. And a truly fitting final tribute to Jason Matthew Thirsk.

Full circle. The band had come full circle. They’d formed nine years prior, lost a member, and now produced their best record. If you want no-bullshit Punk Rock, this is the album. This came at a time when Punk as I know it was dying out and it’s a fitting record to encapsulate a lot of the '90s Punk scene. Brett Gurewitz’s ability in the mixing studio helped produce the only Pennywise album to chart in the Billboard 200. Not a bad effort. (It got to #79.) But it’s no surprise it charted - it’s a great album.



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user ratings (222)
Chart.
3.9
excellent

Comments:Add a Comment 
Foodforthegods
April 17th 2007



425 Comments

Album Rating: 4.0

Definatly a punk classic for me. I remember being 11 years old and listening to this record. Bro hymn tribute and Society are such classics. Good record!


spoon_of_grimbo
April 17th 2007



2240 Comments


excellent review!

i've been meaning to get this for the best part of about 5 years now, and i've never gotten round to it. although about time ranks among my favourite punk albums, so if this is really even better than that, i may just have to invest in it!

RandyfromPennywise
April 17th 2007



752 Comments

Album Rating: 4.5

Do. Only Straight Ahead can match this.

The Sludge
April 17th 2007



2169 Comments


I only have Land Of The Free? and I thouroghly enjoy it. But you sold this to me. Nice review.

Intransit
April 17th 2007



2797 Comments


good review, but nothing touches the self-titled. That is the only PW album I truly enjoy anymore.

Two-Headed Boy
April 17th 2007



4527 Comments

Album Rating: 3.5

Good review, man. I rather like Pennywise, despte all the repetetiveness. This is one of their best, along with their s/t. "Bro Hymn" is one of the catchiest songs ever.

TBrown87
April 19th 2007



52 Comments


yay! This album is pretty cool.

RandyfromPennywise
April 19th 2007



752 Comments

Album Rating: 4.5

Yeh sure is, really strong stuff from a band that most people think never did anything good in their lives! Broken and Society are really, really good Punk songs. This Message Edited On 04.19.07

dub sean
June 21st 2007



980 Comments

Album Rating: 4.0

This was the 1st Pennywise album I ever got. I bought it for Society, kept it for the Bro Hymn Tribute. Great review, you nailed the feeling. Good job.

RandyfromPennywise
June 25th 2007



752 Comments

Album Rating: 4.5

Thanks man. You've got some great taste in music there Sean.

armchairidealist
May 2nd 2008



12 Comments

Album Rating: 3.5

I think in general, Pennywise don't really mix up their sound but if i had to pick one, it would definitely be Full Circle. Solid throughout. This is a relentless eulogy to Jason Thirsk.

Kardy
July 12th 2010



4 Comments

Album Rating: 4.0

Some really sweet tracks there

owl316
January 17th 2011



83 Comments

Album Rating: 4.0

Great review and album, but this isn't surf punk. Just because Pennywise surfed a lot doesn't mean they're surf punk. There aren't any surf punk style riffs in here (like Agent Orange).

I just listened to the entire album for the first time. It's arguably their most consistent, and maybe even the most powerful sounding, if you think of the history of the band after Jason's death.



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