Klaxons
Myths of the Near Future


3.5
great

Review

by Dr Dave De Sylvia STAFF
March 26th, 2007 | 14 replies | 10,497 views


Release Date: 2007 | Tracklist

Review Summary: Myths of the Near Future is no classic- the highs don’t come fast enough to warrant that- but it’s a solid debut release from one of the least pretentious bands around

When English electro-pop revivalists Hot Chip sang last year of “the joy of repetition” (‘Over And Over,’ The Warning) they were probably referring to themselves. More probably, it was a self-conscious justification of their own brand of metronomic DFA-style pop. And it didn’t work.

Klaxons, on the other hand, are perfect examples of the working principle. The self-professed inventors of “new rave,” a rather fancy way of saying “Franz Ferdinand”- that is, art rock under the influence of electronic dance music- understand perfectly the mesmerising effect of repetition on a piece of music, provided the right ornamentation is in place. New single ‘Gravity’s Rainbow’ runs a little past two-and-a-half minutes, and the second half is no more than a breathless recycling of the chorus while additional instruments are added with each rotation, a method so simple that you’d wonder why more bands don’t do it- perhaps it requires imagination. The same trick is repeated throughout Myths of the Near Future, the London group’s bookish debut release. Think the immediacy of early Bloc Party, without the college-level political slogans, matched with the unashamed shindiggery of the acid dance era- or, to re-boil and overused kettle, rave.

The “new rave” proclamation has become an incredibly boring topic very quickly, threatening to overshadow a very promising debut album. The bulk of the criticism has emanated from the generation old enough to have experienced the early-90s “drugs and crap music” era firsthand and self-satisfied enough to hold a band’s lesser years against them, while certain other quarters have seen fit to hail them as the saviours of whatever’s in fashion this month. The derision from purists is understandable to a point, as the rave influence on Myths of the Near Future is more an atmospheric and a textural approach than anything substantial, but it misses the obvious point: new rave isn’t supposed to sound like pure rave (ambiguous to begin with), otherwise it wouldn’t have a big fat “new” in front of it- expecting a nostalgia trip from Klaxons is as stupid as expecting The Damned from Talking Heads or T. Rex from Explosions From The Sky.

Stylistically, Klaxons have more in common with the art rock revivalists of last year than they do the current crop of dance-punk outfits. There’s two sides to their sound; the first is the rock side, dominated by the infectious and enviously-simple basslines of frontman/bassist Jamie Edwards, the other centred around slowly unfolding pop soundscapes courtesy of keyboardist James Righton. ‘Atlantis Interzone’ fits into the first category, an over-the-top anthem that hints at the introverted highs of rave but thankfully winds up in Bloc Party territory, while ‘Totem on the Timeline’ is a slightly obtuse, atonal rocker that further plays up the club gimmick with the line: “At Club 18-30 I met Julius Caesar, Lady Diana and Mother Teresa.” Sober, you’d probably only meet the latter.

The top tracks, however, aren’t the energetic post punk numbers but the textured pop ones. Single ‘Golden Skans’ broke the band commercially earlier this year, and with good reason; it’s a densely-packed pop track, clocking in well below three minutes but with enough unique themes to fill six, and the “oo-ee-oo” vocal theme might rival gonorrhoea in the “most infectious” stakes at any given house party. ‘As Above, So Below’ channels the occult by way of 13-era Blur, as does ‘Magick,’ repeating the “oo-ee-oo” trick through a James Murphy prism, while the update of Grace/Paul Oakenfold’s club classic ‘Not Over Yet’ (here titled ‘It’s Not Over Yet’) is inspired, recasting the choppy synth riff as a wiry guitar line and correcting the original’s unfortunate bias by emphasising the stunning vocal melody.

Myths of the Near Future is remarkably pithy for a dance album, even a rock album in this age, clocking in at just thirty-five minutes (minus the hidden track and the hideously long wait to get to it). And though it peaks very early and lapses into imitation at times (‘Forgotten Works’ owes a lot to Tears For Fears’ ‘Everybody Wants To Rule The Wolrld’), there’s no “bad” tracks to speak of. Add to the mix two monster singles- it’s been quite a while since a rock act has had huge back-to-back singles in these parts- and a couple of potential re-releases, and you’ve got yourself something quite special. Myths of the Near Future is no classic- the highs don’t come fast enough to warrant that- but it’s a solid debut release from one of the least pretentious bands around- and for that they deserve your money.



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Comments:Add a Comment 
The Jungler
March 26th 2007



4827 Comments

Album Rating: 3.5

Great review, I still really like Hot Chip though. I also kinda want to hear this, this band has always sorta interested me. I'll check the stream out tomorrow I think.

samthebassman
April 1st 2007



2164 Comments

Album Rating: 4.0

Wow, this is a driving, thumping album.

Cheeseofultimatedoom
April 1st 2007



4 Comments


it was NME that started calling them "nu rave", not the sorry group of muscians themselves. Not that they particularly suffered from all the hype, i just think that the klaxons sound like your typical indie band.

Neoteric
April 1st 2007



3243 Comments


The “new rave” proclamation may not has become an incredibly boring topic very quickly

*Have

Nice job anyway.

mx
Moderator
April 2nd 2007



733 Comments

Album Rating: 3.5

Golden Skans is ridiculously amazing

Justanothernimrod
April 2nd 2007



478 Comments


I hope this album doesn't get overlooked in time because of teh awful scene that surrounds it. its one of teh finest pop albums I've hearsd for quite some time.

oh and this review is really fantastic, well done!This Message Edited On 04.02.07

Slaapkamers
May 4th 2007



596 Comments


The songs on the band page are kind of horrible.

alexjvaughan
May 7th 2007



1 Comments

Album Rating: 4.0

I think that this album has very few flaws except for the song The Four Horsemen.

Feverishly infective and catchy, the songs, As Above, So Below...Golden Skans...Magick...and Gravity's Rainbow are excellent and will remain high on my personal songs rotation for a while...great album!!

Well written review by the way.

RandyfromPennywise
May 8th 2007



752 Comments

Album Rating: 4.0

Golden Skans is really, really good - I'm liking it almost as much as Our Velocity by Maxïmo Park and The World At Large by Modest Mouse. Almost but not quite, but Atlantis To Interzone is awesome as well.

BoSoxorz
June 9th 2007



56 Comments

Album Rating: 4.5

Great review, great album.

Robots8MyGrandma
July 24th 2007



26 Comments

Album Rating: 4.5

these guys are really awsome... i saw thier video for Magick on sub-terrainian and it was one of the best videos i've ever seen on subterrainian. but Golden Skans is really cool, too.

Jacaranda
July 24th 2007



684 Comments


I like Hot Chip, this album eh not so much. The single is pretty good.

unbornchikkenvoices
September 27th 2007



78 Comments


The name Hot Chip kind of says what the band's music is like.

I like this a bit.

PGST3
September 7th 2011



53 Comments


I like this a lot more than Hot Shit. I agree that it's no classic, but these songs are really catchy, and not the kind of catchy you hate.



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