|UserReviews 4Approval 100%Soundoffs 542Album Ratings 1231Objectivity 75%Last Active 12-13-15 4:40 pmJoined 01-01-12Forum Posts 2Review Comments 14
| ||Olga Bell Tempo|
Bell's playful sass and pushing of the electro-pop envelope intrigue, but the beats often seem far too eager to eschew cohesion for abstraction+eccentricity, and usually the result comes off labored and lumbering more than it does engaging or felicitous. Potential abounds but it seldom gels here -- not looking for total uniformity or nothin', but some more solidity would go a long way. Doing away with the pesty pitch-shifts and hackneyed house hi-hats would too, methinks.
| ||Smashing Pumpkins Adore||4.0|
| ||A Sagittariun Elasticity|
Admittedly began skipping past most of the talky transmissive interludes after a few plays; cuz hey, 70+ minutes of heady techno is mentally taxing on its own, never mind the added occasional shift into philosophical brain-buster discourse. But they do make this beat-ridden beast feel comprehensive+cogent and also complement the surrounding compositions, as in they too make you sit back and think "like, whoa, man": spacey but never limacine, involved without being too burdensome, a vivacious and varied sound palette that's fond of muzzling its melodies. The ender emergence into the hustle-n-bustle-n-rainfall of Myrtle Avenue fittingly feels l
| ||Julianna Barwick Will|
Her airy+layered+indecipherable Enya-esque vox are steadily breathtaking; and whether paired with soaring synth drones or ambiance with pinches-o-piano and subtle strings, it makes for a captivatingly churchy tranquilizer -- or straight-up divinity deliverer at its best ("Nebula", "Same", "Someway"). That's not to say the uniform wafting and sense of inactivity don't become a bit snoozy; that they predictably do. But thankfully it doesn't get as vast or inflated as, say, comparable contemporary Gabi; or for better or worse, as weird: instead of Argento vibez for the finale, we just get drums and a lil electro-takeover.
| ||Coal Chamber Coal Chamber||1.5|
| ||18+ Collect|
Comes off as somewhat surplus when taking into account their more-sprawling/parentheses-packed release from three months prior, especially being plainly plainer and really no less obnox persona-wise. But if you dig/tolerate/get a kick outta their apathetic weirdo disposition and art-n-pills-at-night mood-trap beats then this shouldn't disappoint -- matter-o-fact, a reduction in glitch-work experiments and the comparative cleanliness arguably give this the upper hand in some ways. "Drama" sees 'em at a surprising tier of legitimate despite repeated allusions to tigers+chimps, "Glow" is an anomalous shrill-effect acoustic solo effort via the fe
| ||Katatonia The Fall of Hearts|
The Hall of Farts
|Sinternet lol what where did you even get that from|
|Sinternet your soundoffs are pretentious drivel that hardly ever make sense good job|
|qwe3 you really manage to capture the essence of albums in them mate, so if you could translate that to reviews i'm sure you'd be one of the better reviewers on the site. which i'm told is a big deal.|