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|Portugal. The Man: Ranked|
One of my favorite bands of this generation - ranked.
|1||Portugal. The Man|
The Danger Mouse-assisted outing is the band's strongest album in years. Featuring
"Modern Jesus" and the infections, "Purple Yellow Red and Blue," EF finds Portugal in
clear, top form. Songs like "Atomic Man" and "Plastic Soldiers" help lay a concept for
this extremely spaced out record, indebted to 'Dark Side'-era Floyd and Sgt. Pepper-
era-Beatles. Evil Friends is a truly sinister depiction of the world around us, and half the time, it's too damn
catchy for you to even notice. Recurring musical themes and lyrics help make Evil Friends an experience, not just an album.
Songs like "Waves" and "Sea of Air" go for a more cerebral, atmospheric sound, and add to the existential nature of the
record. Evil Friends finds solace in the darkness.
|2||Portugal. The Man|
The Satanic Satanist
The closest that Portugal will come to having the perfect album. John Gourley
mentioned going out of his way to write pop songs for SS, and it clearly shows.
Opening one-two punch, "People Say" and "Work all Day" start the album off to a
slow start, but lead way to more diverse tracks. "Do You" and "The Sun" show off
glossier production, and an emphasis on classic-rock melodies. Perhaps SS was
P.TM's finest album, start to finish. It's easy to love The Satanic Satanist. 35 minutes
of completely catchy rock music.
|3||Portugal. The Man|
In the Mountain In the Cloud
This was the "ambitious" one. ITMITC gets a load of flack for being the "obvious" shot
at psychedelic rock, even to the point of obscenely long song titles, and overly
layered music. As it stands, ITMITC is the gateway to the drug that is Portugal. The
Man. Everything you love about the band's past - the drugged out
"Senseless" and "Floating," and the progressive nature of "All Your Light" and "Sleep
Forever - is present in droves. The only problem is in its presentation. ITMITC is the first
album where JBG assured us that his falsetto would be his primary tool in future
recordings. The album is solid, and as it seems, people either hate it, or treat it as a
|4||Portugal. The Man|
Where they found their sound. Some of the band's finest moments are here; "Hard
Times" and "1989" are bonafide classics, yet never appear in concert. Gourley
embraced his experimental nature on CC, opting for a more arranged album, as
opposed to the raw rock of Church Mouth. CC remains a fan favorite, and stands as
the album where Portugal shed their "faux-Mars Volta" skin, and became a
completely different monster.
|5||Portugal. The Man|
Many will argue this is the lowest quality Portugal album, and they are not wrong; it
is merely a sum of every previous album (Waiter-SS), and opts for beats instead of
drums. The whole album's narrative seems to recall Gourley's childhood in Alaska,
and features some extremely catchy pop-rock, however there is a looming shadow
over the whole album. Songs like "All My People," "60 Years" and "The Dead Dog"
are celebratory anthems of life, partying and hometown hangouts, but they also
reflect an inner turmoil. A lasting coldness. Of all Portugal releases, this one comes
off as more of a David Lynch movie. Nonetheless, the murky beats of "The Pusher's
Party" and "1000 Years" are sure to turn more people away than they will magnetize
them. And within that is beautiful art.
|6|| ||Portugal. The Man|
Waiter: "You Vultures"
The first release is always the most interesting. Portugal formed as a side project of
Anatomy of a Ghost's John Baldwin Gourley and Zach Carothers. Waiter: "You
Vultures" is an impressive amalgamation of electronica, post-hardcore and nu-pop.
Who even knew that these guys were signed to Fearless Records? "Tommy" and "Kill
Me. The King" reflect a younger (more ambitious?) rock band, anxious to stay ahead
of its competition. Other songs like "Waiter" and "Aka M80 the Wolf" show a
songwriting prowess that would manifest itself in later recordings. For a debut, Waiter
is pretty damn good. Of course there will always be that chunk of fans who SWEAR
that this was the best that Portugal. the Man ever was. To that I say, "eh."
|7||Portugal. The Man|
Ah, the number seven slot in a seven-album discography. If only this was their worst
album? the funny thing is that it's fairly focused in its sound, recalling the guitar-
heavy rock of Led Zeppelin. This might not even be their worst album, but as a
whole, it lacks in many areas. The fact still remains that "Bellies are Full" and "My
Mind" are as artful and catchy as Portugal ever have been, and "Shade" is still a Top
10 track for the band. While the effort is clearly there, the album sounds too
rehashed in its approach, feeding off buzz-heavy guitars that would make Jack White
and Dan Auerbach (of The Black Keys) proud. Portugal would learn. Church Mouth is
the weakest effort out of seven, and it's not even a bad album. Go figure.
|Damn, I completely disagree. Mine would be:|
|I think 2 and 3 are better than 1, but I don't have too many other qualms with your ranking|
|eh, 6 is best.|
|yo, you're all correct. I find it impossible to rank this band. Something about Waiter doesn't make it a classic to me..|