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Cradle Of Filth: A Fanboy Ranking

Since I’m feeling particularly hyped for the new Cradle Of Filth album (kind of shocked I’m still saying that in 2017, will the wonders never cease), I’ve decided to work out my ranking of Cradle albums after many years of being a fan. This list was not easy for me, as it turns out I’m pretty conflicted on the top 5 especially. I know this list is probably atypical and many won’t agree with me (looking at you Hawks, and others whose names I can’t recall right now) but I think this list is representative of my long journey with the band. I tried to stay as objective as possible but in the end I think my feelings led me to give the edge to certain albums that personally resonated with me more than others.
11Cradle of Filth
Thornography


What is there to say about this album? I was in high school when this album was released and it was a running joke in my peer group. It’s not that the album was a total disaster; It had a couple of truly memorable songs in Libertina Grimm and Rise Of The Pentagram, it’s just that it was the most blatant stab at mainstream appeal yet, one far more clumsy than Nymphetamine which actually had the substance to back up its stylistic change. The worst part by far was Dani’s vocals… apparently someone gave him the brilliant idea that maybe since he can shriek like a banshee, he can also sing as well. Well as it turns out, no he can’t, and it’s ultimately Dani’s atrocious vocals that ruin the otherwise decent songs on here. There’s a reason why Dani never even attempted anything like this again… Some of this shit is unlistenable. (Sorry Hawks, your nostalgia blinds you on this one)
10Cradle of Filth
Darkly, Darkly, Venus Aversa


I’m not really sure what Cradle was going for on this album. I guess they were trying to make a futile effort at recapturing their black-metal roots when that is not what they ever excelled at in the first place. This tries to be grim and evil but mostly it just all runs together in a flurry of recycled ideas. Ironically, the song that stands out from the pack is Forgive Me Father For I Have Sinned which is a ready-for-radio song by CoF standards that actually has some face-melting leads layered over the chorus which is otherwise practically Top 40 material… Lillith Immaculate also stands out with prominent female vocals that give the song character and identity that most of the other songs here lack.
9Cradle of Filth
The Principle of Evil Made Flesh


Really good black metal album when you consider that the band was still sucking on its momma’s teet while it was being recorded. Considering the stunningly young age of the band, this is good shit but the band goes on to surpass it many times over.
8Cradle of Filth
The Manticore and Other Horrors


I don’t have much to say about this album. In some ways this is a testament to what CoF has achieved in their career; even when they put out a kind of middling, unremarkable record like Manticore, it's still super polished and well put together, and very much above average. It’s totally listenable, it just pales in comparison to what the band is capable of.
7Cradle of Filth
Godspeed on the Devil's Thunder


I was going through a really rough time when this one came out and so I have many strong memories of jamming this album, so this one is held kind of dear. It doesn’t gel together very well and mostly feels like a jumble of songs, but there is a lot of variety here from the more pop-oriented Death Of Love and 13th Ceaser to the some of the darkest and heaviest material the band has done in a while like Darkness Incarnate and Midnight Shadows Crawl To Darken Counsel With Life. Also Tragic Kingdom is maybe one of the best modern CoF songs with just the best solo... I should also mention that the outro to Sweetest Maleficia is maybe the heaviest moment in the band’s entire career.
6Cradle of Filth
Hammer of the Witches


Sometimes I listen to this and I wonder if this is just objectively the best Cradle album ever. I mean, the hard work and mastery on display here is just something else. Not only is this album practically flawless, they’ve actually shored up some of the weakness of the band, namely guitar solos which had been a little spotty here and there. Here the solos are better than they have ever been and the band is just on fire. So why is it not higher? Simple: nostalgia and personal feelings. Still, this is so good that my hype for a new CoF album has never been higher.
5Cradle of Filth
Nymphetamine


I believe I was in 9th grade when this came out. I was already a mild CoF fan but this album really imprinted on me. This was their second release on Roadrunner Records, so the album had a big recording and marketing budget, and so naturally this album tried to broaden the band’s audience, and was largely successful on that front. This album cycle probably saw the biggest spike of fans than any other. This album sees CoF really push the black-metal aspect of their sound to the back burner and instead focus on introducing melodic thrash elements on tracks like Coffin Fodder, Absinthe With Faust, and Medusa And Hemlock and the results were stunning. On the other end of the spectrum, songs like Nymphetamine (Overdose), English Fire, and Gabrielle took great pains to tone down the extreme nature of the band in favour of exploring some more atmospheric and catchy territory with tremendous results. These are practically pop songs by CoF standards, and they still stand the test of time.
4Cradle of Filth
Midian


A lot of fans consider this the quintessential Cradle album, and for good reason. This is Cradle at their most dense and devastating while also integrating massive synth-sections and melodic breaks. The result is an album that is harrowing sonically yet not neglectful of big frequent hooks that will worm into your ears long after the blast-beats have worn off. Cthulu Dawn, Saffron’s Curse, Her Ghost In The Fog, Tearing The Veil From Grace… this album is not short on explosions of over-the-top theatrical angst that are as devastating as they are catchy and infectious.
3Cradle of Filth
Damnation and a Day


This is by far the most underrated CoF album, and a testament to the artistic integrity of the band; this was their first album after signing to Roadrunner, a huge break for the band in terms of exposure. Their production budget for this album was utterly obscene in comparison to their past releases. While many bands would have pocketed a good chunk of that money and bought fancy cars, CoF actually invested that ridiculously inflated budget into hiring a fucking 40 piece orchestra to help them flesh out this incredible long, dense, ambitious concept album about Paradise Lost. This album isn’t perfect, but it’s a fucking mind blowing experience all the same and a huge reason why I will always have the utmost respect for Cradle Of Filth. If this is one that flew under your radar, please remedy that ASAP.
2Cradle of Filth
Dusk and Her Embrace


Man, these kids were so young… They followed up their super raw and rough-around-the-edges debut with THIS barely 2 years later. Holy shit, the spike in quality between records is beyond astonishing. The songwriting and ability to tell a fleshed-out narrative throughout an extended track has improved exponentially. I have nothing new to say about this album that hasn’t been already said, even my stand-out tracks are predictable at this point… A Gothic Romance, Funeral In Carpathia, Malice Through The Looking Glass. This album is short, to the point, it doesn’t fuck around and it delivers the Cradle goods in the most minimalist way possible. Fucking stunning to this day.
1Cradle of Filth
Cruelty and the Beast


A lot of fans flip-flop on which album they prefer, this or Dusk. I prefer this one overall. My main reason for that has to do with the scope of the album. While Dusk tells a compelling gothic narrative, Cruelty goes to much further lengths to convey its demented perverted tale of Elizabeth Bathory. This is also the first album that really began breaking the boundaries of what black metal could be; epic tracks like Bathory Aria explore melodic territory without any hint of shame or shyness, while still delivering the aural assault that CoF has become known for. It's beautiful, horrifying, dynamic, and downright erotic at times... Cruelty is the definitive CoF package all wrapped in a neat bow for your greedy little fingers to unwrap. My two favourite tracks are Cruelty Brought Thee Orchids and The Twisted Nails Of Faith. They are just so evil and sexy and the way they incorporated synths to dial everything up to 11 truly set a benchmark that is hard to surpass.
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