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Nine Years: Syd Barrett

Nine years today since he shook off this mortal coil. A list in honour of the man who allowed the greatest band of all time to be by paying a pretty fucking huge sacrifice himself. Time to remember.
1Pink Floyd
Relics


See Emily Play - this is where it all really started. Childish, beautiful nonsense, with Rick and Syd sounding totally comfortable singing alongside each other - a time when the band was still a whole unit. Many themes that would later appear in his work - losing yourself in nature, childhood, games - which just shows how much of his mind this stuff occupied, all the time. Float on a river, forever and ever, bros.
2Pink Floyd
The Piper at the Gates of Dawn


Astronomy Domine - still a classic. Lyrically it sounds like more ramble but with a little effort you can see something beneath it, the same something that's always lurking around somewhere during Piper - a deep, yearning nostalgia. Songs about gnomes are all very well, but a man in his 20s wasn't writing them just for the lols - he was writing them because he missed the days when he could live in that world, when he had nothing else resting on his shoulders. Likewise, Astronomy Domine is about looking up into the sky and wishing you could be up there, with Jupiter and Saturn. Deep shit, man.
3Pink Floyd
The Piper at the Gates of Dawn


The Scarecrow - this might actually be, thematically, the most important song on the album. "Now he's resigned to his fate, this life's not unkind, he doesn't mind." It's about giving in and giving up.
4Pink Floyd
A Saucerful of Secrets


Jugband Blues - you can tell he's starting to lose it here. This song flip-flops harder than Pleb talking about Tool. The same longing for childhood is still there but it's even more faded - there's an acceptance now that it's gone and not coming back that wasn't there before. "I don't care if the sun don't shine, I don't care if nothing is mine." And then of course, as the marching band goes schizophrenic and loses the melody and fades away (something Syd requested of them in-studio - was he trying to say something?) the final four lines, potentially his most endearing and memorable lyric. He seems to be questioning himself more than anyone else when he asks "What exactly is a dream? What exactly is a joke?"
5Syd Barrett
The Madcap Laughs


Dark Globe - For maybe one of only two times in his entire discography Syd says it plain, with no dress-up or metaphor or childish sheen. "Won't you miss me? Wouldn't you miss me at all?"
6Syd Barrett
The Madcap Laughs


Octopus - starts off, for all intents and purposes, as a flashback to the lyrical stylings of Piper that made me fall in love with Syd - whimsical, catchy, fun, carefree stuff. Then the second verse comes in, and there's a very intentional shift in mood and tone. "Isn't it good to be lost in the wood - isn't it sad so quiet there, in the wood?" I interpret that this way - it's nice to live in memory and obsess about the better days, but doesn't it get lonely in there?
7Syd Barrett
Opel


Opel - the second of the two moments. Again, starts out with fable-esque stuff but switches gear pretty hard halfway through to his most vulnerable, lucid moment. "I'm trying, to reach you." But this was probably the last time he ever did.
8Syd Barrett
Barrett


Wolfpack - apparently his favourite song from this album, and understandably so - whether he was aware of it or not, this was the only song that approaches the honesty he'd been beginning to show on Madcap. "The life that was ours/Grows sharper and stronger away and beyond."
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