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Old 11-01-2005, 04:52 AM   #1
Nic__
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What is this chord?

Hey, just need help with a chord-

E----|
B---8|
G---7|
D---6|
A---7|
E----|


Thanks d00dz.
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Old 11-01-2005, 06:18 AM   #2
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You've got an E7 with an augmented 9...not sure how it would be notated but possibly E7#9? I'm pretty sure it's the "jimi chord" anyway...though that may have had other notes in it.
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Old 11-01-2005, 07:49 AM   #3
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Yeah it's the Hendrix chord, E7#9.
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Old 11-01-2005, 08:08 AM   #4
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Although technically, the Hendrix chord was Eb7#9. Same fingering though.
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Old 11-01-2005, 08:11 AM   #5
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^^he tuned down a 1/2 step.
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Old 11-01-2005, 04:21 PM   #6
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Quote:
Originally Posted by DubyaJoe
You've got an E7 with an augmented 9...not sure how it would be notated but possibly E7#9? I'm pretty sure it's the "jimi chord" anyway...though that may have had other notes in it.
Isnt it augmented when it has been made sharp twice?
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Old 11-01-2005, 04:58 PM   #7
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Thanks :P
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Old 11-01-2005, 05:21 PM   #8
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thats how i spell my name toothreadstarter
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Old 11-01-2005, 05:25 PM   #9
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if any one ever has a doubt about chords go to chordbook.com its a kickass website that has clear my doubts

Last edited by periculosus; 11-01-2005 at 05:36 PM.
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Old 11-01-2005, 07:39 PM   #10
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Quote:
Originally Posted by jam9383
Isnt it augmented when it has been made sharp twice?
Augmented = sharp once
diminished = flat once, except diminished 7th (flat twice)
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Old 11-01-2005, 08:53 PM   #11
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diminished 7ths are only flatted once also?
making them a whole step below the octave base note, a half step below the major seventh...
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Old 11-01-2005, 09:29 PM   #12
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No, those are dominant sevenths or minor sevenths. Diminished sevenths actually are flatted twice to be enharmonic to the major 6th.

Besides the special case of the seventh, one uses the term "minor" to describe a flattened interval unless it's a perfect interval to begin with (unison, fourth, fifth, octave), which is when you use "diminished".
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Old 11-02-2005, 02:57 AM   #13
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Quote:
Originally Posted by HaVIC5
No, those are dominant sevenths or minor sevenths. Diminished sevenths actually are flatted twice to be enharmonic to the major 6th.

Besides the special case of the seventh, one uses the term "minor" to describe a flattened interval unless it's a perfect interval to begin with (unison, fourth, fifth, octave), which is when you use "diminished".
Do you live in Baltimore Havic?
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Old 11-02-2005, 09:23 AM   #14
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E7#9 no fifth
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Old 11-03-2005, 03:24 AM   #15
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Quote:
Originally Posted by HaVIC5
No, those are dominant sevenths or minor sevenths. Diminished sevenths actually are flatted twice to be enharmonic to the major 6th.

Besides the special case of the seventh, one uses the term "minor" to describe a flattened interval unless it's a perfect interval to begin with (unison, fourth, fifth, octave), which is when you use "diminished".


How is this so? A major seventh is just a B in the key of C and a minor seventh is a Bb in the key of C. Diminished is a Bbb in the key of C...it's the same rule as a third or a second.
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Old 11-03-2005, 06:25 AM   #16
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Quote:
Originally Posted by DubyaJoe
How is this so? A major seventh is just a B in the key of C and a minor seventh is a Bb in the key of C. Diminished is a Bbb in the key of C...it's the same rule as a third or a second.
Bbb is the same enharmonically compared to A, which is the major sixth of C.

The only time when that rule differs is when looking at a perfect 4th or 5th, as a major/minor 4ths and 5ths don't exist. A diminished 5th is just a half step less than a perfect 5th and is the same an augmented 4th.

Edit: I didn't realized Havic mentioned this... Also, I'm not too familiar with describing diminished/augmented octaves/unisons or anything. Funny, it was never really mentioned (except augmented unison once, i think)... the important ones are the 4th and 5th...

Last edited by darrell; 11-03-2005 at 06:28 AM.
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Old 11-03-2005, 12:01 PM   #17
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Yea, it's an E7#9 like everybody else said. That happens to be my favorite chord shape
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Old 11-03-2005, 12:20 PM   #18
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www.musicianforums.com/forums/showthread.php?t=409321

and yeah its E7#9
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Old 11-03-2005, 09:20 PM   #19
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A rockin awesome chord.
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Old 11-03-2005, 09:37 PM   #20
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I was introduced to that chord by Captain Beefheart, not Hendrix.
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