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Old 10-31-2005, 05:39 PM   #1
POLISH SAUSAGE
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Smooth voice leading

As an aspiring jazz guitarist, smooth voice leading is a key to playing well...i guess. Anyways, i am having a brain fart as to what my teacher adn I went over last week, so if any of you have websites/comments about smooth voice leading, especially while playing chords, that would be great.
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Old 11-04-2005, 03:12 AM   #2
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Basic part-writing is four semesters, five days a week--and then there's counterpoint. In other words, voice-leading is not a thing you learn quickly once and for all; it's an art in itself. Ars longa, vita brevis.
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Old 11-04-2005, 06:57 PM   #3
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Well what I usually do is just take the meldoy and make sure that its the highest or soprano note in my chord.
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Old 11-05-2005, 10:37 AM   #4
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Basically it's "no leaps" which means that each voice should move in half/whole steps. But there is so much to it that it's pointless explaining over the internet..
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Old 11-05-2005, 01:31 PM   #5
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It's definitely not "no leaps"... It's a balance of leaps and stepwise motion. Not large leaps though... like maybe a fifth or less. There's a lot more that goes into it though.
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Old 11-06-2005, 11:32 AM   #6
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I said "basically" no leaps...
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Old 11-10-2005, 01:24 PM   #7
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Quote:
Originally Posted by what
I said "basically" no leaps...
Yes, but from that I gather that approx. 19 out of 20 motions should be stepwise, which is not good.
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Old 11-10-2005, 05:33 PM   #8
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Quote:
Originally Posted by darrell
Yes, but from that I gather that approx. 19 out of 20 motions should be stepwise, which is not good.
whats going on, you pointed out he said no leaps then he pointed he meant some leaps are but now you seem to be giving trouble over him saying leaps were allowed
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Old 11-11-2005, 01:37 AM   #9
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One problem is that we seem to be assuming "smooth" to be synonymous with "good".

Let's suppose we are confronted with a C7 chord going to an F major triad. If we voice the chords (bottom to top) C E G Bb and C F A C, we won't have any leaps but we won't have (what's generally considered to be) good voice-leading either because the seventh will not have been resolved.
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Old 11-11-2005, 07:24 PM   #10
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Ok, I'm either too sleepy or I'm missing something, but how is the seventh not resolved? Doesn't the Bb go to A?
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Old 11-12-2005, 01:57 AM   #11
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Quote:
Originally Posted by what
Ok, I'm either too sleepy or I'm missing something, but how is the seventh not resolved? Doesn't the Bb go to A?
You're sleepy. No, in this example it goes to C. The fifth of the C7 chord, G, goes to the third of the F chord, A.
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Old 11-12-2005, 06:38 PM   #12
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yah, yeah, I get it. Sometimes I'm slow. There's 4 voices. gah
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