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#1 |
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Registered User
Join Date: Nov 2001
Posts: 18,237
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Jazz Quintet Live
I did a little concert the other night. I play drums. Let me know what you think.
http://www.musicianforums.com/forums/showthread.php?t=406161 |
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#2 |
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Tatiana Ali!
Supermod
Join Date: Dec 2001
Location: Alongside
Posts: 9,992
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I don't know if I ever expressed to you that I thought you sounded really great. That was a fun night.
__________________
"The present-day composer refuses to die"— Edgar Varèse "I don't want to sell my music. I'd like give it away because where I got it, you didn't have to pay for it"—Captain Beefheart Golden rule for music: "if it sounds good to you, it's bitchen. If it sounds bad to you, it's sh[i][/i]itty."—Frank Zappa |
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#3 |
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Registered User
Join Date: Nov 2001
Posts: 18,237
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Thanks!
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#4 |
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Prussian Blue Fanboy
Join Date: Aug 2005
Location: Maryland
Posts: 375
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I don't usually like Jazz, but I really liked 'Song For My Father'
Nice job. |
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#5 |
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Registered User
Join Date: Nov 2001
Posts: 18,237
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Awesome, man.
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#6 |
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Piano face!
Join Date: Dec 2001
Location: Knoxville TN
Posts: 9,332
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Listening now. Will edit when done.
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#7 |
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Banned
Join Date: Feb 2005
Posts: 1,140
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The rhythm section was pretty damn good but your bone player sucks. Are you the camp guy doing the introductions?
Last edited by starless and bible black; 10-25-2005 at 04:56 AM. |
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#8 | |
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Registered User
Join Date: Nov 2001
Posts: 18,237
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Quote:
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#9 |
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Piano face!
Join Date: Dec 2001
Location: Knoxville TN
Posts: 9,332
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The rhythm section was pretty darn good, and the rest was okay. Good job.
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#10 |
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Registered User
Join Date: Nov 2001
Posts: 18,237
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I'm trying to make a small fusion group to play some concerts too; maybe play some Sco and Stern... Metheny perhaps.
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#11 |
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FreeMusicNo1
Join Date: Oct 2002
Posts: 3,596
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You sounded good, much more musical than a lot of drummers. Good support of the soloists, good time feel as well. Your playing wasn't showy, but it's still clear you have chops. Good work
Make sure to post anything of yours that you record with better quality. It was pretty hard to hear the more subtle aspects of your playing, and I'm sure there was stuff I missed. |
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#12 |
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old funk meister
Join Date: Oct 2005
Location: is everything in real estate
Posts: 115
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Very nice, young man!
I had not heard (or thought of) "My Father" since about 1979...when my keyboardist and I used to play it at cocktail hour at a club in Atlanta. He, a drum machine and I would entertain the afternoon drunks before the rest of our band would show up for the nightly gig. I think I prefered our afternoon sessions to the nightly ones singing falsetto and playing all that "Saturday Night Fever" bullsh*t. (SHUDDER!) Very enjoyable listening to you. |
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#13 |
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Registered User
Join Date: Nov 2001
Posts: 18,237
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Thanks for the kind words, guys!
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#14 | |
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spizzichino for president
Join Date: Oct 2005
Location: sydney, australia
Posts: 349
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Quote:
http://www.musicianforums.com/forums/showthread.php?t=405898nice recordings! i especially love song for my father, it's a favourite of mine and you guys played a very nice rendition of it. thanks for the listen! |
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#15 |
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what the fuck
Join Date: Feb 2004
Location: he's still the best pianist/keyboardist i've ever
Posts: 4,453
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Haha, you'll have to forgive me on this Cameron, but Sidewinder just gets boring when I'm playing it so it kind of had that effect for me, too. :-/ The actual playing was rather good. The 'bone definitely could use a little more confidence in his playing, after the melody he drops down volume-wise a lot, and I'm not sure what else it is that gives a feeling of him being timid.
How long have you guys been playing? Where's the gig at/how'd you get it? Cool stuff on the rest of the tunes. Good luck with tonight (if this post isn't too late). ![]() |
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#16 |
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Super Rad!!!
Join Date: May 2005
Location: Pennsylvania
Posts: 101
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Tell your trombone to learn to doodle toungue fast triplets, it'll sound really good. I really liked his tone on the upper register, nice and warm and mellow, but down low he kinda blatted alot. Get your 'bone to study major-minor relation ships, and encourage him to start his solos, and improved phrases with them, as they are easy to come up with, and really make you feel more comfortable when soloing because they are easy, and very hard to mess up. Once he breaks the tension, he can bust out whatever he feels like.
The trumpet solo was a little dry, and sounded written, and he could open his throat a little more to let the tone be a little warm. When improvising tell him to play a little more towards the modal scales, and expand around that using the licks. Written solos are just a bunch of licks that are usually thrown into the music where the chords work. Thats why the licks weren't necessarily sounding too hot. There is nothing wrong with what he did, its just a sugesstion. When he does runs using the scale or appegiated runs, apply dynamics, attack, phrasing, and so forth, it can be just as intricate as licks. I really liked the bass, drums, and piana. Overall, I would give it a really good but not perfect, but no one, not even Sean Jones is perfect. BTW I loved how your set sounded, what are you using? |
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#17 | |
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Tatiana Ali!
Supermod
Join Date: Dec 2001
Location: Alongside
Posts: 9,992
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Quote:
THIS IS HOW YOU MAKE GOOD MUSIC SO TELL YOUR FRIENDS TO DO IT THIS WAY! Oh, and by the way, the trombonist is a GIRL. Chicks swing too, these days.
__________________
"The present-day composer refuses to die"— Edgar Varèse "I don't want to sell my music. I'd like give it away because where I got it, you didn't have to pay for it"—Captain Beefheart Golden rule for music: "if it sounds good to you, it's bitchen. If it sounds bad to you, it's sh[i][/i]itty."—Frank Zappa |
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#18 |
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old funk meister
Join Date: Oct 2005
Location: is everything in real estate
Posts: 115
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Cold...but true. |
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#19 | |
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Super Rad!!!
Join Date: May 2005
Location: Pennsylvania
Posts: 101
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Quote:
I'm not saying do this, I'm saying consider trying these TECHNIQUES out that will make your music sound and be more crisp. I kept hearing the trombone cut out at the triplets, so I suggested a technique that makes playing triplets on trombone alot easier, and instead of just triple tounging them, making it sound "TIK-3(TIK-IK-TIK)-TAH" which is really harsh and bright, and making it sound "DO-3(DOO-GUH-DOO)-DOO" which is more jazzy and warm. I play trombone, and I use major-minor licks when I don't feel confident in my ability to play over chord changes and it works for me, and many trombonists that I have talked to/played with/and have taught me. I'm sorry for having an opinion on the solo saying it was bland, I again made a suggestion on how he/she could phrase a better solo. Guitar players IMHO don't usually form good phrases in jazz solos, unless they have taken lessons specifically for jazz, or play jazz exclusively. I was providing some critique from a horn player rather than the 70% guitarists here. I now understand I shouldn't have said, "Get your 'bone" or "Get your trumpet", but god forbid if I don't agree with everyone else here saying "OMGz0Rz!!!!!!111 dh3y pl/-\Y t3h JaZZ liek t3h bIG B/-\D v00d00 d/-\DDy!!!!111 dh3y R /-\maZ1nG!!!!!11" I felt that there was room for improvement but if they were to go up during the 2nd set of a professional group playing at a club and ask to play with them, I would definately think that they were talented. Love (and Hate), BANS |
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#20 |
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Registered User
Join Date: Nov 2001
Posts: 18,237
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Well, thanks for the critique. I'll keep those things in mind, and I'm glad you went into detail on your appraisal of our group.
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