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yea, the higher you go, the thinner the cords, so less pressure is needed. practice doing glisses. Up and down. Start your lowest note and just slide up to your highest even through falseto. But try to keep the cords together for as long as you can before you go into falsetto. This helps you strenghten a little bit, but keeps you in touch with your break where you go from head to falsetto. Because you can get away with more push in falsetto but in head it can fatigue the edges of the cords.
So yea keep practicing and listen to your voice and pay attention to the feel as much as the sound. This is where you really can learn what to do with the cords. The feel and pressures of the notes. Technically you should be able to make any vowel at the same pitch . So do upward glisses and downward glisses. do them with each vowel and be SURE that you can do them without changing volume as you go up. This is very important. as it helps you learn isolation. you should be able to make it in a smooth slide with no interruption or loss of quality. It will take a shift in feel and pressure as you go to falsetto and coming down from falsetto. When doing a downward gliss, start in your highest falsetto and come down to your lowest chest. Work to keep it clean as you come from falsetto to head. And remember to relax everything as do it. Remember the cords are horizontal so youre actually pulling them across your throat, not up. this can help you keep your larynx low. I still use this visualization to help me alot.
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