For a little misc. information, APC is currently composed of Billy Howerdel (composer and guitar) Maynard James Keenan (words and vocals) Josh Freese (drums) Jeordie White (bass guitar) and James Iha (guitar). "Thirteenth Step" is their follow up album to "Mer De Noms (French for "Sea of Names"). For more biographical information checkout--
http://www.aperfectcircle.com
http://www.aperfectcircle.org
http://www.toolband.com
Ok, now here is my breakdown of A Perfect Circle's newest album, "Thirteenth Step" song by song:
"The Package": The lyrics, like most of Maynards, are fairly vague. On the surface, it seems to be about a character (Maynard?) who is struggling (or embracing/justifing) an addiction by "Feeding the monster". The addiction in this case is likely sex or simply taking advantage of others. The song starts off slow with a clean guitar and simple but deep bassline. At the chorus, the song get substancially heavier. Great Song 9/10
"Weak and Poweless": Unless you've been living under a rock for the last month, you've heard this single off the album. Nice bassline, catchy chorus, but also fairly repetetive. One of the least impressive songs on the album. 5/10
"The Noose": Beautiful, relaxing "meditative" intro. This song is nearly entirely driven by Maynard's voice and Josh Freeses drumming. The lyrics (again interpretable) are about someones "rightousness" being lost. People expect so much from this "character" that he/she is unable to follow up their current
deeds, and they are being (figuratively) crucified for it. Pretty song, but not up to "3 Libras" standard. 8/10
"Blue": Probably the worst real song on the album. Other than the chorus, the song is pretty boring. As for lyrics, I've yet to decide whether it's a love song, or about deceiving yourself about a loved one. It could also be about asphyxiating someone you loved/trusted. A very "meh" song. 4/10
"Vanishing": Very vague lyrics. It could be about anything from missed opportunities to death. It's kind of a "Chill-out, relax" type song. Musically, it's very diverse. There are an abundance of sounds, with no leading instrument. Average song. 7/10
"A Stranger": Nice, beautiful, mellow song. Simple guitar picking leads the way with Maynard backing them up. I'm not convinced, but the lyrics could be about someone who is deceived by addictive drugs and "formulate[ing] Denials of your [their] affect on me [him/her]". It could also be about someone is severely antisocial and their thoughts are eating them away emotionally. Another good song. 9/10
"The Outsider": The song that most fits the definition of "rock". Not to say it's generic, but it uses the average rock formula. Lyrically it's about someone who is either falsly suicidal for attention, or just a general anti-sucide song; "Why do wanna throw it away like this, Such a mess, I don't wanna watch you, Disconnect and self-destruct, one bullet at a time. What's your rush now everyone will have his day to die." Another above average song. 8/10
"Crimes": Pretty much filler material, barely even a song. The only lyrics are Maynard counting under his breath. He counts up to eight, then says nine 4 times and then ten 4 times. There's probably a meaning to it, but I leave it up to you to find it (if there is one). 2/10
"The Nurse Who Loved Me": A cover song from the band "Failure". Definitely the most unique (weird) song on the album. No guitar, no drums, just Maynard, a choir, and various orchastral instruments. I'm guessing most wont like it (though it has grown on me), but bonus points for having the balls to put this on the album. 7/10
"Pet": The "Judith" of Thirteenth Step. Heavy and Rhythmic. The lyrics come across corny at first ("Lay your head down child, I won't let the boogeyman come"), but a child fearing imaginary creatures is a good analogy for the likely subject, deception by organized religion. 10/10
"Lullaby": Another filler track. The song is basically Maynard whispering "Go back to sleep." and woman singing "oooh oh oh ooooh oh" over and over. 1/10
"Gravity": Personally, my favorite song on the album. Lyrics touch on the subject of drugs (or possibly deep meditation) giving a depressed/outcasted person a reason to live through a altered consciousness and spiritual awareness. Maynard really shows how beautiful his voice can be in this one, and the instruments emphasize the emotion tenfold. 10/10
I give the album as a whole, 9/10. It's definitely another Maynard masterpiece, though it did take a while for the album to sink in. Whether it's better than Mer De Noms is debatable, but it is worth hearing none-the-less. The above are just my lyrical and musical interpretations of each song. Likely they are absolutely wrong, but I tried.