Quote:
Originally Posted by PDOGG
Hey Auz, Merkaba, do either of you guys have your head voices down well enough to make it indistinguishable from your chest up top? You know, like a big wide strong palette(where the highs don't lose that chesty tone)? I'd really like to hear it, I've heard it's possible but I haven't actually HEARD it done properly. You guys know any good exercises to beef up the head voice (and get by the break?)
Thank ya sirs.
|
To me head voice is true voice, high pitch and chest is true voice low pitch. Falsetto is non true voice. You can add resonance to falsetto so that it sounds like head especially in your lower falsetto. The higher you go up in falsetto the harder it is and the more forced/pinched(bad) sounding it will become. Some people refer to head as falsetto. But its all the same. If your cords are not together(falsetto) youre not gonna get the same sound as when they are together(true voice head and chest), by definition. The terms head and chest are points of resonance, meaning that the vibrations from the note will be felt in the chest and move up to head due to some science of the frequency and how it vibrates your body, namely the areas that are filled with air like your chest(lungs) and your nasal and head sinuses(head). With falsetto you dont get the same frequency power and you dont get the resonance. You can learn to hold a falsetto note with more resonance than usual but meneuvering and doing runs and melodies is gonna sound forced if youre out of range,I dont care who you are.
See page one of this thread.