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he's undoubtedly shown the greatest growth of any rock guitarist musically in such a short span of time, going from incompetent punk/indie rocker to a shredder who's a little TOO good to rein himself in. It's as if Mark Hoppus could suddenly play "Tommy the Cat" or Meg White tackling "YYZ." It's a very noticeable change in playing from Acrobatic Tenement to Frances the Mute.
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