View Full Version : Constructing Walking Basslines
jake plays guitar
10-28-2005, 08:04 PM
Im usually a 6 string player but on ocasion i like to feel the groove of the bass. i play bass in school conert band. but i was wondering how to create good walking basslines. i have a bit of theory knowledge. im theory level 2. not that much but i know my basics of keys, scales, chords and what not. i realize your suppose to make up the walk while playing but for now id just like to be able to write it out.
White_Summer
10-28-2005, 08:06 PM
making up a walk on the spot isnt really that easy. takes years to get that good. there was a few threads on this. usually you want a chord tone on beats 1 and 3. other that that play what you want basically
jake plays guitar
10-28-2005, 08:11 PM
thanks the usful info
White_Summer
10-28-2005, 08:13 PM
also, you want a transitional note from chord to chord, like from a C to a F play a F# gives that uneasy feeling and then resolves once you reach F
jake plays guitar
10-28-2005, 08:14 PM
you seem to really know your stuff. i like that.
jake plays guitar
10-28-2005, 08:14 PM
wait one question would a Cmin7/F be considered a C chord or an F chord
White_Summer
10-28-2005, 08:23 PM
i would say F but i am tired and i dont like to think when i am tired, because the C is the natural minor to F and therefor its Basically chord #1 in the progression...i think
Convectuoso
10-28-2005, 08:35 PM
www.wheatsbassbook.com
I think that's the link if not... www.google.com
it has a nice section on walking bass lines and their construction.
bbbbass
10-28-2005, 10:32 PM
wait one question would a Cmin7/F be considered a C chord or an F chord
It is a Cmin 7th with an "f" added--play c-eb-g-b-f. They are known as slash chords.
White_Summer
10-28-2005, 10:34 PM
It is a Cmin 7th with an "f" added--play c-eb-g-b-f. They are known as slash chords.
tru but if you were looking at a chord progression in a piece, you would consider it #1 in the progression unless i have my minors mixed up
well
i actually think its quite easy
i just kind of go up and down and up and down and goofy little changes and fills everywhere
but i know nothing about theory
bbbbass
10-28-2005, 11:24 PM
tru but if you were looking at a chord progression in a piece, you would consider it #1 in the progression unless i have my minors mixed up
Depending on the progression...
Soulfly666
10-28-2005, 11:36 PM
I find this to be quite helpful. :)
http://www.petethomas.co.uk/jazz-bass.html
basgitarist
10-29-2005, 04:40 AM
nice sites :thumb:
funkyhoney
10-29-2005, 04:51 AM
im by far no expert but my teacher and i studied walknig bass for two lessons and the most important thing i picked up was that if two bars are in a differant chord finished the fist bar wiht a note that is a semitone above or below the first note of the 2nd bar eg:
C G
g|----------1-|-0---------|
d|----5--2----|---3--5----|
a|-3----------|---------2-|
e|------------|-----------|
umm, hope you can understand that. oh and it doesnt HAVE to be that way, but generally it will amke it sound better
Caleb3221
10-29-2005, 06:17 AM
There are 3 basic methods of constructing walking lines:
roots/5ths
arpeggios
scales
When you are first getting started, you might just try playing roots and fifths, mabye with chromatic passing notes to make it more interesting. Then, as you get better, you can go to arpegios, which make a nice quarter note feel(r 3 5 passing r 3 5 passing)(I tend to do a chromatic passing note a half step above or below the next root). And, of course, if it's a minor chord, flat the third, or sharp the fifth if you need to, or whatever the chord calls for. You could also get into scalar playing, which you pretty much have to figure out for yourself.
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