Ich Habe Sheisse
11-25-2004, 07:38 PM
Well...
Features:
Ibanez SR 490 4 string bass, purchased in January 2004 for $405 USD.
Natural mahogany body
5 piece wenge/walnut SR4 neck
Rosewood fretboard
Abalone oval inlays
24 frets
Ibanez dxp and dxj pickups
EQB-III 3-band eq
Accu-cast B20 bridge
Cosmo black hardware
Completely sufficient for my needs. I might end up switching out some of the electronics components, though. I especially like the bridge, as the one-screw format allows for extremely easy action adjustment. I wouldn't have it any other way. Although recently, the finish has begun to wear off around the E side of it... weird, considering how little I handle the bridge, in comparison to the tuners, which have shown no wear. It really doesn't bother me at all, but it's something to point out.
Sound:
It's awesome. Oh yes.
The best thing about this bass is its versatility, and sensitivity to technique. This bass is my bitch, plain and simple. It does what I tell it to. Using both pickups lends a very useful do-it-all sound, sufficient for slap, great for tapping and jazz fingerstyle. When I do jazz stuff, I look for a Stefan Lessard kind of warm 'bop', which is definitely present, but not executed quite in the manner of a Modulus. I really don't use the bridge pickup solo, except when I want really bright, loud harmonics. That kind of sound tends to sacrifice all my low-end, so I usually have the pickups balanced at 50/50 for harmonics. The neck pickup is usually my favorite. It has a very cool vintage-esque slap sound that I dig more than the hi-fi kind I get with both pickups. I rarely use a pick, but this bass lends itself well to 'that' tone, especially when I've got my amp cranked. Fingerstyle is awesome, of course, and provides the sound I use most in my band.
Fit & Finish:
The feel of this bass is absolutely beyond compare. I've really bonded with the SR neck shape. It is REDICULOUSLY fast. I love the satin finish couple with the wenge and walnut.
But the body finish is a different story. It's some kind of oil finish, and it does NOTHING to protect the wood. The **** scratches like nobody's business. There are small dings all over the body, and one substantial scratch on the back of the bass that is about 4 inches long. GRRRR.
Overall:
Ibanez makes a great product, plain and simple. The SR 490 is a player's instrument. It really does all that you can ask of an instrument at this price. My only regret is that I didn't get the 6-string version while it was still out. If you ever happen upon one of these beauties, grab it and never let it go.
5/5
Edit: Pics!
http://bb.1asphost.com/EluThingol/Greymantle/DCP_0266.jpg
http://bb.1asphost.com/EluThingol/Greymantle/DCP_0264.jpg
Features:
Ibanez SR 490 4 string bass, purchased in January 2004 for $405 USD.
Natural mahogany body
5 piece wenge/walnut SR4 neck
Rosewood fretboard
Abalone oval inlays
24 frets
Ibanez dxp and dxj pickups
EQB-III 3-band eq
Accu-cast B20 bridge
Cosmo black hardware
Completely sufficient for my needs. I might end up switching out some of the electronics components, though. I especially like the bridge, as the one-screw format allows for extremely easy action adjustment. I wouldn't have it any other way. Although recently, the finish has begun to wear off around the E side of it... weird, considering how little I handle the bridge, in comparison to the tuners, which have shown no wear. It really doesn't bother me at all, but it's something to point out.
Sound:
It's awesome. Oh yes.
The best thing about this bass is its versatility, and sensitivity to technique. This bass is my bitch, plain and simple. It does what I tell it to. Using both pickups lends a very useful do-it-all sound, sufficient for slap, great for tapping and jazz fingerstyle. When I do jazz stuff, I look for a Stefan Lessard kind of warm 'bop', which is definitely present, but not executed quite in the manner of a Modulus. I really don't use the bridge pickup solo, except when I want really bright, loud harmonics. That kind of sound tends to sacrifice all my low-end, so I usually have the pickups balanced at 50/50 for harmonics. The neck pickup is usually my favorite. It has a very cool vintage-esque slap sound that I dig more than the hi-fi kind I get with both pickups. I rarely use a pick, but this bass lends itself well to 'that' tone, especially when I've got my amp cranked. Fingerstyle is awesome, of course, and provides the sound I use most in my band.
Fit & Finish:
The feel of this bass is absolutely beyond compare. I've really bonded with the SR neck shape. It is REDICULOUSLY fast. I love the satin finish couple with the wenge and walnut.
But the body finish is a different story. It's some kind of oil finish, and it does NOTHING to protect the wood. The **** scratches like nobody's business. There are small dings all over the body, and one substantial scratch on the back of the bass that is about 4 inches long. GRRRR.
Overall:
Ibanez makes a great product, plain and simple. The SR 490 is a player's instrument. It really does all that you can ask of an instrument at this price. My only regret is that I didn't get the 6-string version while it was still out. If you ever happen upon one of these beauties, grab it and never let it go.
5/5
Edit: Pics!
http://bb.1asphost.com/EluThingol/Greymantle/DCP_0266.jpg
http://bb.1asphost.com/EluThingol/Greymantle/DCP_0264.jpg