Ich Habe Sheisse
11-25-2004, 06:38 PM
Well...
Features:
Ibanez SR 490 4 string bass, purchased in January 2004 for $405 USD.
Natural mahogany body
5 piece wenge/walnut SR4 neck
Rosewood fretboard
Abalone oval inlays
24 frets
Ibanez dxp and dxj pickups
EQB-III 3-band eq
Accu-cast B20 bridge
Cosmo black hardware
Completely sufficient for my needs. I might end up switching out some of the electronics components, though. I especially like the bridge, as the one-screw format allows for extremely easy action adjustment. I wouldn't have it any other way. Although recently, the finish has begun to wear off around the E side of it... weird, considering how little I handle the bridge, in comparison to the tuners, which have shown no wear. It really doesn't bother me at all, but it's something to point out.
Sound:
It's awesome. Oh yes.
The best thing about this bass is its versatility, and sensitivity to technique. This bass is my bitch, plain and simple. It does what I tell it to. Using both pickups lends a very useful do-it-all sound, sufficient for slap, great for tapping and jazz fingerstyle. When I do jazz stuff, I look for a Stefan Lessard kind of warm 'bop', which is definitely present, but not executed quite in the manner of a Modulus. I really don't use the bridge pickup solo, except when I want really bright, loud harmonics. That kind of sound tends to sacrifice all my low-end, so I usually have the pickups balanced at 50/50 for harmonics. The neck pickup is usually my favorite. It has a very cool vintage-esque slap sound that I dig more than the hi-fi kind I get with both pickups. I rarely use a pick, but this bass lends itself well to 'that' tone, especially when I've got my amp cranked. Fingerstyle is awesome, of course, and provides the sound I use most in my band.
Fit & Finish:
The feel of this bass is absolutely beyond compare. I've really bonded with the SR neck shape. It is REDICULOUSLY fast. I love the satin finish couple with the wenge and walnut.
But the body finish is a different story. It's some kind of oil finish, and it does NOTHING to protect the wood. The shit scratches like nobody's business. There are small dings all over the body, and one substantial scratch on the back of the bass that is about 4 inches long. GRRRR.
Overall:
Ibanez makes a great product, plain and simple. The SR 490 is a player's instrument. It really does all that you can ask of an instrument at this price. My only regret is that I didn't get the 6-string version while it was still out. If you ever happen upon one of these beauties, grab it and never let it go.
5/5
Edit: Pics!
http://bb.1asphost.com/EluThingol/Greymantle/DCP_0266.jpg
http://bb.1asphost.com/EluThingol/Greymantle/DCP_0264.jpg
Features:
Ibanez SR 490 4 string bass, purchased in January 2004 for $405 USD.
Natural mahogany body
5 piece wenge/walnut SR4 neck
Rosewood fretboard
Abalone oval inlays
24 frets
Ibanez dxp and dxj pickups
EQB-III 3-band eq
Accu-cast B20 bridge
Cosmo black hardware
Completely sufficient for my needs. I might end up switching out some of the electronics components, though. I especially like the bridge, as the one-screw format allows for extremely easy action adjustment. I wouldn't have it any other way. Although recently, the finish has begun to wear off around the E side of it... weird, considering how little I handle the bridge, in comparison to the tuners, which have shown no wear. It really doesn't bother me at all, but it's something to point out.
Sound:
It's awesome. Oh yes.
The best thing about this bass is its versatility, and sensitivity to technique. This bass is my bitch, plain and simple. It does what I tell it to. Using both pickups lends a very useful do-it-all sound, sufficient for slap, great for tapping and jazz fingerstyle. When I do jazz stuff, I look for a Stefan Lessard kind of warm 'bop', which is definitely present, but not executed quite in the manner of a Modulus. I really don't use the bridge pickup solo, except when I want really bright, loud harmonics. That kind of sound tends to sacrifice all my low-end, so I usually have the pickups balanced at 50/50 for harmonics. The neck pickup is usually my favorite. It has a very cool vintage-esque slap sound that I dig more than the hi-fi kind I get with both pickups. I rarely use a pick, but this bass lends itself well to 'that' tone, especially when I've got my amp cranked. Fingerstyle is awesome, of course, and provides the sound I use most in my band.
Fit & Finish:
The feel of this bass is absolutely beyond compare. I've really bonded with the SR neck shape. It is REDICULOUSLY fast. I love the satin finish couple with the wenge and walnut.
But the body finish is a different story. It's some kind of oil finish, and it does NOTHING to protect the wood. The shit scratches like nobody's business. There are small dings all over the body, and one substantial scratch on the back of the bass that is about 4 inches long. GRRRR.
Overall:
Ibanez makes a great product, plain and simple. The SR 490 is a player's instrument. It really does all that you can ask of an instrument at this price. My only regret is that I didn't get the 6-string version while it was still out. If you ever happen upon one of these beauties, grab it and never let it go.
5/5
Edit: Pics!
http://bb.1asphost.com/EluThingol/Greymantle/DCP_0266.jpg
http://bb.1asphost.com/EluThingol/Greymantle/DCP_0264.jpg